An interesting article for sure, though I still don’t think Dune’s dusk for night was that great, mostly just color corrected too fucking dark, but that is my opinion on so much lately that is just color corrected too dark.
I do need to play with DaVinci Resolve’s Relight features though.
In preview or burn in, pretty cool. Now if only Filmic could lock in a 23.976 shooting instead of a slightly shifting 24fps (all thanks to Apple).
Free to read with a free subscription, have a look. An interview with a member of an all woman of colour editing team who won a primetime Emmy for Editing!
Posted by Francis-Crossman in the Adobe Support Community:
Finally when you drag folders into premier they will match the Finder structure! WHY HASN’T THIS BEEN LIKE THIS FOREVER?!?!??!?!
Previously it would leave out empty folders, folders with 1 item, and now it will import empty bins!
I always want my structure to match, so this is awesome and I wish it was out today in the normal version.
Another must read audio tutorial from CrumplePop!
From Darren Mostyn’s YouTube Channel.
This is basically the most important thing about Project setup that you can do in Resolve to get your color correct, and it is complicated, so it is good to see it in a 10 minute video.
A great movie and well worth listening to.
The great Larry Jordan shares his thoughts on Final Cut Pro and it’s lackluster updates, as well as lack of response to old bugs. Apple is just keeping it running and adding new features, but not really dealing with old issues.
I have posted my thoughts on Final Cut Pro before, and it needs someone to really take control and steer this program to a professional future, one that Premiere and DaVinci are well on their way to. And it is weird that their is not an attempt for Apple to push it’s Apple TV shows to use it, which really says all you need to know about it’s professional capabilities.
Jourdan Aldredge at No Film School has a good article on getting started with the online Runway and it’s Generative AI features.
I haven’t played with the new generative ai features, but have used the keying features in the past, and Runway is good, though not good enough for daily use, but it has it’s uses for sure.
This does sound like a good audio suite for $599 for perpetual or $23 a month when billed annually. And with simple controls and AI smarts, these could be a great solution for us editors that do more and more audio work every day.