Jonny Elwyn on Matching 2 different Cameras Using Cinematch

Jonny Elwyn has an excellent article on using Cinematch to match 2 different Cameras. And you can use his Promo Code at Cinematch for the $125 Plug in (for either Premiere, DaVinci or FCP or $174 as a Bundle).

This is another extensive article and well worth a read.

I would love this tech, since the company I have been working for seems to use 2 different cameras always, and different settings every time, but getting info is like pulling teeth, and the EXIF route seems more difficult than just throwing it in Resolve and fixing it by eye, maybe not as well matched, but visually matched.

I do really like the idea of this match, but also they don’t have my DJI Pocket 2 in here, which would be my second camera most of the time.

Blackmagic Design released DaVinci Resolve 18.5 Beta 1 at NAB

Amazing how fast they move, adding in AI based trasncription editing and subtitles, a new relighting OFX plug in that works with the color panel and per timeline color management.

The freight train of Davinci Resolve Updates is mind blowing how quickly they add new features and make this program better and more stable.

Tangent releases a Beta of it’s Warp Engine for Mapping Color grading

Tangent Beta Program – Tangent : Tangent

This new engine in the beta allows you to not only do a custom mapping for DaVinci, but for other programs that don’t use the panel, though you must go in and program the positions on screen as it is basically faking mouse moves. So not full customization (not possible unless Black Magic allows it which is highly unlikely.

And everyone will need to program for their own monitor setup, which is a pain, but once programmed will work.