CrumplePop on How to Remove Background Noise in DaVinci Resolve: Step by Step Guide
Another must read audio tutorial from CrumplePop!
Casey Faris has a beginners guide on importing & Organizing Media in DaVinci Resolve
From Casey Faris on YouTube.
Organization is so important and I hate that more people aren’t as organized as I am.
Honestly we need template projects that bring in your basic bins in every project.
Casey Faris on how to Combine Keys in Fusion – Advanced Green Screen Tip
From Casey Faris on his YouTube Channel..
This is very cool, as I have been doing some personal keys and don’t have enough lighting to really light the background correctly.
The video is less than 8 minutes and very impressive results.
Jonny Elwyn on Matching 2 different Cameras Using Cinematch
Jonny Elwyn has an excellent article on using Cinematch to match 2 different Cameras. And you can use his Promo Code at Cinematch for the $125 Plug in (for either Premiere, DaVinci or FCP or $174 as a Bundle).
This is another extensive article and well worth a read.
I would love this tech, since the company I have been working for seems to use 2 different cameras always, and different settings every time, but getting info is like pulling teeth, and the EXIF route seems more difficult than just throwing it in Resolve and fixing it by eye, maybe not as well matched, but visually matched.
I do really like the idea of this match, but also they don’t have my DJI Pocket 2 in here, which would be my second camera most of the time.
Scott Simmons at PVC on the Current State of Text Based Editing
Well worth a read. I tried it out in Premiere Pro, and my biggest complaint is that if I edited from a sequence there is no option to cut the original clips in vs pre-composed clips.
Cut/Daily on How to Upgrade Your Sound Design Skills in Under an Hour in DaVinci Fairlight
Post 342 from the excellent Cut/Daily and Johhny Elwyn.
He links to some places to get into using Fairlight in DaVinci Resolve.
Darren Mostyn on How to Get Started on The Color Page of Davinci Resolve
From the amazing Darren Mostyn who is a professional Colorist.
At NAB Blackmagic updated it’s URSA mini Pro 12K with OLPF Filter for Digital Screen Production
Same camera with Low Pass Filter for problems with Aliasing Especially when working on something like a volume with video walls where you don’t want aliasing. And it is the same price.
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