Adobe has released Audtion CC 12.0, otherwise known as Audition CC 2019 October 2018 release
Check out the new features of Adobe Audition CC 12.0.
Most exciting is of course the new Denoise and DeReverb Effects, can’t wait to take them for a spin!
Check out the new features of Adobe Audition CC 12.0.
Most exciting is of course the new Denoise and DeReverb Effects, can’t wait to take them for a spin!
The formerly only available through an invited beta, Adobe Rush has been released for the iPad and iPhone. It is an online editing system that converts everything to H.264 and can do simple edits, and they can even be exported to Premiere Pro though he desktop version requires 10.13 on the mac.
It seems to be a simple and quick editing program to upload web videos, and has to be better than the previous adobe clip, which was pretty basic.
I have downloaded to my ipad, but have not played with it yet.
You can check out all the features at Adobe.
I am most excited about the new JavaScript Engine for expressions and especially the ability to save your favorite expressions in a library!
And I am excited that the new Mocha included is a plug in instead of a stand alone application. I have not upgraded to the latest Mocha as it is a bit expensive, so am glad that this has been updated.
I am just hoping that this fixes some of the problems I have been having lately with UHD projects and not being able to open without either trashing my prefs (which also trashed my Workspaces) or importing the project into a fresh project which works until I have to re-open it. This has been incredibly frustrating!
You can check out the full release notes at Adobe.
I am most excited about being able to access multiple lumetri effects from the Lumetri Panel, instead of only being able to access the last added one, and having to make changes in the effects panel.
Also looking forward to trying the Intelligent Audio Cleanup Tools.
I haven’t really played with Templates from After Effects, since I do my own graphics, and it just seems easier to make the graphics all the way in After Effects, but I will eventually play with it more.
No mention of having fixed the having to render audio to see audio in a multicam clip in the timeline. I am hoping that bug is fixed. I hate having to render every time I open the project, it is just frustrating and unnecessary.
It is certainly worth a read. Now I don’t see how he edits a whole doc with only one sequence, as I like to make stringouts of shots and use markers to mark them up, and he must subclips things, which I find slower.
And I already render at ProRES, but I have also started rendering everything over to ProRES before editing, because highly compressed formats cause too many issues (as do JPGs), though I have had to do it before import, because I have found that using the Ingest feature doens’t work, as it often crashes and loses it’s progress completely.
And I am going to start moving more sequences out of my project into archive projects as I go to see if that helps with stability.
So I recently found the VoluMax 3D Photo Animator template available on Envato VideoHive for $55.This is an incredible plug in that allows you to use After Effects to create 4K photo animations of still photos giving them a fake 3d look. and the effects are incredibly effective.
I tried a couple of tests on my Surface Pro and the setup was quick and easy, though pretty brutal render times, though I am sure my tower would be much faster.
Here is an animation I did of a portrait of my lovely wife.
VoluMax Portrait Test from Jonah Lee Walker on Vimeo.
I am blown away by the portrait results! This is so impressive!
And this is a photo of a ww2 plane I took. it works, though not quite as well.
VoluMax WW2 Plane Test from Jonah Lee Walker on Vimeo.
I love the results. The plane warps a little strangely, but still impressive.
Volumax Landscape Test from Jonah Lee Walker on Vimeo.
This is an HDR shot I took in France. I can’t believe how great this looks!
So I also tried this image of buildings in Grand Turk.
VoluMax Buildings Test from Jonah Lee Walker on Vimeo.
You can certainly see the straight lines warp quite a bit, but the effects is still pretty impressive.
And I did another lanscape test and this is another place where VoluMax really shines!
VoluMax landscape tesr Xunantunich from Jonah Lee Walker on Vimeo.
I did this one without any lens flares or dust and the effect is very impressive!
This is such an impressive template! I look forward to using it in the future! Awesome!
Like I hadn’t realized that the comparison tool could be used for things besides color, such as Warp Stabilizer, Shot Resoration, Motion Graphics Template Chagnes and Fonts and Text placement. Or that it worked within Lumetri Color Scopes to help match shots with scopes! AWESOME!!
I also hadn’t realized about gradients in Essentials graphics with transparency.
Thanks, awesome look at the new features.
So Bilal Alsurri at Nine Productions has created an awesome mockup of an upgraded SpeedGrade, which would obviously then be Adobe Lumetri CC.
This is a dream of mine, because I so miss SpeedGrade. Sure it isn’t DaVinci, but it was very powerful (and I love being able to control the contrast in different regions so easily) and I loved being able to have a grade come back into premiere as plug ins on clips instead of having to render out movies with the grade as currently has to be done. Especially since Lumetri within premiere is good, but not great, and certainly not a professional level color correction program.
It is so unfornunate that Adobe seems to have given up on a professional color app for a very begginer implementation and something like this would certainly go a long way to making color pro again in Creative Cloud.
If you are like me and like this idea, please go to Adobe User Voice and give it an upvote! It only has 19 right now!
So I am getting a totally reproducible bug in Premiere Pro CC 12.1.2 (Build 69).
I have a graphical bug to do with the Essential Graphics Text causing the Canvas Viewer to go black. Sometimes the entire timeline goes, and sometimes just the Essential Graphics Text, and it happens when I attempt to change the contents of the text.
I do have a bug with an alpha and an adjustment layer with a video limiter above the text layer, but with essential graphics I continue to get the whole screen going black.
The only way to get it back is to restart premiere, and it will happen again later, though not always.
This is on a MacPro 5,1 with 32 GB of RAM and a GTX 970 with 4GB of RAM.
It is especially frustrating when combined with having to render audio to see multicam audio every time I restart.
I have posted this at Adobe User Voice.
I got a response and they seem to think it is the video card, and graphics drivers. So they lay it at NVIDIA’s feet. And they had me try to see if it happened with render set to CPU, and I tried to see, but it was literally so slow that I could barely function so I gave up after an hour or so.