Logan Baker at Premium Beat on Giving up Premiere Pro for DaVinci Resolve after One Year

Logan Baker at Premium Beat on everything he learned in a year of switching from Premiere Pro to DaVinci Resolve.

Well worth the read. I have delved into DaVinci Resolve myself, at first just for it’s coloring, but then I have also done editing in it.

And I tend to agree with what he says that is better in premiere, basically the interface itself, the ability to control the interface, the integration with After Effects, and the Essential Graphics Panel. I would of course also add the Essential Sound panel as it is a great start for a mix.

The interface control for me is huge. I love how in Premiere like AVID before it there are so many ways to do the same thing, keyboard shortcut or using the mouse, while I feel like DaVinci is much more forcing you a single way with many commands only available through keyboard shortcuts. And you can’t add your favorite controls to the interface, what they chose is what you get.

The article doesn’t talk about it, but I also want to talk a little about the Cut Page. It is a very Final Cut Pro X addition to DaVinci, for quick cutting a rough cut with smart edits and transitions and it is what their Speed Editor interface is totally focused on. While I do like that it will take a folder and string everything together so I can zip through footage quickly, I can do that in Premiere with Stringout sequences. And I spend so much less time on the initial edit than on the actual edit, that I would much rather focus more on the edit page than the damn cut page. Sorry, end of rant on the cut page.

DaVinci is so powerful, but you have to learn their way to do everything, and that is my complaint with Final Cut Pro X. I would much rather have multiple ways to do things, and you can find the way that suits your editing style. I feel like the engineers win here over the actual users. And I hate that.

ProVideoCoalition has released a 2021 Video Workstation Buyers Guide

Damien Allen at PVC has released a 2021 Video Workstation Buyer’s Guide with both Mac and PC options.

As with all PVC Articles well worth a read if you are looking for a new machine this year.

The Mac world is really in so much flux with only consumer oriented Apple Silicon M1 chips released so far. Personally I am so looking forward to what pro Apple Silicon will do, but will certainly have to wait for that.

Chadwick Shoults of Creative Video Tips on the Take Selector in DaVinci Resolve

I have to say Chadwick’s videos are quickly becoming my favorite videos on DaVinci Resolve, I literally always learn something watching his videos, so they are really worth checking out.

I have liked this feature in Final Cut Pro X, and honestly didn’t even realize it was available in DaVinci. Now Premiere needs to add it.

CineD on newly released Colourlab Ai color grading software using Artificial Intelligence

Jeff Loch at CineD has an article on Colourlab Ai which works with DaVinci Resolve to match color using Ai.

You can check out Colourlab Ai at their site and try a free trial, or you can get it as well as Look Desinger and Grain Lab for $49 a month or $490 a year.

What this sounds like is it takes a sequence from DaVinci Resolve and then can quickly match it to a look that you show it, and it does it with standard corrections that can be sent back to Resolve without using XML at all and it puts the grade on nodes.

It is supposed to be perceptual matching of shots to reference shots. Obviously I need to try it out before I can comment on how it works, because I have just watched a few videos on it for now. And most impressively is how it creates 8 versions of the match so you can pick your favorite.

The video above is pretty long winded, but very interesting. I certainly want to give it a try.