Adobe Media Encoder won’t put chapter markers in H264 Video

So this is something that has annoyed me for some time, and has really been annoying me of late, so I have been trying workaround.

So basically the issue is that you can create Chapter Markers in Adobe Premiere Pro in your sequence, which are ostensibly for use in Adobe Encore, but that program stopped with CS6, and after my last hard drive bailed after the El Capitan Update I don’t even have it installed on my current hard drive.

Anyway, back in the day with Final Cut Pro 7 I could export a video with chapter markers and compress an H264 video with chapter markers using compressor. It would make Apple Compatible m4v files instead of a normal mp4 files, but chapter markers would work in most programs and show up on the web in most cases.

Unfortunately Adobe Media Encorder won’t do this, as it only makes straight mp4 files, and since Encore is a dead program, the Chapter Markers in Premiere Pro are pretty much useless.

After much searching, and seeing all the ways people were making chapter markers (most of which are really a pain the ass, and don’t use standard formatting for either the text file, or the timcode), I went back to basically my old way of doing this.

This is to export my video as a ProRES video which includes chapter markers, and then use HandBrake to encode it with Chapter Markers. Now not only this take longer, but also take up more hard drive space, but at least the chapter markers work!

And while m4v is a subset of mp4, it does play in most players including directly in Firefox, though doesn’t show the chapters markers, but at least it plays fine. And I am OK with my chapters only working on Macs, because at least they will show for most people looking at my reel.

A couple DJI Osmo Reviews one very good and one good and bad

So I have been really looking into the $650 DJI OSMO and really want one, and would love to try it on my 2 axis Glidecam Smooth Shooter for really stable shots.

The first review I watched was from Everyday Reviews on YouTube. It is a very positive review overall.


The next review I checked out is a bit less positive from Chelsea & Tony. They had more issues, especially with it working right away, but overall they will still use it and it still makes me want one.




I still so want one. I wish I had one to review, as the short I have been working on for ages could really use it, and it has a lot of low light so I would like to test it’s low light capabilities.

DJI is giving away free Microphones to fix OSMO’s audio issues!

I saw this at DIY Photography, after getting really interested in an OSMO just 2 days ago. And have been watching a lot of reviews and everyone complained about the audio, so this sounds to be very good news.

It will be free with all OSMOS as of now, but you can also get one for your already purchased one starting in March. Very cool.

Looking forward to how well it does with getting rid of the servo noise!

I so want one of these!

Why are there not Ergonomic Editors keyboards?

So I have been an editor for a long time now, and I spend so much time on a computer that at times I get massive Carpal Tunnel attacks. I have figured out solutions, and my main one is to use an ergonomic keyboard. I currently use a Microsoft Natural Ergonomic Keyboard 4000.

In fact I own 2. And I carry one to work with me ,as well as Kensington Expert Trackball as I never really got why you would need a wireless mouse or especially trackball.

 Of course at home I still use my last (my 3rd) Microsoft Trackball Explorer, which they stopped making years ago, and now sells for around $200 on ebay for a used one, and will never be replaced as the best Trackball ever made. No idea what I will do when my current one dies, but that is a bit off topic of this post.

So back on topic, I always use an ergo keyboard, and have an Aeron on home to help with my wrists (as well as some exercises with rubber bands I do when things get bad), but I would love to have an Editing keyboard. Yes I know most of the keyboard shortcuts I use on a regular basis, but there are still some in Premiere I don’t know or think about and would love an a Premiere Pro editing keyboard, but they tend to be the standard Apple keyboards, which are flat and have no key travel (I like my keys to click and loved the old apple clicky keyboard) and they hurt my wrists! WHY OH WHY HAS NO ONE MADE AN ERGONOMIC EDITORS KEYBOARD?

I mean most editors spend way too much time on a computer, so you would think someone would do this! So if anyone is listening an Ergonomic Editors keyboard would be AMAZING! AS would someone copying the Microsoft Trackball Explorer, though unless I someday become a billionaire I doubt either will ever happen! Oh well.

DJI Osmo, a stabilized action cam for $649!

The newly announced DJI Osmo stabilized action cam for $649 really blows my mind! It is basically a 4K GoPro with full image stabilization and some cool still features as well. And it can also be used with the $2100 X5 which can use 3 interchangeable lenses, but really I think this is more to get individual shots that raise the production value enough that you don’t mind that it is basically a GoPro because the shots are so cool.

I would love to get my hands on one of these! It would be amazing!

Adobe Upgrades SpeedGrade update, but still not multi-monitor support, SpeedGrade needs an interface upgrade now!

Eric Philpott at Adobe blogs has the info on the latest update. While I am excited for some of the updates, especially LumetrinColor changes in Premiere carrying over to SpeedGrade, overall I am completely dissapointed.

I have really come to love SpeedGrade, and it’s ability to put the grade as filters on clips, but the program needs an interface overhaul! The fact that it is still a single monitor program is unforgivable! You need to be able to move the viewer and scopes to a seperate monitor as you see fit! I want my controls and timeline on one screen and 3 scopes and a viewer on a second monitor (the viewer for doing masks, which you really can’t do on an external video display). 
Sure DaVinci is a more powerful program, but the integration with Premiere and not having to render out your grade is amazing, but Adobe needs to stop porting it’s features into Premiere, and fix it’s interface!

Problems with MXF files that have been imported into Final Cut Pro X

So I was given some footage with absolutely no knowledge of how it was shot, or what format it was, but was not worried as I have am running Adobe Premiere Pro CC. Unfortunately I was wrong.

They all appear to be quicktime movies, but will not open in anything, or if they do only audio appears. And when I opened them in VLC it says it is a missing XALG encoder.

The only thing I could find on this issue is this unanswered post at Adobe Forums, and it seems to be my exact problem.

It turns out these are MXF files shot from a Sony Camera, and they were brought in through Final Cut Pro X (which I do not have on this machine), and it wrapped it in an MOV with the XALG encoder. The strange part is I do have the latest version of Motion so that I can get the Apple Pro Codec Updates, so you would think it would have the codec to play the video, but even motion won’t open this quicktime movies.

Luckily I was able to get the person with the footage to send the original cards that the footage was shot on, and was able to copy them over and import the MXF files directly into Premiere Pro with no problem, but I can’t seem to get the MOV’s that Final Cut Pro X to open in anything. I figured Motion would do it, and was thinking maybe Compressor, but if Motion can’t do it I am not spending the $50 on compressor, and certainly not paying Apple for Final Cut Pro again because it made some video footage useless.

This is a huge issue. Final Cut Pro X should not do anything to the files it imports, it should just play them all natively. That it wraps them in another file that makes them unusable by other programs makes me dislike this program even more.

No Film School on why Guardians of the Galaxy 2 will be shot on the RED WEAPON 8K.

No Film School has a good article on why Guardians of the Galaxy 2 will be shot on the Red Weapon in 8 K.

It includes James Gunn’s post on Facebook, which is really interesting, and I love what he is saying about Film and Digital. How he is not trying to replicate film and just finds it easier to do digital work when it is all digital (which is always what I felt, and what made doing a film like Star Wars The Force Awakens on film seem a little ridiculous). It also for Long Takes and for the small size of the body.