Scott Simmons at PVC on the Current State of Text Based Editing
Well worth a read. I tried it out in Premiere Pro, and my biggest complaint is that if I edited from a sequence there is no option to cut the original clips in vs pre-composed clips.
Cut/Daily on How to Upgrade Your Sound Design Skills in Under an Hour in DaVinci Fairlight
Post 342 from the excellent Cut/Daily and Johhny Elwyn.
He links to some places to get into using Fairlight in DaVinci Resolve.
Darren Mostyn on How to Get Started on The Color Page of Davinci Resolve
From the amazing Darren Mostyn who is a professional Colorist.
At NAB Blackmagic updated it’s URSA mini Pro 12K with OLPF Filter for Digital Screen Production
Same camera with Low Pass Filter for problems with Aliasing Especially when working on something like a volume with video walls where you don’t want aliasing. And it is the same price.
At NAB Blackmagic Design added vertical shooting to it’s Pocket Cinema Cameras
You can read about it at this article by Brian Hallett at PVC (darn if Blackmagic doesn’t make updates hard to link to on their web site).
I haven’t updated my camera yet, but I will. I hope to never shoot vertical, but who knows!
FilmEditingPro Depth Map and Surface Tracker in DaVinci Resolve 18 Tutorial
These are some of the most exciting features in DaVinci Resolve 18, so here are some great tutorials.
Blackmagic Design released DaVinci Resolve 18.5 Beta 1 at NAB
Amazing how fast they move, adding in AI based trasncription editing and subtitles, a new relighting OFX plug in that works with the color panel and per timeline color management.
The freight train of Davinci Resolve Updates is mind blowing how quickly they add new features and make this program better and more stable.
Blackmagic Design dropped the price of the higher end Cloud Store models
Always good to see a dropped price, but hope it doesn’t mean these aren’t doing well. As it is such a cool thing.
Tangent releases a Beta of it’s Warp Engine for Mapping Color grading
Tangent Beta Program – Tangent : Tangent
This new engine in the beta allows you to not only do a custom mapping for DaVinci, but for other programs that don’t use the panel, though you must go in and program the positions on screen as it is basically faking mouse moves. So not full customization (not possible unless Black Magic allows it which is highly unlikely.
And everyone will need to program for their own monitor setup, which is a pain, but once programmed will work.
OWC on How To Create A Sound Effects Library With DaVinci Resolve
Arthur Ditner at OWC has this blog post.
This is great as I am not as experienced with Fairlight, though I have been enjoying using it of late.
- Go to the previous page
- 1
- …
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- …
- 24
- Go to the next page