Adobe After Effects 2020 17.0.6 still does not work with ALEXA footage!

So Adobe released a new version of After Effects today 17.0.6 and I tested it again this shot from Alexa’s test footage page. Obviously it still does not work. Now it wasn’t listed as being fixed, but their is a lot of ALEXA footage out there, how can no one else have run into this issue? Come on Adobe get on the ball.

I have posted about it the adobe community forums, and in the bug report/feature request segment to little avail.

Adobe needs to stop with new features in their video suite and speed up what already exists. Things like Roto-Brush is way too slow!

I have been an editor for almost 20 years now, and though it has it’s issues I do still love the Adobe suite, but it has so many issues, and Adobe needs to stop updating with new features and work on their old features, making them faster and streamlining, and work on stability.

I have already recently the fact that After Effects 2020 does not work with Footage that has the damn AMIRA Lut attached to it. Adobe needs to fix this shit right now, and they need to remove the automatic AMIRA lut. You shouldn’t be forced to have it clogging up your project. Adding any lut should be voluntary and should be able to be removed! WTF!

The thing is this is not the only problem with adobe today. Stability is a huge issue that many people have.  Of course their are ways to make the program more stable. Personally I ignore the fact that Adobe can basically play back any footage and treat it like AVID, compressing everything to a finishing format. Being on a Mac I use ProRES. And I don’t import any footage that isn’t some flavor of ProRES, even temp stock footage I recompress. Also don’t let any JPEG images into the project, converting everything to at least a PNG. And that does help with stability.

Then there are things that are just plain slow. I have a 3Gz 10-Core iMac Pro with a Radeon Pro Vega 64x and 64GB of RAM, so it is a fairly fast machine. I have a short for a short that needs to be slowed down, but the normal tools look bad, and even twixtor is having issues because of all the motion blur. So to let Twixtor work better I need to pull the subject out of the background and decided to try out the Roto-Brush tool to pull the subject out of the background, but it is interminably slow. I am having to go frame by frame and fix the roto, each brush stroke, if it even works can take 5-15 minutes to get results. And this is with 3.5 K ProRES HQ footage. And a good portion of the time, the stroke stops working a beachball appears and the stroke ends up randomly going across half the image, and it can take a good 10-20 minutes to get to where I can undo it and go back to the previous undo state! I know this is a complicated tool, but if anything it feels slower than when it was released!

Here is a screenshot, the little green at the top was what I was trying to make, but then the beachball started and everntually the line appears, and a good 10 minutes later I can under this reandom line that it has added to what I drew. And this happens more than 1 in 10 strokes! 

Annoyance in Catalina save dialogue box

OK so I have found a new annoyance with Catalina and it is in the save dialogue box.

Often when I am rendering something in After Effects I overwrite an old render with a new one. But when I make the file, it adds a _1 to the filename, so I open the save dialogue and hit the right arrow to go the rightmost character and delete the two characters. Before Catalina that is how it worked, but now it goes to the end of the .mov so if you delete, you delete the .mov instead of the last 2 characters.

This is a new behavior, and completely changes how I have worked for years. It is a huge annoyance!

After Effects 2020 does not work with an ARRI footage that automatically adds the AMIRA lut in Premiere, THIS IS A HUGE BUG!

So when Adobe first released After Effects 2020, I tried opening a 2019 project that I have been working on and saw some scary results. None of the footage was working properly. This was January 5th, 2019.

I posted about it on the Adobe Forums, but the response from an Adobe employee was it is a bad graphics card or the footage is corrupted. The computer is new and the footage and project work perfectly in After Effects 2019, as well as Premiere 2019 and 2020, which made me doubt the response, as did it when someone else was having the issue.

I then recently went on a job, and all of their footage was shot on Alexa, and when I tried to move the footage to After Effects on Adobe Dynamic Link the footage had exactly the same response as as the footage on my home machine.

And it was all ALEXA footage that when imported into Premiere Pro automatically has the unremovable AMIRA LUT added to it.

So to prove that it was not in fact my footage, but in fact Alexa footage today I decided to to download some ALEXA footage from ARRI, and try that out.

Here is the Alexa LF ProRES footage download page, and I downloaded the first video. I took this ProRES clip and opened it in Premiere Pro 2020 and it imported and automatically added the AMIRA LUT just as I thought it would. I then imported that footage directly into After Effects 2020, and low and behold I am getting the exact same effect.

So this is most certainly a bug in After Effects 2020 to do with ARRI Alexa footage and probably something to do with why the damn AMIRA lut is automatically added in Premiere. Whatever metadata that makes the AMIRA LUT is what seems to be causing this. The footage works fine in every other Creative Cloud version.

THIS IS A HUGE BUG AND NEEDS TO BE FIXED!

Adobe Updates Creative Cloud Video and Audio Apps

At Adobe Max Adobe updated it’s video and Audio Apps, as well as 2 new mobile apps (though Photoshop Camera is only in a beta).

Premiere Pro includes the sensei AI powered auto reframe feature. Improved Layers, Faster ProRes HDR, Time Remapping to 20,000%, Audio Gain to +15db, and HDR 10 metadata export controls.

After Effects is a core engine update (woohoo), with Real-time playback of cached previews, EXR productivity and performance, Faster Shape Layers, Enhanced Expressions including speed improvements, Faster Content-Aware Fill, better controls for Motion Graphics, and updated C4D Lite.

Audition has improved multichannel audio effects workflows.

Character Animator and Premiere Rush also have updates.

Adobe has released the app Aero for building AR without coding.

And they announced the AI powered app Photoshop Camera that is currently in beta.

Supercomp in Red Giant VFX suite seems to not work with Motion Blur

So I was playing with Red Giant Supercomp, which is pretty powerful, but it seems to be missing the ability to deal with Motion Blur.

I was hoping to use supercomp for a comp I was doing, but the comp had motion blur in it. And the motion blur doesn’t show up in supercomp. It must interact with all the other comp features.

I was actually hoping to use the features to deliver in RAW, as the background plate was RAW and the item I was comping in was not, so I wanted to deliver it all in RAW without straight eyeballing it.

So just know that Motion Blur doesn’t currently work with Supercomp.

Red Giant releases new awesome VFX Suite, but in doing so have killed the Keying Suite and the Effects Suite

So Red Giant has released the new VFX Suite for Keying, Tracking, Cleanup and Visual Effects Compositing. They have a full blog post with many YouTube videos on features and how to use the new tools.

The only bummer is that they have killed their Keying and Effects suits to do so. I say bummer, not because the new tools don’t look awesome, but because you have to owned the previous to get a special offer upgrade (it isn’t just available on the site) and you get no discount for owning both previous suits.

Supercomp looks impressive though, basically it makes compositing much easier, and allows all layers to effect your comp, so you don’t have to do a bunch of pre-composing to make your comps looks the best they can, and it is all GPU accelerated.

And Primatte has reached version 6. Many people just go with Keylight, but I have always found that Primatte is faster and easier to reach a good key, so I am excited about this.

Key Pin tracker seems to supercharge corner pin tracking (though the demo does show some features they need to add, like copying the from and to points automatically by a single button).

Spot Clone Tracker looks super easy and powerful.

Optical Glow also looks amazing, and should negate the need to every use the built in After Effects glow which never was very good.

I already have some ideas for the new Chromatic Displacement plug in.

Will have to see how the new Knoll Light Factory 3.1 is. I used to use it all the time, but have completely given up on it, because of Video Copilot’s Optical Flares plug in, which I think surpassed it years ago.

And Shadow and Refection looks cool when needed.

Adobe Creative Cloud Video Production Suite updates for NAB 2019

So Adobe has updated it’s video suite in time for NAB 2019 with some exciting new features, and hopefully some stability improvements.

Obviously the most exciting new features is the content-aware fill for video in After Effects.

I am pretty excited to try this one out, as the results from the demos look impressive, but I think it will work best with moving footage so the pixels exist somewhere.

And the new expression engine in After Effects looks amazing.

I can’t wait to try that out.

For Premiere we get the Freeform view as a kind of visual storyboard.

This is pretty neat, though not a mind blower for me.

And the new rules and guides will make placing things much easier.

Pretty neat. And Faster Mask tracking will always be helpful.

Overall some cool new features, though I am hoping for more stability overall.

Adobe has release After Effects 16 also known as After Effects CC October 15th 2019

You can check out all the features at Adobe.

I am most excited about the new JavaScript Engine for expressions and especially the ability to save your favorite expressions in a library!

And I am excited that the new Mocha included is a plug in instead of a stand alone application. I have not upgraded to the latest Mocha as it is a bit expensive, so am glad that this has been updated.

I am just hoping that this fixes some of the problems I have been having lately with UHD projects and not being able to open without either trashing my prefs (which also trashed my Workspaces) or importing the project into a fresh project which works until I have to re-open it. This has been incredibly frustrating!