Why is Mac OS Finder iOS Sync so inferior to the previous iTunes Sync

 I have said this before and I am sure I will it again, but why when Apple split up iTunes to make Music, Podcast and TV apps and moving iOS music sync to the finder did they make it so far inferior to the previous sync?

Now I know they want you to pay for Apple Music to get your music there, but they were already getting you to pay for music through them. I think they just don’t want you to sync your own music libraries anymore, they want you to just stream your music.

And why is it worse. Well first off if you plug in your iOS device and go to it in the finder, and try and sync any local music (going to the Music tab and selecting any songs or playlists the sync button switches from blue and and press-able to grey and not press-able).

Before any changes it has a sync that you could hit, but not if you make any changes.

This makes the whole iOS thing seem broken, but there is still a way to sync, but you have to get through the whole syncing process once, which can take a very long time. And all it shows for status bars, is a little circle in the sidebar and a syncing thing on the bottom, but both are extremely slow.

The sidebar shows the whole process.

And this is just showing the backup stage, but no indication of how much of the synching this is.

Of Course in some steps you get this wheel, which is pretty much as unhelpful as you can get.

And this process can easily take 30+ minutes.

One it has done a full backup and finished. You can then go into music and select what music you sync and hit sync (it will not be grayed out this time) and only then will your local music sync. And it has to do a whole other sync to get your music over.
Honestly What the Absolute Fuck??!?!?
And even worse sometimes it doesn’t work after 1 sync and you have to do another sync before you are able to move your music over. Really?!?!??!? FUCK YOU APPLE!!!
iTunes never did this.

And with iTunes I could use Wifi Sync. Now I am sure you are saying that you can use Wifi sync with Music, and yes you can, but you can’t stop it.

With iTunes if you had to stop any iOS sync you could force quit iTunes. Sure not an ideal solution, but it worked, and say you could restart or shutdown your computer.

With Music if you have WIFI sync on, you can’t restart or even quit the finder to get it to stop. The only way to get it to stop is to hard reset the computer, which is beyond not ideal.

You can least stop the cable based sync by unplugging the iOS device!

And don’t even get me started with Apple Music. If you sync your library with Apple Music you can get into tons of trouble. There are more forum posts about what this can do to your library than you can read in a lifetime. It has been known to overwrite all your music, replace it with lower quality music, or even different music. And without syncing Apple Music, you can never save any of their music, other than marking it as liked.

Honestly you should be able to keep your streaming music separate from your local library and not be forced to commingle them. And if they do commingle there should be no way that Apple can mess up your local library (which is why they should be kept permanently separate). 

The best solution would be able to have local music and streaming music apps that are separate. So nothing can screw each other up. I want to keep my music that I have ripped higher quality and not have anyone touch it or screw it up!

And Apple could now care less about people who have their own music all they care about is people who buy or rent music (yes paying for streaming music is renting music).

In Premiere Pro and AVID as well, the most important thing to remember it to save all the time

 

Now some people will go without saying that saving is important in editing, and yes there is an auto-save.


And you do want your auto-save set as it will save your ass some time because of a random crash, but more important is to get yourself saving as much as possible.

It has become such second nature to me that I just hit command-S all the time, in fact when moving to Final Cut Pro X, I kept dinging the computer as there is no save, it is just supposed to save every time you make a change, but I am so ingrained to save that I kept trying to do it anyway (and it isn’t like final cuts lack of a save has always worked for me, as I have crashed and lost quite a bit of work in Final Cut Pro X as well).
And sometimes saves can take a while, especially fi the project is huge, but it is always worth saving as much as possible because otherwise you will crash and lose something, and you never want to do that.

So remember to save all the time and often, don’t let it fall to the auto save.

A Keyboard based Launcher for After Effects, check out Andrew Kramer’s VideoCopilot FX Console

 

So recently I wrote about the awesome Mac keyboard based launcher LaunchBar from Obdev, and now I am writing about something Andrew Karamer wrote from Video Copilot wrote for After Effects called FX Console, which is the same type of thing for After Effects, he calls it a Work Flow Plug In, and it is free.

It blows away that this is listed in their Products, but must be searched for. They really need a free section for his awesome free products, to go along with his amazing paid products, that I will write about later.

This plug in just adds a quick new way to use a keyboard to add effects & presets, and create FX Shortcuts, and export Snapshots as PNG. This is a must use plug-in that will always speed you up, and once again when I get on a machine that doesn’t have it installed, I feel stunted.

Anything that speeds up your workflow is always a good thing, and this can speed up your workflow each and every day. And because of this I would easily pay for it, but it is free. So there is no reason to not download and install it.

DaVinci Resolve Ext Matte issues in Color Page

OK so I am running into some issues on  DaVinci Resolve right now using an Ext Matte in a color correct node, and I am wondering if I am doing something wrong, if this is how it is supposed to function.
I have some shots that were shot just as the sun was going down at the end of a shoot without enough lighting. So the exterior is way too dark, and it has to match the daylight exteriors. Now I tried to do matte’s in DaVinci and even tried the new smart mask on the people, but I found I could get a better matte in After Effects with the Roto Brush. The matte is the exact same size as the shot in the sequence in the show, for this shot 1 second and 10 frames, so I made a matte that started at the first frame and is exactly 1:10 in the frame, but when I add the Ext Matte to the shot, while the scale matches up, it certainly does not match first frame to first frame.

So I unchecked Lock Matte to be able to  adjust the clip manually. And had to adjust the zoom, tilt and offset to get it to work. I don’t get why I have to set the offset to -14, since the matte is the same length as the visible portion of the shot in the sequence, and the full shot is much longer than 14 frames. SO I AM TOTALLY CONFUSED BY THE OFFSET.

 

Even weirder to me than the Offset though is the tilt. I had to set it at -571 to get it to line up (and why can’t there by a match for position, but change the offset?) and that is weird to me, because I have below the transform for that clip within the edit panel. The zoom matches at .6, but the position is -150, so where does the -571 come from? I should be able to match the 2 clips by using the same numbers, not completely different numbers! WTF!

Not sure what I am doing wrong here, but if anyone can explain to me why the offset and tilt are like they are it would be greatly appreciated.

My favorite keyboard launcher, LaunchBar will speed up everything outside of your editing and graphics software

 

So I have written about LaunchBar in the past, but now I am writing about it as something to speed up your workflow when using editing or graphics software. I have been using the amazing LaunchBar from Objective Development for years, and whenever I am in an office using a computer there I feel stunted by not having it.

Now LaunchBar is a tool that does so many things, but my favorite is to the ability to launch application using keyboard shortcuts, and it will learn your shorcuts quickly to speed things up. You hit a quick keyboard shortcut, which brings up LaunchBar and then you type your keys and if the application shows up hit return or push to the down arrow and select what you want to launch. After selecting the thing a few time LaunchBar learns and moves your choice to the top of list.

So to launch I hit Command-Space and the last app I launch shows up, if I want to launch it, just hit enter and it launches.

Or more powerfully you type the initials of an app, and LaunchBar will give you a list, and you select what app you want.

If I want Word, I try Wo or MW.

Then select the App and return and it will learn your initials and move the app up the list and eventually to the top.

This way I can launch any application without ever touching the mouse, and this is HUGE! IT WILL SPEED UP EVERYTHING YOU DO ON THE COMPUTER OUTSIDE OF YOU EDITING OR GRAPHICS APPLICATION!
And Launchbar does so much more. You can do calculator functions, instant web searches, go to web sites, create e-mails from contacts, merge files, check your ClipBoard History, and it is all customizable.
LaunchBar is the so worth $29 or $49 for a family license. It speeds up everything I do on the computer and it can speed things up for you as well.

So Apple killed the iMac Pro, now it is all about seeing what video options M1 Macs have

 

So I got an iMac Pro because my old Mac Pro 4,1 died, and there was no new MacPro out as of yet. It was obviously a stop gap machine, and it’s only ugprade was removing the lowest multi-core version and an upgrade to the Radeon Pro Vega 64x 16 GB from the Vega 64 16GB, which is just a slight speed increase.

And the latest 27 inch iMac can in fact beat the performance for the iMac Pro. The top of the line can be upgraded to a 3.6GHz 10 Core Intel-Core i9 with turbo boost to 5.0GHZ, it can have up to 128GB of RAM, up to an 8TB internal SSD, an the top video card is a Radeo Pro 5700 XT  with 16GB of GDDR6 Memory. This machine should smash the 10 Core iMac Pro in performance, and the Xeon’s never really added anything to the Mac except multi-core and the ability to have dual processors. And you can even get the Matte finish from the MacPro displays for half the price, which is impressive, but they need a second display like that to match the price and look.

It is likely that the next M1 or it’s follow up chip will be an iMac, but the first M1 machines not only share video memory with the main memory, but also stop at 16GB of total RAM. And sure the performance of them has been impressive, but for heavy pro work Apple had better be doing some form of video card to really push the video end and GPU performance, and we have seen no sign of it, but I would hope that a high end iMac, MacBook Pro, and Mac Pro would have it to push the video performance.

Video editing software needs a separate GPU with it’s own memory, lets hope Apple agrees.

I was accepted to the Adobe Speech to Text Beta for Premiere Pro, can’t wait to give it a real run through!

 So I applied to the Adobe Speech To Text Beta for Early Access, and was accepted, woohoo!

I didn’t realize it is locked to your account and will work in both Premiere Pro 15.0 and Beta based on my Adobe ID, I thought it would only run in the beta, so this is great news.

I am currently cutting commercial and direct response shots, and with testimonial this feature will be invaluable!

I will be reporting on it as I try it out. I have been very excited about this feature for some time.

I can’t believe I didn’t know how to paste unformatted text until I read this post from OWC, I always just used TextEdit

Dennis Sellers at OWC Rocket Yard has a post on how to paste non-formatted text on your mac, and I can’t believe that I never knew the keyboard shortcut Shift-Option-Command-V to paste without formatting.

I always used Textedit to past into and turn it non-formated.

This is huge, I always have issues with pasting formatted text, just as the article talks about.

Some really cool online editing tools at EditiingTools.io

EditingTools.io is a very cool web site with some very useful tools online. You might not need them right now, but when you do it is going to be great to remember they are there.

EditingTools.io is a collection of generators, scripts, converters and machine learning applications made over the last years for various projects & productions. 

They accept donations to keep their free tools online.

There are some very useful tools for converting or combining AVID Log Exchange files or ALE files.

XML to Splitscreen XML to perfectly do split screens.

A very useful Marker Converter to convert timeline markers from Adobe Premiere Pro, DaVinci Resolve, Frame.io, SubRip Subtitle, CSV, PDF and more.

A subtitle tool & converter.

A tool to generate an Editor’s Codebook from ALE files.

A Music Cut Sheet creator from XML files (woohoo, awesome if you have to make them).

A Edit Shot List / VFX Shot List from XML.

And so much more. These are great tools to know about in case you need them.

A Keyboard based launcher for Adobe Premiere Pro, I have written about it before, but you should check out Knights of the Editing Tables awesome Excalibur

 

So this one I have written about before, but that was before I really started using it. Now I am a big fan of keyboard based launchers and have used LaunchBar from ObDev on my mac for many years and FXConsole from VideoCopilot in after effects since it’s release (and will be writing about both in the future here) but this time it is Excalibur from Knights of the Editing Table for Adobe Premiere Pro.

This once again is a keyboard launcher for Premiere Pro, you hit a keyboard shortcut, I use option-spacebar and then you can add effects, presets or transitions from the keyboard. It works and it works great.

And the most amazing thing is being able to add transitions and then set the length all from the keyboard! WOOHOOOO!! This is from a feature I have long missed from Final Cut Pro 7 where I could different length shortcuts for Dissolve and quickly put them on. Now I can do it without leaving the keyboard!

Here I have the transition selected.

Here I have typed cross then I hit right arrow and typed 8 for 8 frames and enter.

The Cross Dissolve was added, and when I double click on it it is 8 Frames, AMAZING!

Personally this is 100% worth the $75 and I might even buy a second license to bring to work with me, that I can uninstall and bring to new locations once the Pandemic is over.