Adobe highlights the vfx emmy nod to the unfortunately cancelled Netflix’s “Shadow and Bone”
From Kylee Peña at Adobe Blogs.
I love seeing vfx done on a show by after effects and photoshop for compositing, though i doubt it was colored there.
CUT/DAILY #377 How Eddie Does It (AKA 11 Ways to Organize Your Timeline)
Always good to see how other editors work, and feature editing is a whole other world, so really cool insight, well worth checking out.
postPerspective interview VFX Supervisor Glen Pratt in Barbie’s VFX Supervisor Workflow
I liked Barbie so much more than I thought I would, and the visuals and vfx were quite impressive, especially the transitions between worlds.
CUT/DAILY #375 Meets Editor Christopher Chow
His latest feature film as editor, Raging Grace, won both the Best Debut Award and Grand Jury Award at SXSW 2023, making it the first British film ever to win the Grand Jury prize at SXSW in its 36-year history!
Cut/Daily #375
A great interview and creator of the BEAM NETWORK. A platform to connect and support British East and South East Asians working behind the scenes in the media industry.
NoFilmSchool on the lighting innovations that elevate ‘Loki’ Season 2’s Beautiful Visuals
From Jo Light at No Film School.
Loki season 2 is amazing from the sets to the lighting to the story, probably the best thing Marvel has done so this is well worth checking out.
postPerspective has a colorist chat with Outpost’s Clark Griffiths
As always an enjoyable and interesting read.
AppleInsider on Ted Lasso’s VFX Compositing Supervisor on Crowd Effects
From Malcolm Owen at AppleInsider.
I loved this show, I don’t even like sports, but I loved this show so much.