Adobe releases After Effects April 2022 (Version 22.3) with Apple Silicon Support

Adobe has released After Effects April 2022 (Version 22.3).

This brings native Apple Silicon M1 Support to the production version of After Effects. Still not sure about M1 Ultra Support as of yet.

It also includes Frame.io integration with the free account you now get with you adobe account.

3D Extended Viewer for 3D previews.

Scene Edit detection for which I have been using Magnum 3 from AE Scripts. Love that this is built in now.

Binning indicators for 3D layers to see how layers are composited.

And constrained shapes, where you can create perfect squares and circles by holding down the shift key when you double click the rectangle or ellipse tool.

And in the Beta, Separated Dimensions Preference.

So you can have x, y as separate lines.

Premiere Pro April 2022 release (version 22.3) is out for most (though I don’t have it yet) here are the new features

For most Adobe has updated Premiere Pro to April 2022 release (version 22.3) and here is there page on new features.

Excitingly it includes Frame.io Integration and thus Camera to Cloud support, you just login with your creative cloud ID and you get a 100GB account, of course it isn’t free as creative cloud has gone up $2 a month, but still cheaper than buying your own account.

I was at a company that was trying to test using Creative Cloud for offline edit workflows, and it was an interesting experience. Not quite there, especially how it creates it’s own h264 previews and you can download low and high, but it isn’t really a remote editing solution yet, but still a powerful review software.

And the biggest feature isn’t the redesign of the Import and Export panels and the new preset manager, and the new header bar, which have been being tested in beta for a while now.

Import
Export
Export Preset Mananger

I still think there is too much twirling down to be done in the presets for export, which is more clicks, which I am never for.

At least the new Header Bar has been listened about and you can now show 3 workspaces as well as Import, Edit and Export. In their original implementation the workspaces were all in another menu, which is slower, when only real beginners need Import, Export all the time.

Auto Color powered by Adobe Sensei should help beginners get a quick starting place for color correction, unlike the old version. This was cvalled Auto Tone in the beta, and is a powerful start to color correction, if only Adobe would bring back a full Lemtri color suite like SpeedGrade.

And the new show hide Marker colors very cool for those who use a lot of markers, like me, when I log footage I use makers instead of subclips.

Other new features include Speeech to Text for Cantonese, Trim Playback Looping from Playhead instead of nearest edit, a Remix Progress indicator, Support for Sony Venice 2, Change est Size in text Panel, and customized clip name in EDL exports.

Adobe announces an updated Premiere Pro and After Effects and included Frame.io from Scott Simmons at PVC

Scott Simmons has the news on Adobe releasing updated Premiere Pro and After Effects today with the new Import and Export Modes.

I have been trying these out in the beta since release, but I still think there are some issues with too many twirl downs for settings especially in exports. I am of the school of less button clicks is always better than more. Also I find Import and Export much less important on a daily basis than the Edit modes, of which you can only show 3 at all times, in the huge bay, which has so much wasted space. Oh well it is in release now, and at least you can show the 3 edit spaces (originally they hid them under the menu only).

The Frame.io for all is now integrated into Premiere and After Effects, with 100GB of space, which is great, though I don’t like that they are also raising the creative cloud rate by $2 a month, but it is still cheaper than a frame subscription.

And Auto Color, formerly known as Auto Tone in the public beta is much improved over the useless feature in previous versions. The AI makes for a great starting point.

And After Effects has moved it’s M1 Compatibility to the full version.

And built in AI powered scene detection is also huge. I use a script for it, so will certainly give this a try.

This is a huge one honestly. Looking forward to when I can take a look later today.

RedShark has a sponsored look at the new ColourLab 2.0 Public Beta

Simon Wyndham at Redshark has a sponsored look at the the new ColourLab 2.0 Public Beta.

I have to admit the AI powers of ColourLab 2.0 look very impressive, and I love that they have added Adobe Premiere and Apple Final Cut Pro integration instead of just DaVinci Integration.

Colourlab is a subscription for creator which is $129 a year for Premiere and Final Cut, $299 a year for Pro which includes DaVinci or $599 for a permanent license, which is by far the best deal.

Adobe has redesigned the Premiere Pro workplace switcher again and it is better than their last version

Francis-Crossman an adobe employee has posted a discussion for the Premiere Pro Beta on the Workspace Switcher Improvements in the header bar.

It is certainly an improvement to their upgrade which was going to hide workspaces behind multiple clicks, while this allows for single click to your favorite workspaces.

This new version is not the default which just shows the active worksapce, but if you click and select show workspace.

You can now scroll through workspaces or edit workspaces to edit which ones show.

Certainly an improvement from hiding workspaces completely, I still am not sure about the new header bar, which seems to make import and export more important than the meat of editing itself, butt this is at least an improvement.