Image source: Ante Dekovic, “Shadow and Bone” VFX Supervisor. From Kylee Peña at Adobe Blogs. I love seeing vfx done on a show by after effects and photoshop for compositing, though i doubt it was colored there.
How Editor Eddie Hamilton breaks down his timeline for features, including Mission Impossible Dead Reckoning Part 1. Always good to see how other editors work, and feature editing is a whole other world, so really cool insight, well worth checking out.
https://postperspective.com/vfx-supervisor-glen-pratt-on-barbies-visual-effects-workflow/ I liked Barbie so much more than I thought I would, and the visuals and vfx were quite impressive, especially the transitions between worlds.
His latest feature film as editor, Raging Grace, won both the Best Debut Award and Grand Jury Award at SXSW 2023, making it the first British film ever to win the Grand Jury prize at SXSW in its 36-year history! Cut/Daily #375 A great interview and creator of the BEAM NETWORK. A platform to connect and support British East and South East Asians working behind the scenes in the media industry.
From Jo Light at No Film School. https://www.youtube.com/watch?v=dug56u8NN7g&embeds_referring_euri=https%3A%2F%2Fnofilmschool.com%2F&source_ve_path=OTY3MTQ&feature=emb_imp_woyt Loki season 2 is amazing from the sets to the lighting to the story, probably the best thing Marvel has done so this is well worth checking out.
Another great interview, check it out. It is extensive and well worth the read.
https://postperspective.com/colorist-chat-outposts-clark-griffiths-2/ As always an enjoyable and interesting read.
From Malcolm Owen at AppleInsider. I loved this show, I don't even like sports, but I loved this show so much.
https://postperspective.com/colorist-chat-creative-outposts-mark-horrobin-talks-path-and-light/ Another interview and good read.
https://postperspective.com/behind-the-title-final-cut-editor-partner-jd-smyth/ Another interesting interview.