This is already one of the most powerful 3D motion trackers around, but any additional features to make it a little more accessible are a great idea.
It of course sounds better. Wonder what the upgraded AE version will include? And with their technology now included in CoreMelt SliceX, they are getting even bigger.
Adobe has released a quick YouTube Video of their new Camera Shake reduction tool for Photoshop. So very cool!
Photorumors has the press release on what sounds like a bad ass and fast lens, which as as a C lens acts like a 27-52.5mm on a 35mm and is really fast. No word on price yet, but it likely won’t be cheap!
Photoshop Support has the news on the newly announced Perfect Photo Suite 7.5, which will be free to current users, $199.95 for the Premium Edition and $99.95 for the Lightroom and Aperature Edition.
I see this as a must have plug in for all photographers and photoshop users. They give upgrades for large updates and the program is always reasonably priced!
Netkas has posted that yes the incredible $1000 single CPU GeForce Titan does work in the MacPro with the updated NVIDIA drivers in OS X 10.8.4. How is the power draw though? Would it work without external power is the question? It is supposed to draw 250 watts vs the 670’s 170 watts, so I am assuming that is way too much.
Bare Feats has posted it’s second part of it’s Geforce GTX 680 Review and the results are mostly good. It does get beat in Cinema 4D and Motion 5 by the GTX 680MX in the top of the line iMac, but that is likely because of the older hardware and buss speed of the now ancient MacPro over the newer hardware in the iMac. Still it does win for DaVinci Resolve, After Effects, and Octane. Hopefully it would really whoop ass in a new MacPro if that ever happens.
Awesome to have the choice now and not have to get something off of ebay that is many generations old!
Todd Kopriva at Adobe has posted a document with details on the integration between After Effects and Cinema 4D in the new After Effects. He links to more extensive discussions, and then has extensive details on this.
Damn this makes me want Cinema 4D! I wonder if Autodesk and NewTek are on the horn working with Adobe to add something like the for their programs as this will really make Cinema 4D the number one 3D for ease of use between it and After Effects.
MacTech has the news on 2 new Harmony Programable remotes, these including bluetooth for connection to things like your Playstation 3 (used to require a separate device).
I had heard and posted about Rumors of Logitech getting rid of Harmony, so I am glad to see they are still working on remotes, and the Ultimate does look like a cool step up from my Harmony One ($349.99 is a lot for an upgrade I don’t really need though, especially without hugely new features).
We entered the market way back when with a 4K camera. Our thinking was that 1080P was not good enough to replace film. We were right apparently… 7 years later.
What we learned along the way was that while 4K acquisition was certainly better than 1080P… it was not ideal.
A 4K finish from a bayer pattern sensor (what everyone does) begs for more captured resolution than 4K. A 1080P sensor (1920×1080) does not fill up a 1080P box. A 4K sensor also does not fill up a 4K box.
Our M-X sensor captured 4.5K in a RED ONE and 5K in an EPIC-X (or EPIC-M). Much better. The 4K box was almost full. 6K… the 4K box is overflowing.
Going forward, we realize that down-rezzing has a HUGE advantage to final output. Hence the 6K Dragon.
Not only do you have the option to recompose, stabilize, and zoom… the idea of down-rezzing gives a much better final output to a 4K delivery. It lowers noise. You get apparent sharpness without sharpening.
So while the others have joined the party… they have entered where we were 7 years ago. They have thrown the ball to where the receiver was… not where he is.
At some point you need to decide who you believe will deliver the future. The company with the vision, or the company that follows the vision. Who is ahead and who is behind?
If the company with the vision also happens to embrace their customers at all costs (upgrades instead of all new cameras)… you win every which way you look at it.
The choice is yours…
Jim
What makes me wary on the argument of downrezzing for more quality is there is no 6K or even 5K 16×9, so even if you go to a ProRES recorder you will get black bars on the top and bottom and have to spend time converting the higher resolution material and downscaling and pan and scanning. I think it makes sense for features, but for 1080, the non 16×9 resolutions really don’t make much sense.
Still I would love to have a RED EPIC with Dragon sensor if I could afford it.