DigitalFilms on AVID Media Composer for Final Cut Pro Editors. And must read for any recent switcher to let you know about the features you need to look into to really become an expert in AVID.
Sounds like the non-CUDA acceleration is pretty damn good, though as I have said I keep wishing for more NVIDIA on the mac, but it looks less and less likely to happen every day.
David Lawrence has an excellent article over at Creative Cow.
He really sums it up in a Creative Cow Forum Post.
Believe the hype, the Conan boys are right. It really is Adobe’s Final Cut Pro 8.
Though later says:
Is Premiere Pro 6 Adobe’s Final Cut Pro 8? If you ask me, the answer is no. It’s something different and potentially better. Is there room for improvement? You bet. If you miss certain features, let ’em know. They’re listening.
I am so looking forward to Premiere CS6, and do hope it is an FCP 7 replacement, though that also makes me wish for more NVIDIA CUDA cards for the Mac, or it looks like editing is going to move all PC in the future.
Richard Keates has a good article on why he dropped FCP X after trying to use it to cut corporate video, and why Premiere Pro is the solution for what he needs to do (graphics heavy productions).
Unfortunately I see many places moving back to Media Composer which I do find inferior for graphics work and hope that Premiere CS6 can make some inroads. I just wish that Apple would re-commit to the MacPro and push to get powerful CUDA Nvidia cards across their line to allow people who are unhappy with FCP X to use the products they want to and stay with Mac!
Walter Biscardi has a good post on editing for now, and or now that is AVID. And Premiere CS6 will be or some things as it is getting better, and Smoke will be tested and he is giving the ideas for their next version, both will possibly be implemented for him in 2013. For me it looks like AVID will be part of it, but I am hoping that CS6 is really a good replacement for Final Cut Pro 7.
Larry Jordan has posted a preview of new features that will be added to FCP X and that Apple is saying that FCP X is to be a pro editing App. This includes native RED and Scarlet editing, and better audio editing, Dual Viewers (wow is apple admitting it was wrong??) and native MXF support, and rumors of another app to go with Motion and Compressor.
Maybe Apple can make FCP X a real Pro Editing Program, but the bad word they have created with the initial release will forever taint it. Honestly they should be a doing a 64 bit Final Cut Pro 8, and put in as many new features from X as they can as additions, and that might convince people they are still going for the pro market, but FCP X in my opinion will be forever tainted.
Jan Ozer over at OnlineVideo.net has a great blog on Apple taking the Pro out of Final Cut Pro with Final Cut Pro X.
I totally agree with the conclusions and think it was one of the stupidest moves Apple has ever made, but it looks like Adobe and AVID are ready to take the slack.
Videoguys no have a crossgrade from FCP 7 to AVID Symphony for $999! Yes not Media Composer but Symphony! And it is also $999 to upgrade from Media Composer!
Symphony adds Advanced Color Correction and Universal Mastering, which allows you to play out a timeline to any frame rate or size!
The Pebble e-paper watch is a very cool accessory for your Smartphone that is currently having a kickstarter campaign, and these people have already made a product for Blackberries.
The only downside it is uses the old Bluetooth 2.1 tech instead of the new lowpowered bluetooth that the iPhone 4S has, so it will drain battery life.
Still a very cool idea, and a product that will have a future.
This is all over the web, but Larry Jordan reported on it. And Apple has updated FCP X in time for NAB.
Sounds like the biggest edition is better broadcast monitor support and better Multicam performance. So mostly bug fixes, but the broadcast monitor support is certainly important.