PVC has an article by Scott Simmons on his top 5 Premiere Pro CS6 Features.
1) Better Broadcast Monitoring
2) Hover Scrub over clips
3) Trimming
4) Cleaner Interface
5) Effects Improvements: Adjustment Layers and Warp Stabilzer
I so can’t wait to get my hands on this!
Electonista has this story, about the new 4K DSLR from Canon. It shoots 4K 4096×2160 video at 24 FPS 8 bit 4:2:2 video. It has an 18.1 Megapixel full-frame CMOS sensor with a maximum ISO of 25,600 and 12FPS continuos shooting like the EOS 1D X it is based on.
With video it shoots 4K with the full sensor, but 1080 can either be the full sensor for full sharpness and 35MM equivelency, or it can use a middle portion which allows for 60P frame rates.
The LCS can remain on even with external HDMI attached, and it has a headphone jack as well.
It will be released in 2012, but has not been given a price yet.
Sure no PL mount, but very exciting. If only they would move some of this tech to lower end cameras as well.
Jan Ozer over at OnlineVideo.net has a great blog on Apple taking the Pro out of Final Cut Pro with Final Cut Pro X.
I totally agree with the conclusions and think it was one of the stupidest moves Apple has ever made, but it looks like Adobe and AVID are ready to take the slack.
Videoguys no have a crossgrade from FCP 7 to AVID Symphony for $999! Yes not Media Composer but Symphony! And it is also $999 to upgrade from Media Composer!
Symphony adds Advanced Color Correction and Universal Mastering, which allows you to play out a timeline to any frame rate or size!
MacRumors has the story of Intel’s newly shipping Thunderbolt controllers.
The high end DSL3510 can even interface with a discreet and integrated graphics chip, so would great for Apple iMac’s and Laptops, and hopefully a new MacPro if that ever comes to pass.
The Pebble e-paper watch is a very cool accessory for your Smartphone that is currently having a kickstarter campaign, and these people have already made a product for Blackberries.
The only downside it is uses the old Bluetooth 2.1 tech instead of the new lowpowered bluetooth that the iPhone 4S has, so it will drain battery life.
Still a very cool idea, and a product that will have a future.
Electronista actually has the info on this, but Canon has announced a higher end big daddy to the C300, the C500 and C500PL. They both output 10 bit uncompressed RAW footage and simultaneously records 50Mbps HD proxy video to CF cards for easy offline editing (a brilliant idea). It has a super 35MM equivalent CMOS sensor which is 8.85 megapixels.
It has cinema 4L 4096×2160 as well as 3840×2160 for 4k TV, though only records 1080 to the dual CF cards. It does 0-60FPS in 12 bit RGB 4:4:$ or at 10bit YCrRb 4:22 it can go up to 120 FPS.
No pricing has been announced, but this makes Canon a serious contender, as well as having the EOS facility in Los Angeles for support.
Macworld has an in depth article on the new Production Premium CS6 showing off it’s new features, and it does sound exciting.
Premier Pro CS6 is getting unlimited dynamic Multi-cam, built in Image Stabilization with Warp Stabilizer from AE CS5.5 and an enhanced Mercury Playback engine that will even work with some AMD video cards instead of just NVIDIA CUDA cards. It ha s anew Default Workspace, and is more customizable. It has more Audio Mixing controls. Trimming controls have been added and more customizing. A rolling Shutter repair. And of course the addition of Automatic Duck for interoperability between Final Cut Pro 7 and AVID and Premiere Pro. And it will edit 5K for RED compatibility.
Yes! Adobe has been listening and it looks like Premiere Pro CS6 is going to be a power house editing tool!
After Effects CS6 has enhancements to it’s render cache, were renders can be saved with projects, a full 3D camera Tracker, a Ray Trace 3D rendering engine (that looks to give Zaxwerks a run for it’s money), variable mask feathering, and built in Automatic Duck, so it will work with Avid Media Composer and Final Cut 7 files! Nice! Mocha will also be better integrated so you can launch Mocha from within AE (and Mocha is set to get updates at NAB as well).
A new edition to the suite is Prelude CS6 for ingest, logging and organization as well as transcoding of files.
Audition CS6 also gets updated and has smooth project exchange between Premiere Pro and third party nonlinear editors. Has real time clip stretching, automatic speech alignment and pitch correction. Better control surface control with automation.
And an exciting new addition is this suits version of Color, the recently purchases SpeedGrade. A 64 Bit GPU accelerated Color Correction tool. This is really necessary especially with DaVinci software basically being made free from Black Magic.
It really sounds like Adobe has been listening, and is making their editing suite a powerhouse that can really replace Final Cut Pro 7 and easily go head to head with AVID with even more powerful tools. I can’t wait to try this suite out!