Canon releases the Hybrid EOS R5 C with Still and Video Modes

Canon has released it’s EOS R5 C with Video and Photo modes, and basically fixes the video modes of the R5, with a huge cooling system attached to the back of the camera. It is $4500 though, $500 more than the standard R5, but it doesn’t have time limits on it’s 8K Video Capabilities. And it actually has modes for video and still, where the camera reboots in between.

I will never know why they remove image stabilization from the body which is in the R5, and built in ND would have been nice since the BMPCC 6k Pro includes it at about half the price.

There are already some video reviews up.

CanonRumors is on the possibility of a $799 full frame camera

CanonRumors is reporting that they are hearing from a reliable source that Canon is working on a $799 full frame camera body!

And that could mean a sub $1000 with lens, and with a $100 lens adapter you can use your EF and EF-S lenses. Wow, that would be really amazing.

Of course canon has really given up on amazing video in their cameras when they really started it in DSLR, so it likely wouldn’t be a video power house, but would really push full frame EOS-R as the standard. Maybe someday BlackMagic will update the EOS-R, letting you use R and EF and EF-S lenses.

Canon has announced the R5 and R6 and at least on paper the video specs are impressive, with 8K internal Recording on R5 and full autofocus during video recording

The high end Canon EOS R5 for $4000.

And the more consumer $2500 dollar EOS R6 have been announced.

They use the new RF Lens Group, and must use and adapter to use EF or EF Lens with a slight crop.

The R5 is 45 Megapixels with an ASA up to 102400 while the R6 is only 20.1. with an ASA up to 204800. They both have super fast 1053 zone autofocus with up to 20 FPS and both use dual cards, though the R6 is just UHS-II while the R5 has a single CFExpress which is required to required to run 8K RAW (and strangely it doesn’t do 4k RAW at all).

So for video the R5 does 8K DCI and 8K UHD, as well as 4k DCI and 4k UHD at 120 FPS, with a 20 minute recording time. And the 1 TB CFExpress card for about $800 will hold 53 minutes.

The R6 only shoots 4K UHD at 29.97 or 23.976, and doesn’t record in RAW at all.

The screens on the back are fully articulated and touch screen, but the R5 has a slightly larger higher resolution screen and the R6 also removes the LED from the top of the camera.

Can’t wait to see how these cameras shoot video, because we know the stills will be good, but lets hope for little jello.

It looks like Canon has finally stepped up with DSLR’s for video that are very impressive, if a bit expensive!

Canon has always been slow but what is up with using such old tech in their mirrorless cameras

OK Canon, what the hell? What are they thinking with the EOS R and EOS RP mirrorless cameras? 4 year old sensors that were behind the times on video quality when they came out.

I mean Canon made the DSLR Camera Video revolution, but when they made their C series video cameras they decided it was time to depricate video functionality on their still cameras in favor of their C series video cameras.

Then the mirrorless revolution started and by Sony, but followed by Fuji, Panasonic, Olympus and recently even Nikon, but Canon glass was so good, that people couldn’t wait for Canon to join in. And finally they have with insultingly old technology, and new very expensive lenses! It is a huge middle finger to everyone with a ton of canon lenses!

Really it makes the new BlackMagic Pocket Cinema 4K the last bastion of video for someone with Canon EF lenses and even that is heavily cropped and a small sensor leading to small depth of field.

Canon has betrayed it’s users, opting for usefull video features only with it’s expensive C series video cameras. And the best part is that by doing so they have also betrayed the still users they are supposedly aiming for. Who wants to spend thousands on old technology? A new sensor could have vastly improved both still and video quality, with better low light as well as color technology. Instead they opted for old tech to not canibalize their video cameras and screwed everyone.

Canon has screwed all it’s loyal customers and lost the race for both still and video users. They have betrayed the low end video movement they started and need to nan up and create sone new tech, but at this point it is too late.  With the bigger lenses negating their entire line of EF lenses they have lost their advantage (no matter how good their new super expensive lenses are).  And even their still feature advantages will eventually not save them (sony’s lack of hdr photography is a huge hit).

Camranger mini as a director’s monitor a short review

I picked up a camranger mini for my wife for christmas to use a a director’s monitor for a dslr.

The Device is mainly used to control a dslr for still photography, but also works for video, though at a very low frame rate. It is works by connecting a small device to your dslr via a USB cable and then connecting your iOS or Android device via wifi. And you can nominally control the camera from the device.

As a director’s monitor it works from framing, but not performances as the frame rate is just too low.

Still cool to be able to see without an attached monitor, especially if the camera is in motion, but a higher frame rate would be welcome.

Maybe the announced Camranger 2 which comes out this year will do better.

Color Correction Test with DJI OSMO+, Canon 60D and iPhone 6S and Visual Effects of Gun Shots

I shot some test footage with 3 of my cameras, my DJI OSMO+ my Canon 60D and my iPhone 6S. I color corrected the footage using DaVinci Resolve 12.5 and did the Visual Effects in Adobe After Effects.

The visual effects include adding the gun shots, light flashes, and color correcting the orange tip of my gun so it is gray.

I was trying to show my ability to color match the footage from such different 3 cameras, as well as add the visual effects to make an interesting little sequence.

Let me know what you think!

PVC on Canon EOS 7D Mark II and it’s video capabilities.

Jose Antunes at the Pro Video Coalition has more on the newly announced Canon EOS 7D Mark II and especially focusing on it’s video capabilities.

Basically saying it is a baby EOS 1D X without 4K capabilities, but with the ability to record in MOV or MP4 and 3 compression settings, either IBP, ALL-I or Light IPB.

Very exciting for video, and can’t wait to see what Magic Lantern can do with it.