PVC on Adobe video tools being used on the Majority of 2023 Sundance Films
From Jose Antunes at Pro Video Coalition.
Of course so many people are using Frame.io now, especially now that you get a free version with your Adobe License.
Still you usually see these articles for Blackmagic since DaVinci is the defacto color correction software, but here we have Premiere, After Effects and Photoshop being used on so many films.
And with Productions Adobe is so much more powerful and works like AVID for features, though I do see so many people saying they are moving to DaVinci Resolve instead, but having used it, I still don’t think the editor is at the same level as Premiere.
How to reorder your Tracks in Adobe Premiere Pro with PlumePack from Autokroma
The excellent PlumePack which replaces Adobe’s awful media mananger, also allows you to re-order tracks, here are instructions.
Adobe Premiere Pro (February 2023 Update)
I know i am a little late on this as it was released on February 17th, 2023, but Adobe released Premiere Pro version 23.2 (February 2023 Update).
This version includes Automatic Tone Mapping for HDR footage an SDR Sequence. This is especially helpful with iPhone HDR Footage, as it always previously looked blown out in Premiere, but now it will be tone mapped to SDR. It also works for Panasonic, Sony and Canon Log, and HLF Color Space. This can be turned off in the sequence settings.
It also added Sequence Locking for Offline Editing.
New Languages in Speech to Text.
And an updated Reset Options at launch by holding down CMD on Mac or CTRL on Windows.
Node based compositing in After Effects with MagicNodes
MagicNodes for After Effects. A license is $89 for a basic license and only corrective updates, or $149 with Premium with 1 year free maintenance, learning center, and $69 a year maintenance after the first year.
I have not given this a try but would like to. I really loved node based compositing in Shake, and then in DaVinci Resolve, so the ability to have it in after effects is amazing.
Jarle Leirpoll at Frame.io on the Right (and wrong) Way to Update Premiere Pro
Honestly I haven’t always followed these practices, but it is a good idea.
Crumblepop How to Reduce Echo in Premiere Pro: Step by Step Guide
Audio is not my forte, I can do it and I have gotten better, but I am a video editor, so lessons in Audio in Premiere are always of interest of me.
Here JG McQuarrie at Crumblepop does a great step by step guide on reducing Echo in Premiere Pro.
Adobe Support Community is blowing up over Premiere Pro’s New Export Screen
And I am one who agrees that is is not an improvement, but I am not much of a fan of the import page either.
The discussion at Adobe Support Community thread THE NEW EXPORT SCREEN IS CLUMSY, BULKY, AND REQUIRES MORE CLICKING [EXPORT] at this point has 27 pages of comments.
Much of the discussion is way too filled with vitriol, and too many talking about DaVinci Resolve, but there are still some very salient points of the export page.
The lack of customization, which in the edit page is what makes Premier so much more powerful than DaVinci Resolve or FCP, as every editor does things their own way, if awful. And everything is so big.
I will never use the whole first section, destinations, because videos should be checked before upload, so I should be able to hide it!
The settings are set with so many twirl downs, needing more clicks.
Then once you open you need to click more to see most of the settings, and then everything is so big you have to scroll to see more.
And the Preview Window, which is way too big and can’t be hidden. I don’t need to see the preview ever, and while I like seeing the timeline it needs to be smaller.
It is honestly a mess, and the old one was so much more customizable.
And since the latest version doesn’t remember your previous settings, like Match Sequence Settings, there are just more clicks needed.
The biggest problem with the thread is all the vitriol just makes Adobe shutdown and not care. And it doesn’t help that they put so much head to the beta test period, which not only was not very long, but is something that can be hard to do if you are in production.
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