DJI Releases 4 Axis Stabilized Cinema Camera the DJI Ronin 4D

https://www.youtube.com/watch?v=TiVJnRXUwKw DJI has created a 4 Axis stabilized Cinema Camera the DJI RONIN 4D, with a 6K version starting at $7199 or an 8K version starting at $11449. The camera includes built in LiDAR focusing, which can be used with all the compatible lenses, autofocus and manual that work with the camera, and built in Wireless Transmission to multiple receivers at 20,000 ft, including a full wheel system. Both cameras have dual native iso, the 8K is 800/4000 and the 6K is 800/5000 and both have 113+ stops or more of Dynamic Range. And built in 9 stop ND filters! The lens work with interchangeable lens mounts, from DJI's propriety DL mount, to Leica M mount. With the built in LiDAR it can do ActiveTrack Pro for autofocus subject tracking and shows a LiDAR waveform for enhanced manual focus. The remote receives can also have full control of the camera for an operator. It can also shoot to CFexpress type b, external USB 3 or an internal DJI ProSSD. And it has built in microphones, plug 3.5mm and XLR microphone inputs. Also impressive are sensors on the bottom that help with balancing, though someone will have to make plates that have holes fro the sensors. And it can record in H.264 or ProRES or ProRES RAW. https://www.youtube.com/watch?v=8GSQDUGPlkw Now the lenses are where I think this will be more of a purposeful camera vs a camera you shoot full features on, because it has limited lenses it is compatible with (and impressively you don't have to do much to balance the cameras with these lenses). Here is the list of lenses in pdf form, there are currently 3 DJI DL lenses, 8 M Mount Leica lenses, 38 E mount with lenses from Sony, Tamron, Zeiss, Sigma, Voigtlander and Sirui. These are all pretty small lenses and not the lenses that pro cinematographers are going to want to use, but for certain situations this will be an impressive camera. It is a beastly looking camera and a strange body. I am guessing you mostly use it with handles on both sides, but it can also work shoulder mounted. It does seem expensive, but wait until we see how well this thing shoots. Actually I would like to see something much more in between this and the awesome DJI Pocket.

DJI Osmo Pocket Extension Rod Unboxing and Review as a Jib/Crane

This is my initial unboxing and review of the DJI Osmo Pocket Extension Rod. I am attempting to use it as a crane or jib arm instead of as a selfie rod. It can be used as a crane or jib, but is pretty shaky and certainly needs post stabilization. As a selfie stick it is pretty amazing, but as a jib/crane it needs some nudging as the camera is just so light. Still you can get some usable stuff with some work and post processing.I actually started this review a while back and have just finished and released it.The audio is recorded on camera or from the microphone on my iMac.The Footage was shot in 4k, but I had finished the shots for my wife's short film in 1080 so this video is in 1080.The Music are all YouTube tracks, just to keep it from getting too boring without it.

Comparison of DJI Ormo+ and DJI Osmo Pocket Quality

< While I was working on an idea for a short film, I realized the footage I had wasn;t good enough, so I decided to do a test between my DJI OSmo+ and my DJI Osmo Pocket to see the difference in quality. It turned out to be a huge difference. The Osmo+ with Z-Axis is much more stable, but the DJI Osmo Pocket is so much sharper. The image quality on the pocket is just so much better. An interesting comparison, and I wish that the Pocket had a Z-Axis stabilizer, though it would be much harder because of all of the phone connected to it.

DJI Osmo Pocket Initial Test Footage and Review

I got a DJI Omso Pocket for Christmas and this is all of my initial footage that I shot to test it out, as well as some of my thoughts on it. I shot it all with the Osmo Pocket including the footage of me.The footage was shot at UHD 59.94 progressive, though I shot my interview footage at 29.97 so I could try out the face tracking.So far I am really impressed with the footage, and this amazing little camera, and it's little tiny screen. I love that I can just drop it in my pocket and have it at a moments notice.

DJI Osmo+ Test Footage at Huntington Garden

I shot some more test footage with my DJI OSMO+ at Huntington Gardens in San Marino, CA. It was shot manually with Sharpness at 0, Saturation -2 and Contrast -2. It has a split screen as shot and color corrected on the other side. It was not shot with the Z-axis so you can certainly see the less stabilization, but I still think it works.

DJI Osmo+ Test Footage at Stony Point, and Color Correction

This is some test footage with my DJI Osmo+ at Stony Point Park. It was shot with auto exposure as I have yet to get any ND filters to stop own the exposure. And the first shot was wrongly white balanced. It was shot with D-Log, Sharpness 0,  Saturation -2 and Contrast -2.This is the color corrected shot.This is a comparison as shot and color corrected.

Color Correction Test with DJI OSMO+, Canon 60D and iPhone 6S and Visual Effects of Gun Shots

I shot some test footage with 3 of my cameras, my DJI OSMO+ my Canon 60D and my iPhone 6S. I color corrected the footage using DaVinci Resolve 12.5 and did the Visual Effects in Adobe After Effects.The visual effects include adding the gun shots, light flashes, and color correcting the orange tip of my gun so it is gray.I was trying to show my ability to color match the footage from such different 3 cameras, as well as add the visual effects to make an interesting little sequence.Let me know what you think!

DJI Osmo+ Test Footage in the Los Angeles Rain Storm February 17th, 2017

Some more test footage with my DJI Osmo+ in the big rain storm in Los Angeles, on February 17th, 2017. Shot in D-Log with Sharpness of 0, Saturation of -2 and Contrast of -2. I did a simple color correct in Premiere Pro 2017 with Lumetri Color. Still not 100% happy, but I think it looks pretty good.The footage is a bit shakier than I would like, but the wind was strong and it kept gusting and hitting me and the camera with water.