Film Resolved Custom Safe Overlays in DaVinci Resolve
https://www.youtube.com/watch?v=A11YPMSw4Ds&embeds_referring_euri=https%3A%2F%2Fdvresolve.com%2F&source_ve_path=OTY3MTQ&feature=emb_imp_woyt From Film Resolved on YouTube.
https://www.youtube.com/watch?v=A11YPMSw4Ds&embeds_referring_euri=https%3A%2F%2Fdvresolve.com%2F&source_ve_path=OTY3MTQ&feature=emb_imp_woyt From Film Resolved on YouTube.
https://www.youtube.com/watch?v=8geDbNpH5cI From Darren Mostyn's YouTube Channel. This is basically the most important thing about Project setup that you can do in Resolve to get your color correct, and it is complicated, so it is good to see it in a 10 minute video.
https://crumplepop.com/how-to-remove-background-noise-in-davinci-resolve/ Another must read audio tutorial from CrumplePop!
https://www.youtube.com/watch?v=75fCmrLF8Qk From Casey Faris on YouTube. Organization is so important and I hate that more people aren't as organized as I am. Honestly we need template projects that bring in your basic bins in every project.
https://www.youtube.com/watch?v=3Y0ptyRwy4s From MrAlexTech.
https://www.youtube.com/watch?v=p13NjMoLUMI From Casey Faris on his YouTube Channel.. This is very cool, as I have been doing some personal keys and don't have enough lighting to really light the background correctly. The video is less than 8 minutes and very impressive results.
https://www.youtube.com/watch?v=zpSIKShJMn4 From Chris Tempel's Youtube Page. This is very very cool.
Jonny Elwyn has an excellent article on using Cinematch to match 2 different Cameras. And you can use his Promo Code at Cinematch for the $125 Plug in (for either Premiere, DaVinci or FCP or $174 as a Bundle). This is another extensive article and well worth a read. I would love this tech, since the company I have been working for seems to use 2 different cameras always, and different settings every time, but getting info is like pulling teeth, and the EXIF route seems more difficult than just throwing it in Resolve and fixing it by eye, maybe not as well matched, but visually matched. I do really like the idea of this match, but also they don't have my DJI Pocket 2 in here, which would be my second camera most of the time.
https://www.provideocoalition.com/the-current-state-of-text-based-editing/ Well worth a read. I tried it out in Premiere Pro, and my biggest complaint is that if I edited from a sequence there is no option to cut the original clips in vs pre-composed clips.
Post 342 from the excellent Cut/Daily and Johhny Elwyn. He links to some places to get into using Fairlight in DaVinci Resolve.