Adobe After Effects is improving it’s 3D experience!

Coming Soon to After Effects Beta – New ways to work with 3D

Discover these new 3D tools to help you navigate in 3D space better and faster, including improved camera features and 3D Transform Gizmos. pic.twitter.com/CXpef2DNo7

— Adobe Video & Motion (@AdobeVideo) September 15, 2020

Awesome After Effects is updating it’s 3D tools, and looks like it is a borrowing from C4D which can only be good. The 3D tools have always been way too basic, and this could be a huge improvement.

Adobe updates Premiere Pro to 14.4 (September 2020 release)

 


Adobe has updated Premiere Pro to version 14.4, the September 2020 release. 

The new features are:

  • Scene Edit Detection using Adobe Sensei AI
  • HDR Rec.2100 Clor space for broadcasters, with Apple ProRes and Sony XAVC-I formats fully color managed and GPU accelerated
  • Export with Proxies for a quick export that doesn’t require full resolution
  • Scans Audio plugins multiple times faster.
  • Export AAF with Breakout to Mono p[r audio channelization.

Red Giant has updated to Universe to 3.3 with 2 new tools 4 updates

 

Red Giant has updated it’s Universe Plugs ins to version 3.3 with 2 new tools and 4 updates plugs ins.

The new Tools are:


  • Quantum: a tool that creates the illusion of an animated light trail in front of or behind a layer. Great for text and motion graphics
  • Modes: a tool that makes it easy to combine layers in entirely new ways using powerful features that go beyond the native blend modes found on your editing timeline.

 And the Updates are:

  • Glow: Now offers Inverse-square glow falloff, multi-pass chromatic aberration and the ability to glow a single color channel.
  • Glimmer: This update gives you 6 mono or bi-directional glow streaks with variable intensity and color mapping, an animatable shimmer, variable rotation control, and Color maps aligned with Trapcode’s Starglow.
  • Chromatic Aberration: This tool now includes control over the focus area, the ability to split the aberration into multiple passes, and chromatic rotation.
  • Hacker Text: The addition of customizable random characters and the ability to auto-animate the encryption and decryption.

 

 Always excited for new Universe tools as I have a lifetime on them, and they are always very fast with GPU support.

Have to play with Modes, though Modes themselves exist in Premiere, so it will be much more amazing in AVID which doesn’t have layer modes for compositing.

Does anyone else lament the loss of Red Giant’s Keying suite from the VFX suite?

 

Now it isn’t like I don’t love the Red Giant VFX suite, but I have been a Red Giant user for many years, and I miss all the tools of the Keying Suite. 
Now I am not complaining about Primatte Keyer 6 which is included in the Red Giant VFX Suite. It is very powerful and easy to use, though since Primatte 5 doesn’t really seem to work with 2020 or Beta it had better be good, but I do miss all off the ancillary plugs ins of the Keying suite, and I do know that many of the effects have been incorporated in SUPERCOMP, but I want all the controls of the individual plug-ins again.
I will admit that I am using keyers in a different method than most, as Primatte works great for a standard green screen (which I am using as well), and I find it vastly superior to the build in Keylight. The thing is I am doing puppeteering and using a green glove to puppet a teddy bear, so instead of just the green, I want to expand the green beyond the glove, instead of objects inside the green screen. And yes I can do that with rotoscoping, but that kind of negates using a green glove as I have to animate every frame.
And I have to admit I had an easier job doing that when I had the tools all in separate plug ins. I miss the key correct plugs in. I miss seperate versions of Alpha Cleaner, Light Wrap (which I know is in SUPERCOMP), Matte Feather, Smooth Screen, Spill Killer (I know this is in Primmate 6) and Wire/Rig Remover, which is more what I am trying to do. And yes I still have the old plugins, but they really don’t work in After Effects 2020.
Now I know I am using the plug ins out of their comfort zone, but using the separate plug ins I was much better able to do what I wanted to, and with Primatte 6 only having some of the plug ins integrated I am not as happy with what I can do.
And that is beyond the whole SUPERCOMP not working with Motion Blur thing which really needs to be fixed.

Roto Brush 2 in the After Effects Beta is a vast improvement

So I have been using Roto Brush for years in After Effects. It was a tool that worked with a lot of user input, but it was so incredibly slow. And honestly with footage getting larger I think it had actually gotten slower, but Adobe has finally been working on an upgrade that is available in the current Beta.

Roto Brush 2 stills needs user input and it doesn’t do well with a lot of motion blur, but it is so much faster! It used to take sometimes minutes to calculate a single frame, and now in minutes it can calculate a whole clip.

I am not sure how much better of a roto that it does than the old version, but the speed in which it works means you can make changes and even work frame by frame, and work quickly enough to do a basic roto very quickly.

I am so glad for the public betas and them letting us use unreleased features.

Now I know why Adobe denied my request for years on apps, they have made all apps in the same category the same color, so they are harder to tell apart!

So I opened Adobe’s updates today and low and behold, they have updated a great swatch of apps, but even worse they have updated the icons so that applications in the same category are the same color. Sure it means you can tell this years apps from earlier versions, but now it is easier to confuse different apps for each other as all the video apps are now the same damn color, WTF! And this will get even worse when they release next years versions with the same damn app icon (why can’t they put some versioning in the icon?).

These are the swath of Adobe Apps I keep in my Dock, and without dragging over them with a cursor it is a pain in the ass to tell them apart (and yes I need the different versions as some companies I work with run older versions because of stability issues).

Hell even the beta icons are changing already, though at least they will let me keep breaking up the apps

I guess at least this year for individual apps it will be easier, but what about when the previous 2 versions have the same damn icon, and they are all the same color?

For a company that makes applications for designers they sure have a shitty sense of design!

Adobe denied my feature request to put the year on the application icons without allowing anyone to vote on it

So adobe very quickly denied my feature request to add the year to the product icon, saying since they have removed the year form the product name. Though they have not. They removed the CC for Creative Cloud for the name.

And as they have always done the updates for the year stay at 2020, until the next version will be 2021.

And they should have differentiated icons, WTF!

Why do Adobe Application Icons not include the year of the application so they are easier to tell apart at a glance?

 

So these are the application icons for Premiere Pro and After Effects 2019 and 2020 in my dock. Why do they have the exact same icon? Yes if I hover my cursor over each one it will tell me the whole application name, but why don’t you just put the version number in the icon?

And yes I need to have both versions. I am a professional commercial video editor, and very often I have to match a companies version so that the project files will open in the version that they are using. And then there was the whole Arri files not working in 2020 After Effects, but that is another story.

Now I used to customize the icons on my own, but that is a pain in the ass, and they get replaced every update, so if I am paying over $600 a year for a subscription to Creative Cloud can’t they update the icons for each yearly version? And I don’t mean just change the Icon, like they did for Photoshop with 2020.

That is 2019 on the left and 2020 on the right. And sure it helps, but I still have to think, oh yea the rounded icon is the new one.

So I made a couple of examples of what I used to do and what they could do. Here is a Premiere pro with the 2020 included.

Now this totally works for me, but I have fairly large monitors set a 2560 by 1440, so the 2020 so can get small on small monitors, so how about just the last 2 numbers?

This is easier to read on any screen. I used the same PR that came from the original icon and just added a large 20, not it is Arial black and not whatever font Adobe is using, but at least it quickly tells you the version!

And yes I have posted this at Adobe User Voice, and I didn’t see any other posts about it, so if you care about this like I do, please vote.

Will Adobe add X-Rite ColorChecker support into Premiere Pro CC?

So for years DaVinci Resolve has had support for X-Rite’s ColorChecker products. These are color cards that you can use to shoot video (they also have Photo versions) and you can use them to balance different cameras to the same color correction. I personally use a ColorChecker Passport Video. Sure I have had some difficulty on shoots where the script supervisor did not give me enough notes on shot Color Temp, but this is still usable.

For years I have hoped Adobe would implement this in Lumetri in Premiere, as it would be quick and fast for certain projects that don’t need the full color correction of DaVinci. And it seems they are listening as they have commented on User Voice.

Of course they do comment that it won’t happen as soon as they are working on stability and performance, though that never seems the case with Premiere. The whole Adobe suite gets more and more unstable and gets features that aren’t needed, when features many professionals could use right now are bypassed.

More ways that Apple Music is messed up for those who moved from iTunes and some ways to fix things with some work

I have been chronicling all the problems I have had since moving my iMac Pro to Catalina with Music, formerly iTunes. Since Apple broke iTunes into multiple apps I have had nothing but problems with the app.

One of the big ones for me is that in the move to Music, Apple decided to ignore all the years of column organization you did with your playlists. They defaulted every playlist to the Playlist view, which only shows your album artwork, song titles, album title and time of the track.

There is a much superior Songs view, but even it starts with only limited columns, but as with iTunes if you customized the main songs list to have the columns and widths that you want, then they would propagate to all new playlists you create. Now the problem arrises, because all your playlists from iTunes were reset to the default Songs layout, so you either need to change each and every playlist (over 3100 for me) or it is time for a trip to Doug’s Scripts.

Doug’s Scripts has been around for a while now previously having the best applescripts for iTunes, and now slowly updating scripts to work with Music if they work. My only complaint with the site is that you should be able to search for scripts that just work with Music, and maybe it could use a voting system to vote on old scripts and see if they can be made to work on Music, as their are few that I really miss. Still it is just an awesome site.

And Doug has updated an old script to fix this very problem, Assimilate View Options V 5.1. This script brings up a window with all of your playlists and you can select them and hit process and it will go through and duplicate the playlist and add all the tracks in the same order with the current View Options baked in. It’s only issue, is that pesky view being automatically set to the Playlist view instead of the Songs view you want. So you will still need to switch every playlist to Songs, view, but Doug has a tip to set a keyboard shortcut to the Songs view so you can at least speed up the process.

I still can’t fathom why apple doesn’t let you specify a default view in Music. And it is worse that Apple chose to ignore your organization from iTunes when importing into Music, but I am assuming that was easier for them, but hell if they would have just let you update the view options first so that all the playlists imported with your default would have been amazing. That is assuming Apple still cares about people using local music libraries and I am pretty sure they don’t. So for now this is at least a solution.