Jonny Elwyn on Matching 2 different Cameras Using Cinematch
Jonny Elwyn has an excellent article on using Cinematch to match 2 different Cameras. And you can use his Promo Code at Cinematch for the $125 Plug in (for either Premiere, DaVinci or FCP or $174 as a Bundle).
This is another extensive article and well worth a read.
I would love this tech, since the company I have been working for seems to use 2 different cameras always, and different settings every time, but getting info is like pulling teeth, and the EXIF route seems more difficult than just throwing it in Resolve and fixing it by eye, maybe not as well matched, but visually matched.
I do really like the idea of this match, but also they don’t have my DJI Pocket 2 in here, which would be my second camera most of the time.
Scott Simmons at PVC on the Current State of Text Based Editing
Well worth a read. I tried it out in Premiere Pro, and my biggest complaint is that if I edited from a sequence there is no option to cut the original clips in vs pre-composed clips.
Cut/Daily on How to Upgrade Your Sound Design Skills in Under an Hour in DaVinci Fairlight
Post 342 from the excellent Cut/Daily and Johhny Elwyn.
He links to some places to get into using Fairlight in DaVinci Resolve.
Darren Mostyn on How to Get Started on The Color Page of Davinci Resolve
From the amazing Darren Mostyn who is a professional Colorist.
At NAB Blackmagic updated it’s URSA mini Pro 12K with OLPF Filter for Digital Screen Production
Same camera with Low Pass Filter for problems with Aliasing Especially when working on something like a volume with video walls where you don’t want aliasing. And it is the same price.
At NAB Blackmagic Design added vertical shooting to it’s Pocket Cinema Cameras
You can read about it at this article by Brian Hallett at PVC (darn if Blackmagic doesn’t make updates hard to link to on their web site).
I haven’t updated my camera yet, but I will. I hope to never shoot vertical, but who knows!
FilmEditingPro Depth Map and Surface Tracker in DaVinci Resolve 18 Tutorial
These are some of the most exciting features in DaVinci Resolve 18, so here are some great tutorials.
Blackmagic Design released DaVinci Resolve 18.5 Beta 1 at NAB
Amazing how fast they move, adding in AI based trasncription editing and subtitles, a new relighting OFX plug in that works with the color panel and per timeline color management.
The freight train of Davinci Resolve Updates is mind blowing how quickly they add new features and make this program better and more stable.
Blackmagic Design dropped the price of the higher end Cloud Store models
Always good to see a dropped price, but hope it doesn’t mean these aren’t doing well. As it is such a cool thing.
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