A 45 minute interview, and I love to see features done in Premiere vs AVID Media Composer.
And her whole history in editing is fantastic to learn about. And cutting on a flatbed (which I haven’t done, only a moviola).
I have watched Peter Pan & Wendy as well, which was OK, but I felt it fell apart more in casting and scripting, because I got no joy from the young Peter Pan and Jude Law is no Jason Isaacs.
Jonny Elwyn has an excellent article on using Cinematch to match 2 different Cameras. And you can use his Promo Code at Cinematch for the $125 Plug in (for either Premiere, DaVinci or FCP or $174 as a Bundle).
This is another extensive article and well worth a read.
I would love this tech, since the company I have been working for seems to use 2 different cameras always, and different settings every time, but getting info is like pulling teeth, and the EXIF route seems more difficult than just throwing it in Resolve and fixing it by eye, maybe not as well matched, but visually matched.
I do really like the idea of this match, but also they don’t have my DJI Pocket 2 in here, which would be my second camera most of the time.
We now have Input Color Space, Working Color Space and Display Color Space. Still kind of wish it had an ouput color space like in DaVinci Resolve, but will have to see how it works.
Still nothing like Rec 709A to deal with the Apple Color Shift issue though, and it doesn’t sound like they will touch on that.