PVC Early look of new Premiere Pro

Scott Simmons at the Pro Video Coalition has a 3 page look at the new Premiere Pro.

This is getting me even more excited. The best thing is actually way down in the article, that you can now view audio with one click or keystroke in the viewer! Woohoo! Back to FCP 7 style ease of audio editing in the viewer!

And i sure do hope my Behringer MIDI control surface will work and not just EUCON and Makie surfaces! Hopefully any MIDI surface will work! Please please please Adobe!!

I do love that they are listening, even if it seems to take a little while, it certainly is faster than Apple ever did, if they ever listened at all, which to me FCP X proves they have not.

Now I just hope more companies chose Adobe over AVID, especially with the NVIDIA GTX 680 coming out for Macs!

Adobe on the new Premiere Pro

Adobe on their blogs has released a whole lot of info on the new version of Premiere Pro.

the next version of Adobe Premiere Pro offers a slew of new features and refinements that let you move through your projects efficiently and intuitively, including Editing Finesse workflow enhancements, Link & Locate to help you find files faster, an expanded audio toolset, an even more responsive Mercury Playback Engine, and a powerful new closed captioning workflow.  We’ve also added the Lumetri Deep Color Engine to Premiere Pro, so you can apply .look files from Adobe SpeedGrade to your clips and cut with the aesthetic of the grade. A library of preset Lumetri looks is included, offering simple, beautiful looks without leaving the application.

And the Top New features:

▪ Editing finesse: multiple refined tools and workflows to help you work faster than ever
▪ Redesigned Timeline: a cleaner look and feel for intuitive workflows
▪ Customizable track headers with the option to save track header presets
▪ Duplicate frame markers: see which frames have already been used
▪ Paste attributes: paste the attributes of customized effects
▪ Link & Locate: Allows for much faster and simpler clip relinking and media management
▪ Lumetri Deep Color Engine: Apply rich color presets to clips from the new Lumetri Looks browser, or apply LUTs or .look files from Adobe SpeedGrade to clips
▪ New Audio Clip Mixer for adjusting levels on individual clips
▪ Audio control surface support
▪ New audio Plug-ins including the TC Electronic Loudness meter
▪ Support for VST3 and Audio Unit plugins (Mac OS only)
▪ Adobe Anywhere for video integration. Just launched, Adobe Anywhere is a modern, collaborative workflow platform that empowers users of Adobe video tools to work together, using centralized media, across any network. Learn more here.
▪ Industry-standard mezzanine codecs DNxHD (in MXF), and ProRes are built-in(ProRes encode requires Mac OS X 10.8.x)
▪ Natively edit more formats including Sony XAVC and Panasonic AVC-Intra 200
▪ Import, edit, repurpose, and export Closed Captions
▪ OpenCL and CUDA support on Mac and Windows, and far more supported GPUs than ever before (plus the ability to enable an unsupported GPU)
▪ AAF and XML import improvements to allow you to move projects and sequences from Avid and Final Cut Pro 7 (or earlier) systems

Not Knowing more, I am most excited about being able to Paste any attributes, duplicate frame markers, Link & Locate (WOOHOO, this will save so much time), audio control surface support, ADOBE ANYWHERE which I have talked about before, and am so excited to be able to have centralized media and edit from anywhere, better CUDA support including being able to enable unsupported GPU’s!

And check the site for the full list of new features which is extensive. They really are listening! What a concept from an editing software company as Apple never did, and you never knew with AVID.

CAN’T WAIT!!!!

Adobe releases NAB Sneak Peaks of it’s video apps! UPDATED

AdobeNAB

Check it out over at Adobe where they have a bunch of videos of new features being shown at NAB! Woohoo, wish I was there!

Premiere is really getting controllable paste attributes! WOOHOO!!! I am so excited about Premiere Pro, it finally looks like it really is Final Cut Pro 8, but with so much more. And the Link & Locate was so necessary. And really powerful audio, and the integration with speedgrade and realtime looks very exciting. And it looks so much better working with audio, and I am hoping that it’s control surfaces works with any MIDI controlled surface. I love that Adobe listens to it’s users!!!

After Effects just looks amazing. And the Warp Stabilizer VFX seems unbelievably powerful. And the 3D pipeline looks awesome, though it makes me wish I had Cinema and knew Cinema 4D!

And is it just me or is it cool to see Wes Plate from Automatic Duck running Prelude? And the script integration just seems amazing! Especially with transcripts! That will speed things up so much, and be useful across the industry! Wow! And being able to edit using the script is insane. You can make a paper cut so fast it is a joke!

Speedgrade gets a more of an adobe makeover, and lets you rename grades in layers and add snapshots and save them so you can easily make different grades, and work better on portable machines, and even have 2 playheads in the timeline to easily pick frames you want to grade to and from, or have 3 up as well! Sounds much improved!!!

Adobe Story has really grown up and looks incredibly powerful!

Really need to spend time with Speedgrade as the new color match looks powerful and it’s engine integration in Premiere Pro looks especially impressive. And being able to use Targa files from Photoshop or Lightroom (has to be exported from Photoshop not Lightroom) to drive shot matching looks very very cool.

And the Audition Loudness radar seems very interesting.

More feature request for Adobe Premiere Pro and Media Encorder CS6

Premiere

So I am delivering a show that was cut in Final Cut Pro, that was cut in 23.976, but needs to be delivered at 29.97, so I was using Adobe Media Encoder to do the conversion, but found I could only do it if I want either a single stereo audio track or a single mono mix-down.

I don’t have the ability to compress a version with dual or more mono tracks (or a stereo and dual mono).

Often I have to deliver shows with a stereo mix, and dual monos one with dialogue, and the other with music and FX, but I can’t do that with Adobe Media Encoder, so I have had to go back to the super slow Apple Compressor to do my compressions.

AME

Not only could Media Encoder us a pass through, so if you have a clip with 4 audio tracks uncompressed, then just re-write it in the new file exactly as it was, but it also needs to at least be able to separate dual mono tracks so you can at least do stems on the textless version.

The other is that Premiere Pro really needs to be able to paste individual attributes of a clip, just like Final Cut Pro 7. Just being able to paste all attributes is less than useless in most cases!

I just brought all of my reels into Premiere Pro from Final Cut Pro 7 because I wanted to use Adobe Encore to make a new DVD and somehow all my clips had there volume put to negative infinite, so I have had to individually raise the volume one each clip, which was an incredible pain.

And yes I have put in Feature requests at Adobe, but I have been putting in the individual attributes since CS 5.0, so I am not holding my breath.

Under $1000 for a way to monitor 1080p with worldwide frame rates using thunderbolt

Allan Tépper at the Pro Video Coalition has a great solution for monitoring video using thunderbolt and a Sony KDL-40BX420E, which will work with US power and supports, both PAL and NTSC frame rates as well as 23.976 and 24 FPS. Very very cool. The monitor is grey market in the US, so he also recommends a third party warranty. This is a inexpensive and great solution for monitoring.

2012 iMac faster than Mac Pro with Radeon HD 5870 in DaVinci Resolve and Premiere Pro CS6

Bare Feats has run the tests, and the 2012 iMac 27″ 3.4GHz Core iMac with 32GB of RAM and the GeForce GTX 680MX GPU actually does beat the MacPro in Resolve and Premiere Pro, but that is a MacPro with the Radeon HD 5870 GPU. Not really a fair test unless you have an NVIDIA CUDA card in the MacPro. As the MacPro still beats the iMac in 2 out of 3 CPU tests.

I have a feeling my non Mobile NVIDIA GeForce GTX 670 4096 MB would slaughter the iMac in anything CUDA aware, which would be Premiere Pro, After Effects or DaVinci Resolve.