Adobe releases Premiere Pro CC 2014.1

Adobe has released Premiere Pro CC 2014.1.

Awesome. This release includes Search Bins, Timeline Search, Multiple Project Workflows, Source Monitor Timeline View and Consolidate and Transcode. You can see all the new features at their blog post.

Personally I like the ability to have 4 font size choices, though I kind of wish their was a smaller one than their is. And assignable Marker colors is great.

And it looks great. The darker look and flat effects look awesome. Looking forward to learning the ins and outs of the new features.

PVC on Premiere Pro CC 2014.1

Scott Simmons has a great in depth article on the new features announced in the upcoming Premiere Pro CC 2014.1 Update. He also links to Dave Hemley’s 28 minute discussion on the new features, which I have included.


Some of my thoughts on features I had missed.

•I didn’t see the changeable Font Size for bins, but it makes a lot of sense, especially for HiDPI monitors.

•And being able to open Sequences from other projects without importing them is pretty huge as well.

•Bezier in tracking is a much needed addition.

Very exciting. Honestly they can’t get this out fast enough!

Adobe After Effects CC 2014.1 Announced

Adobe has announced Adobe After Effects CC 2014.1 otherwise known as version 13.1.

• Of course it has HiDPI support with an enhanced User interface!
• Copy with Relative Property Links
•Color management for Dynamic Link to fix color shifts, WOOHOO
•Maxon Cineware version 2.0 and Maxon Cinema 4D Lite R16 (for compatibility, though likely none of the new features of the pay version) with a collect files feature
•GoPro support

Sounds exciting, lets hope they get it in our hands quick!

Adobe Premiere Pro 2014.1 announced

Adobe has announced the next version of Adobe Premiere Pro 2014.1.

It will have search bins that you can keep, advanced timeline search, and Multiple Project Workflows, where you can have different projects open in the Media Browser, instead of having to just import other projects! AWESOME!

There is now a Consolidate and Transcode, as well as a Render and Replace for After Effects Dynamically Linked in your sequence where you can still return to the original media or comp at any time! SO MUCH BETTER!

It works with GoPro CineForm and AJA RAW.

Masking and Tracking has been sped up and better Master Clip Effects.

Also better send to Audition and AAF Export.

And of course HiDPI monitor support.

Honestly I can’t wait!

What’s coming in Adobe SpeedGrade CC 2014.1, it answers most of my issues

The Adobe SpreedGrade Blog has info on the next version of Adobe SpeedGrade Creative Cloud 2014.1.

And it answers most of my problems with SpeedGrade that I have been complaining about, though a problem with multiclips isn’t mentioned (and I will talk more about it later).

The coolest feature is the addition of CURVES, which I have talked about! Woohoo. Curves are such a fast and easy way to quickly do a correct on an image and it will soon be here!

The Second is BlackMagic support, not just AJA anymore! NICE!

Also there is layer based grouping to easily work on effects.

They also have added across the Video Suite support for HiDPI displays, which is great, though without much support for HiDPI monitors, it won’t affect too many.

Audio is now supported for DIrect Link, for easier sync to audio cues, which is great.

Let’s hope this comes out soon!

The only issue that they still need to work on is multi angle clips. I have been working with them in Premiere Pro and while you can color correct them, the plug-in doesn’t show up in Premiere Pro, so you can’t turn off the correction there as you can with other clips. They need to fix this soon, and lets hope they did in this version, though I am not holding my breath.

Adobe Premiere Pro and Adobe Speedgrade my first experience

speedgrade_2x

I recently spent the time to get decent at DaVinci Resolve, and really enjoyed it. It is a powerful and impressive grading program, and I will certainly be making extensive use of it in the future. I of course have Adobe SpeedGrade though, as it is part of the Adobe Suite, and with the latest version of Creative Cloud 2014 it has not only allowed for your whole timeline to translate over to SpeedGrade (it used to only take on track at a time), but it also applies the looks that you create almost instantly back into Premiere Pro and puts them on the clips as Lumetri Filter FX that play back in reel time on most clips, and mean you don’t have to render out the clips as new clips, you can have your Color correct attached to the original clips! Not only that you can always go back and edit the effects in SpeedGrade at any time! THIS IS AWESOME!

And it works great, at least in initial testing! I was able to quickly come up with a pretty good grade, and quickly send it back to Premiere Pro where it was put back onto the original clips in the sequence! Wow! And I love the new Master Clips setting, which lets you set a grade for every instance of a source in the timeline, what a time saver!

I have to admit SpeedGrade is a little quirky though. It doesn’t handle dual monitors well, not letting you split parts of it’s interface off at all (which meant my scopes were too small). And it basically has no menus everything being in the interface, which seems very un-Adobe like. Not too hard to use once you learn the basics, but certainly confusing for a beginner.

And I hate the lack of Curves. Sure you can go in and you have 9 levels of control over individual luminance levels of an image and can do different color effects to each, and that is certainly powerful and has it’s place, but curves such a quick and easy way of control the look of a whole image at once, that it would be a very powerful addition to SpeedGrade.

The other would be support for more than just AJA Video Output. They need to get BlackMagic support in their as more places have the less expensive alternative to AJA. And you really need video output to get a great grade.

Still, even with these issues I would consider using SpeedGrade for grading with Premiere Pro because it is so easy to do, and just have the grade within Premiere Pro, easily changeable and easily removable. For now I will still go with DaVinci for things that need reel precision, as it works with Black Magic (and that is what most machines I work on use) and has curves, and even some editing functionality, but the integration with Premiere Pro means that I will be turning to Adobe SpeedGrade for much of my color grading needs!

More on After Effects Creative Cloud issues with Warp Stabilizer Background Processing

This morning I re-installed After Effects, though it said it failed on aeselflink being open, but when I forced quit it it still would not finish install. I restarted and started after effects again. And this time Warp Stabilizer worked on 5 out of 6 clips. Quickly working in under a minute per clip, but on the last clip, aeselflink crashed again, and once again I can’t get Warp Stabilizer to work in After Effects. Frustrating! Especially when it works just find in Premiere Pro.

And zero responses on Adobe Forums.

My Adobe Forums Post on After Effects Creative Cloud issues with Warp Stabilizer Background Processing

So I made a post at the Adobe Forums to see if I can get any help, you can check it out here.

I tried the second solution from Adobe Forums here as well, and am down to these quicktime components.

AE-QuicktimeComponents

And interestingly I didn’t see any not responding in the Activity Monitor,

AE-ACtivityMonitor

but I still got the DynamicLink Server timeout.

AE-DynamicLinkTimedOut

And the Analysis never started. Very frustrating!