I have to admit this blew my mind when I saw it in Premiere. I had already been annoyed by Stereo or mono tracks in AVID, and having Mono and Stereo clips in the same track just seemed insane, but this article does a pretty good of explaining it and how you can avoid it if you would like as well.
The new overlay features are very exciting, as are the ability to export video with them. Hello rough cuts with timecode that show clip timecode too. NICE!
And the SpeedGrade integration means I really need to delve into that program soon.
Kylee Wall has an article on using Premiere Pro CC.
I have completely lost my aversion to Premiere Pro, and in fact really like it now, and love the After Effects integration. I do agree that Adobe software does get random problems that are hard to solve (I find a complete uninstall usually helps, but is a total pain), but it is a really powerful editor. And honestly being back on Media Composer feels like using a dinosaur. Sure it is mostly stable, but it is not like it does not have issues too.
And FCP 7, well I loved it, and will miss it, but FCP X is not it’s replacement. It is a powerful editing program, but I don’t like it’s timeline or how it forces you to do things in certain ways, so it will never work for much of what I do (though I am sure some day I will have to delve back into it’s dark waters).
Yes, just 4 months after their last upgrade, Adobe is good to it’s word and is turning around much faster upgrades with creative cloud, and in October are upgrading Premiere Pro, After Effects, Speed Grade, Prelude, Media Encoder, Story and are adding the iOS app Prelude Live Logger. Awesome! You can check out the upgrades at Adobe.
Steve Forde at the Adobe After Effects Blog has a post on the new After Effects Features.
The Adobe Premiere Pro Work area Blog has more on Premiere Pro, Media Encoder (which now has GPU enabled rendering!) and Prelude and Prelude Live Logger.
The Adobe Moving Colors blog has more on the SpeedGrade Upgrade which includes direct link (an improvement over Dynamic Linking which you can see more about here) and GPU acceleration.
Thank you Adobe, looking forward to it! And here’s to hoping that Adobe permanently keeps up this rapid pace of development, except it will certainly keep us editors on our toes, as I have just scratched the surface of CC by now! Ha!
And this is why I worry about the new MacPro. OpenCL acceleration is not nearly as fast as CUDA on the PC, and the Mac has always had a far inferior OpenCL installation. Multi GPU’s are incredibly hard to code for and only give moderate performance enhancements on even the most mutli-GPU aware games on the PC, so they are only for the most hard core of gamers. The only exception to this is a Maximus configuration from NVIDIA which is a Quadro with a TESTLA card (the non-consumer version of a Titan), which has incredible power and speed and really can use both processors. This all leaves the new MacPro in the code. Most software won’t be coded for multiple AMD GPU’s and even if they are the performance increases are usually pretty modest, and OpenCL can’t touch CUDA! So why made a new “pro” machine without the option for CUDA? The only argument I can see if form over function, and that seems to be what the new MacPro is all about!