Blackmagic Design has reduced the price of ATEM Mini Pro and ATEM Pro ISO by $100 each
Remote File Sync for Editing workflows on Remote Systems
Since I have been looking at work from home solutions for remote video editing, I have been looking at some solutions for file syncing. This would require media and files at remote and local to start, so that you aren’t eating all of your bandwidth copying files, and would of course be easiest with a large single storage solution that you have set to fully sync.
With Premiere Pro I would also recommend using Digital Rebellions Post Haste to set up a file structure that you follow for all projects that so that it is the same on all systems.
Once you have the project setup on a single system, you should duplicate that onto remote hard drives and then you can use a program to sync the files. Now I wouldn’t expect collaboration with the same project files, but this could mean that you sync to a remote file share, and keep your graphics and project files updating not only for backup, but for remote access if necessary.
For Mac Backup there is ChronoSync for $49.99 per license. For Mac or Windows (or FreeBSD) you can use Resilio for $59.90 for a single license, $99.90 for a 5 family member license or $30 a month for Business. Or for Windows you could use ViceVersa for $59.95 for one license, going down for 2 or more licenses.
Now this would be basic solutions, without file remote project management, and if you made changes to projects on both systems it would cause issues, but could easily help for simple setup and even work with assistants using different project files to transfer things back and forth.
Frame.io’s Lisa McNamara and Zack Arnold ACE on Adopting a Post-Production Workflow from March 2020 is well worth a read
Lisa McNamara has written an article with the help of Zack Arnold ACE on the Best practices for Adopting a Remote Post-Production Workflow at Frame.io, and it is well worth a read. It goes into the challenges and security concerns, managing media, communication, collaboration, and even morale, well being and sanity. It is of course also selling Frame.io, but it is an article by them, and the article is great and very in depth including other companies solutions.
Every post supervisor or producer overseeing a team working from home should read this article.
Adobe Support Community post on Premiere Pro Project Manager Consolidate and Transcode Problems
So I have been seeing a lot of people complaining about Adobe Premiere Pro’s Project Manger and it’s issues. And I have run into quite a few myself where it just doesn’t work for various reasons.
Well I ran into this post about it from 2017 and CC 2017, and it lists many of the things that will break a consolidate and transcode. This lists some things to know that can be an issue, and may be causing you problems when using Project Manager. Now I don’t know if any of these have been solved, but the Merged clips thing has likely bounced Project Manger for me.
And this makes me want to try out PlumePack from Autokroma even more. I know it is for r3d, BRAW or ProREES and can actually trim without recompressing, but the thing that gets me is that it will bring your organized final folder structure with it, instead of just putting everything into a single folder which has always really pissed off.
Allan Tépper at ProVideoCoalition does an in depth review of the Blackmagic Web Presenter
Allan T�épper at the ProVideoCoalition has done a very in depth review of the Blackmagic Web Presenter, and since this is one of the real-time remote streaming solutions and the way Sofi Marshall did her streaming, I thought I would link to this awesome review.
I still think that Atem Mini might be the better solution with it’s build in picture in picture, but I haven’t actually tested it, so I don’t know for sure.
Premiere Pro Project Downgrader from Elements
If you make your living as an editor using Premiere Pro you will eventually run into the issue of needing to open a project in an earlier version of Premiere, and Adobe does not want you to be able to do this. This is insanity, especially for anyone who comes from the AVID side of things, but at least there is something you can try.
ELEMENTS, a German Editing workflow specialist company has put up an online tool for downgrading your Premiere Pro Projects, check it out here. Obviously make a copy of your project file before you try it.
I know Adobe now lets you open current projects in beta at least and go back and forth, but there really should be some way to save as a previous version if necessary. And I know they don’t want you to since they only support the 2 most recent versions, but honestly who doesn’t know places that stick on earlier versions. The lead editor at the place I am working at now insists on staying with 2019 currently.
2 Applications to keep your Mac apps up to date
or
So I have been a longtime user of MacUpdate, a web site that keeps a library of more than 32,000 Mac Apps in an easy to find interface, where you can search by Free, paid, on sale, or top rated, or recently updated. So it will update your existing applications as well as help you find new apps.
The problem is the use the MacUpdate Desktop app, it is a $20 subscription for 6 months, and I have had a subscription for a long time, but it is not without it’s issues.
First off I have a long standing re-occuring issue with my login, where the app freezes and stops getting updates, and you have to log out, but when you try to log back in your login does not work. And the only solution I have found is to contact support and have them reset my password to a generic, and then you can change the password and it works for a little while before the problem occurs once again.
Another issue with MacUpdate Desktop is Mac OS Big Sur, because MacUpdate Desktop does not run at all on Big Sur, which is on version 10.16.3 already, so a new version seems a long time coming, especially for a subscription app.
An alternative to MacUpdate is MacUpdater 2 from CoreCode. Unlike MacUpdate it is a one time purchase (at least for version 2, as there is an upgrade from versions 1), and can be had for $14.99 to $35.00 depending on the version.
It also has a Priveleged Install Helper tool so you can install apps that require a password with a single click, and you can have it make app backups of recently installed apps in case one doesn’t work.
It is also Big Sur and Apple Silicon native, which is a big plus. And it has as dark mode unlike MacUpdate. As is the price, which is certainly better.
So I would recommedn MacUpdater from CoreCode and it is what I will be using from now on.
Cinemontage from the editors guild has a great article on Parenting, Post-Production and the Pandemic
Su Fang Tham’s article on Parenting, Post Production and the Pandemic is a must read. It really goes into some of the pitfalls of parenting and working in post from home.
I hope it also brings up issues that could be very important in the future of editing. Will work from home be more allowed, what about commute time, because personally I think it should be counted in your work day especially when we are talking 10+ hour workdays, and we are talking hour+ commutes each way.
Now we don’t have any children as of yet, but i love working from home and being able to see my wife and dogs. I wouldn’t mind some in person meetings (with proper safety protocols), but am hoping that the future will be much more inclined for work at home, with more ability to write off the expenses that come with it, like broadband, computers and software that is so much harder to write off thanks to bills like AB5.
Motion Blur on text or motion graphics in Premiere Pro with the Transform Effect
I have to admit I didn’t know about this until fairly recently. I have always been disturbed by the lack of Motion Blur in Premiere Pro, when it was in Final Cut Pro 7 and so easy to turn on (though the render time was brutal). And likely that is why I missed it here, because I always just used the standard Transform effects within every object.
And the standard Transform effect does not have a motion blur, to get a motion blur on text or a shape in Premiere you need to use the Transform Effect in Video Effects, Distort Category.
The Transform effects add these controls.
If you use the Transform effect to move objects you can turn off Use Compositions’s Shutter Angle and change the Shutter Angle to get a motion blur.
0 is no motion blur and 360 is max motion blur, but 180 is normal motion blur (a 180 degree shutter on a film camera).
I am in a 23.976 sequence and created a simple Essential Graphics text object.
I created as simple animation with it coming from the top and moving to this position over 12 frames within the Transform Effect.
This is half way through the move with 180 degree shutter.
This is with 360 as the shutter angle.
And this is with a 90 degree shutter:
So it is very easy to have motion blur on a moving object in Premiere Pro using the Transform Effect.
Now if this effect is in here, I don’t see why Adobe can’t just add the same controls into the normal move controls, so you can get motion blur without using this effect, and make it as easy as it was in Final Cut Pro 7, you just switched it on in the timeline window.
I am assuming they would have to rewrite all the normal transform controls, but hell it would be worthwhile, as it should just function like this.
Still at least Motion blur is here and is able to be used within Premiere without having to go to After Effects.