Why do the font engine in After Effects no include the ability to underline text?

 

So this the font style selection box in After Effects, which lets you select faux bold, faux italix, Upercase, UpperLower Uppercase and subscript settings.

Premiere Pro is exactly the same as After Effects.

This is the Type Options in Photoshop, which includes Underline and Strikthrough, as well as more options.

Why is there no Underline option in After Effects and Premiere Pro? Sure you can add a line if you want to, but it won’t follow the text.

Really this is the dumbest thing. WHY WOULD YOU NOT IMPLEMENT AN UNDERLINE ADOBE?

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OK so the latest version of Premiere Pro’s Essential Graphics now includes the underline function, but not After Effects. This makes it even weirder and more glaring.

Adobe After Effects is improving it’s 3D experience!

Coming Soon to After Effects Beta – New ways to work with 3D

Discover these new 3D tools to help you navigate in 3D space better and faster, including improved camera features and 3D Transform Gizmos. pic.twitter.com/CXpef2DNo7

— Adobe Video & Motion (@AdobeVideo) September 15, 2020

Awesome After Effects is updating it’s 3D tools, and looks like it is a borrowing from C4D which can only be good. The 3D tools have always been way too basic, and this could be a huge improvement.

Adobe updates Premiere Pro to 14.4 (September 2020 release)

 


Adobe has updated Premiere Pro to version 14.4, the September 2020 release

The new features are:

  • Scene Edit Detection using Adobe Sensei AI
  • HDR Rec.2100 Clor space for broadcasters, with Apple ProRes and Sony XAVC-I formats fully color managed and GPU accelerated
  • Export with Proxies for a quick export that doesn’t require full resolution
  • Scans Audio plugins multiple times faster.
  • Export AAF with Breakout to Mono p[r audio channelization.

Red Giant has updated to Universe to 3.3 with 2 new tools 4 updates

 

Red Giant has updated it’s Universe Plugs ins to version 3.3 with 2 new tools and 4 updates plugs ins.

The new Tools are:


  • Quantum: a tool that creates the illusion of an animated light trail in front of or behind a layer. Great for text and motion graphics
  • Modes: a tool that makes it easy to combine layers in entirely new ways using powerful features that go beyond the native blend modes found on your editing timeline.

 And the Updates are:

  • Glow: Now offers Inverse-square glow falloff, multi-pass chromatic aberration and the ability to glow a single color channel.
  • Glimmer: This update gives you 6 mono or bi-directional glow streaks with variable intensity and color mapping, an animatable shimmer, variable rotation control, and Color maps aligned with Trapcode’s Starglow.
  • Chromatic Aberration: This tool now includes control over the focus area, the ability to split the aberration into multiple passes, and chromatic rotation.
  • Hacker Text: The addition of customizable random characters and the ability to auto-animate the encryption and decryption.

 

 Always excited for new Universe tools as I have a lifetime on them, and they are always very fast with GPU support.

Have to play with Modes, though Modes themselves exist in Premiere, so it will be much more amazing in AVID which doesn’t have layer modes for compositing.

Roto Brush 2 in the After Effects Beta is a vast improvement

So I have been using Roto Brush for years in After Effects. It was a tool that worked with a lot of user input, but it was so incredibly slow. And honestly with footage getting larger I think it had actually gotten slower, but Adobe has finally been working on an upgrade that is available in the current Beta.

Roto Brush 2 stills needs user input and it doesn’t do well with a lot of motion blur, but it is so much faster! It used to take sometimes minutes to calculate a single frame, and now in minutes it can calculate a whole clip.

I am not sure how much better of a roto that it does than the old version, but the speed in which it works means you can make changes and even work frame by frame, and work quickly enough to do a basic roto very quickly.

I am so glad for the public betas and them letting us use unreleased features.

Now I know why Adobe denied my request for years on apps, they have made all apps in the same category the same color, so they are harder to tell apart!

So I opened Adobe’s updates today and low and behold, they have updated a great swatch of apps, but even worse they have updated the icons so that applications in the same category are the same color. Sure it means you can tell this years apps from earlier versions, but now it is easier to confuse different apps for each other as all the video apps are now the same damn color, WTF! And this will get even worse when they release next years versions with the same damn app icon (why can’t they put some versioning in the icon?).

These are the swath of Adobe Apps I keep in my Dock, and without dragging over them with a cursor it is a pain in the ass to tell them apart (and yes I need the different versions as some companies I work with run older versions because of stability issues).

Hell even the beta icons are changing already, though at least they will let me keep breaking up the apps

I guess at least this year for individual apps it will be easier, but what about when the previous 2 versions have the same damn icon, and they are all the same color?

For a company that makes applications for designers they sure have a shitty sense of design!

Adobe denied my feature request to put the year on the application icons without allowing anyone to vote on it

So adobe very quickly denied my feature request to add the year to the product icon, saying since they have removed the year form the product name. Though they have not. They removed the CC for Creative Cloud for the name.

And as they have always done the updates for the year stay at 2020, until the next version will be 2021.

And they should have differentiated icons, WTF!

Why do Adobe Application Icons not include the year of the application so they are easier to tell apart at a glance?

 

So these are the application icons for Premiere Pro and After Effects 2019 and 2020 in my dock. Why do they have the exact same icon? Yes if I hover my cursor over each one it will tell me the whole application name, but why don’t you just put the version number in the icon?

And yes I need to have both versions. I am a professional commercial video editor, and very often I have to match a companies version so that the project files will open in the version that they are using. And then there was the whole Arri files not working in 2020 After Effects, but that is another story.

Now I used to customize the icons on my own, but that is a pain in the ass, and they get replaced every update, so if I am paying over $600 a year for a subscription to Creative Cloud can’t they update the icons for each yearly version? And I don’t mean just change the Icon, like they did for Photoshop with 2020.

That is 2019 on the left and 2020 on the right. And sure it helps, but I still have to think, oh yea the rounded icon is the new one.

So I made a couple of examples of what I used to do and what they could do. Here is a Premiere pro with the 2020 included.

Now this totally works for me, but I have fairly large monitors set a 2560 by 1440, so the 2020 so can get small on small monitors, so how about just the last 2 numbers?

This is easier to read on any screen. I used the same PR that came from the original icon and just added a large 20, not it is Arial black and not whatever font Adobe is using, but at least it quickly tells you the version!

And yes I have posted this at Adobe User Voice, and I didn’t see any other posts about it, so if you care about this like I do, please vote.

Will Adobe add X-Rite ColorChecker support into Premiere Pro CC?

So for years DaVinci Resolve has had support for X-Rite’s ColorChecker products. These are color cards that you can use to shoot video (they also have Photo versions) and you can use them to balance different cameras to the same color correction. I personally use a ColorChecker Passport Video. Sure I have had some difficulty on shoots where the script supervisor did not give me enough notes on shot Color Temp, but this is still usable.

For years I have hoped Adobe would implement this in Lumetri in Premiere, as it would be quick and fast for certain projects that don’t need the full color correction of DaVinci. And it seems they are listening as they have commented on User Voice.

Of course they do comment that it won’t happen as soon as they are working on stability and performance, though that never seems the case with Premiere. The whole Adobe suite gets more and more unstable and gets features that aren’t needed, when features many professionals could use right now are bypassed.

Red Giant Updates VFX Suite to 1.5 a paid upgrade

Red Giant has released a paid upgrade to it’s VFX Suite to version 1.5. It is a $199 upgrade unless you are subscriber to Red Giant Complete (feels like a 1.5 should have been a free upgrade).
It includes a new Lens Distortion tool to easily figure out lens distortion to help composite and even track.
And they have updated Supercomp with an automatic color matching, color space options, optical glow and layer glow tools, though I am mostly pissed that they have not figured out how to include motion blur which has been my main objection to supercomp.
Optical Glow has been updated with the ability to control radiate which gives directionality, control per channel size and size xy. This certainly makes for an impressive update over the built in glow.
And Shadow and Reflection has added the ability to show shadows only as well as distort based on the image.
I am glad for the update, though as I said I would like them to put motion blur into supercomp to really make it usefull.