I know it’s a miracle, Rich Young at Pro Video Coalition has posted his January 2022 After Effects roundup and I am posting about it only a couple of days late! Once again it is full of videos and tips and tricks and releases and is a must read for anyone using After Effects.
Now this is very cool, and there are some great ideas here, though of course it is better with a lighter camera.
Check out Kamil Keenan Visuals YouTube Page Here.
And thanks to No Film School for pointing this video out.
Shooting my wife’s recent short film I think there is not enough softboxes in the world, so building on like this is an amazing idea.
Rich Young posted his December 2021 After Effects Roundup almost a month ago. As usual it has a ton of links and videos and is a must read for After Effects Users. And even a built in Unmult Preset!
Now I don’t think this has anything to do with the hardway, but more not been working on the code for Motion, instead focusing on Final Cut, but it is disturbing since it is pretty much as shared graphics engine between the two. And interestingly it gives more perspective on AVID being so slow on updating for M1, because you obviously need to really update the code to make it faster, and if even Apple is slow to update, then how can you expect 3rd parties to be fast (with the exception of Blackmagic who could not be faster on their updates).
Let’s hope Apple gets on this and updates the Motion codebase, as for me the best features of FCP are what Motion can do.
And this seems like a pretty big duh, of course.
The Apple Silicon MacPro will have to set itself apart with impressive CPU and GPU power as you are not going to be able to add either of these and I am even doubtful of PCI support. And I doubt there will ever be external GPU support through Thunderbolt on M1 Macs either, unless apple ever figures this out for their own hardware, but likely they would just like you to buy a new machine.
I am tending to doubt their will even be additional bays for RAM or Hard drives, though with a likely dual or quad M1 MAX, it will certainly be larger than a Mac Mini and need more cooling, but I doubt it will need to be too much bigger.
I would like to see more Thunderbolt ports though. The 4 Thunderbolt Ports on my iMac Pro are kind of a joke, and the MacPro has more and the video cards also add 4 additional ports, so 8 or more thunderbolt ports would be awesome (and 12 would be better, or at least 8 thunderbolt and 4 USB.
And maybe the ability to have 2 raided hard drives for video, but with the prices Apple charge for SSD hard drives, that would cost a fortune, but it would be great for video editing.
Any which way it will be the raw processing power of the chips and the included ProRES accelerators that really makes this machine rock and roll for video editors.
This is of course not going to work as well as a dedicated streaming box. And though he says the audio from Premiere will also now playback on your machine (not sure how it does that, but he says it works, but I doubt they can hear you talk, so I would recommend LoopBack to the mix so you can combine Premiere and your Microphone to make audio (and run your computer through headphones so their isn’t audio feedback).
Pretty that you can try getting this running for free (or $99 for Loopback), though obviously dedicated hardware will run better.
Yes AVID has finally added Monterey Support 12.1 as well as M1 Support in AVID Media Composer. Of course M1 support is only through emulation, it is not a native app. Amazing how Black Magic Designs and Adobe have been able to release true M1 support so much more quickly. And getting rid of Dongle support on Mac doesn’t seem like a good idea either.
You would think it would be so much easier at this point, but AVID is still so slow to respond. I mean there won’t be Intel Macs at all soon. Come on AVID, get on the ball. I know they are always slow with updates, but come on. And yes I know that AVID has to have systems that work on so many systems to keep going, but if you get a new license you only get recent versions anyway.
Honestly even with all the recent updated whenever I get on AVID I feel like I have stepped into the past and not in a good way. Even getting footage from DaVinci Resolve is not as simple as it is with Premiere. I know backwards compatibility, but AVID users really need to try out Premiere Pro with Productions and a single compression format (like ProRES) and see how well Premiere runs.
