Top 5 Premiere Pro CS6 Features from PVC
PVC has an article by Scott Simmons on his top 5 Premiere Pro CS6 Features.
1) Better Broadcast Monitoring
2) Hover Scrub over clips
3) Trimming
4) Cleaner Interface
5) Effects Improvements: Adjustment Layers and Warp Stabilzer
I so can’t wait to get my hands on this!
Adobe shows off Production Premium CS6 and it looks Amazing!
Macworld has an in depth article on the new Production Premium CS6 showing off it’s new features, and it does sound exciting.
Premier Pro CS6 is getting unlimited dynamic Multi-cam, built in Image Stabilization with Warp Stabilizer from AE CS5.5 and an enhanced Mercury Playback engine that will even work with some AMD video cards instead of just NVIDIA CUDA cards. It ha s anew Default Workspace, and is more customizable. It has more Audio Mixing controls. Trimming controls have been added and more customizing. A rolling Shutter repair. And of course the addition of Automatic Duck for interoperability between Final Cut Pro 7 and AVID and Premiere Pro. And it will edit 5K for RED compatibility.
Yes! Adobe has been listening and it looks like Premiere Pro CS6 is going to be a power house editing tool!
After Effects CS6 has enhancements to it’s render cache, were renders can be saved with projects, a full 3D camera Tracker, a Ray Trace 3D rendering engine (that looks to give Zaxwerks a run for it’s money), variable mask feathering, and built in Automatic Duck, so it will work with Avid Media Composer and Final Cut 7 files! Nice! Mocha will also be better integrated so you can launch Mocha from within AE (and Mocha is set to get updates at NAB as well).
A new edition to the suite is Prelude CS6 for ingest, logging and organization as well as transcoding of files.
Audition CS6 also gets updated and has smooth project exchange between Premiere Pro and third party nonlinear editors. Has real time clip stretching, automatic speech alignment and pitch correction. Better control surface control with automation.
And an exciting new addition is this suits version of Color, the recently purchases SpeedGrade. A 64 Bit GPU accelerated Color Correction tool. This is really necessary especially with DaVinci software basically being made free from Black Magic.
It really sounds like Adobe has been listening, and is making their editing suite a powerhouse that can really replace Final Cut Pro 7 and easily go head to head with AVID with even more powerful tools. I can’t wait to try this suite out!
AVID releases AVID Studio for the iPad
FCP.co has an article on the newly released AVID Studio for the iPad. Here is the link to it in iTunes. It is currently $4.99, but will jump to 7.99 in 30 days. Looks pretty cool. Looks higher end than iMovie for the iPad. Looking forward to trying it out.
‘Swiftly arrange your clips in the Storyboard, make precision edits using the Timeline, and add high-quality transitions, effects, and a soundtrack.Then share your movie directly to YouTube, Facebook, and more—or export your project to Avid Studio for the PC and continue editing with even more advanced tools.’Easily Access Your Media
Work with any media on your device—video, audio, and photos
Access media from external devices via an iPad Camera Connection Kit (sold separately)
Capture video and photos from within the app
See your media organized by Albums, Events, Faces, and moreEdit
Get started quickly with how-to materials
Easily navigate your project with intuitive gestures
Swiftly arrange clips in the Storyboard
Make precise edits and trim individual frames in the Precision Trimmer
Use the Razor Blade tool to cut on the fly and delete or replace the second half of the clip
Easily replace one clip with anotherEnhance
Quickly create multi-layer 3D animations, transitions, and titles with included Montage templates
Easily composite video tracks to create layered looks
Add high-quality fades and dissolves to help your story flow
Generate professional-looking motion titles and graphics with full control over text, font, color, size, position, and rotation
Create amazing Picture-in-Picture effects with full control over position, size, and rotation
Pan and zoom on your photos to create high-impact slideshows
Enjoy full-screen playbackCreate Soundtracks
Use your own audio or choose from the included sound effects
Trim audio to any length, set levels, and fade audio in or outShare
Easily share movies via YouTube, Facebook, email, and much more
Export projects to Avid Studio for the PCPro Technology, Pro Results
Created by Avid, the maker of the world’s leading film and music editing technology
Easy enough for the hobbyist, powerful enough for the pro
Intelligent Assistance’s Premiere Pro Tools
These utilities for Premiere Pro by Intelligent Assistance have been out for a while, but I haven’t talked about them and think they are pretty cool and worth checking out.
Sequence Clip Exporter
It’s tedious to spend days preparing shot lists and music cue sheets using EDLs. Instead, generate comprehensive reports in seconds direct to a fully formatted Excel spreadsheet for just $99 with Sequence Clip Reporter, saving hundreds of dollars of your time
prEdit is a dramatically new way to deal with transcripts, story and the first edit. From transcript… to paper cut… to sequence for just $395.
Adobe’s voice recognition technology has been locked to the Adobe CS4 and CS5 Production Premium tools. But with Transcriptize you can extract the transcription to text files, Excel spreadsheets, and place it in Markers in the Final Cut Pro clip. Now you can use the Adobe speech transcriptions in your workflow for just $149.
I knew they made FCP 7 utilities, and now FCP X to FCP 7 utilities, but I didn’t know about their Premiere Pro utilities. Sequence Clip Exporter would pay for itself in about a job, and the others could be even more useful, depending on the job. These are apps to keep an eye on.
Biscardi Creative on how to Fix DNxHD Quicktime Stutter in Premiere Pro CS 5..5.2
Biscardi Creative has a post on how to fix a Quicktime stutter with DNxHD in Premiere Pro CS 5.5.2 and AJA.
Scott Simons at the EditBlog on PVC comparing Premiere Pro and FCP 7’s Timelines
This is really a must read for all switchers from Final Cut Pro 7 to Adobe Premiere Pro CS5.5, as it gives a full rundown of the similarities and differences in the 2 different timelines!
Premiere Pro 5.5.1 not working with CUDA in Lion 10.7.1: FIXED
So I hadn’t tried the updated Premiere Pro, 5.5.1, which I was hoping had fixed my CUDA issues, but instead it has made them worse. I had to update my CUDA driver to 4.0.50 with Lion GPU Driver 7.4.10 2.70.05.05f01, and that allowed Premiere Pro to boot, and the program runs, but unfortunately without CUDA support. My Geforce GTX 285 is supported, but does not work with CUDA Support.
I have reported this to Adobe and to NVIDIA, but have not heard anything back as of yet.
I did a complete Adobe uninstall and re-installed and I have CUDA support back. So something just wasn’t happy. Have to check on my plug ins now, but at least it is working correctly.
Premiere Pro 5.5.1 Released
Adobe Premiere Pro CS5.5.1 has been released.
Here are the bug fixes:
- Improved playback/scrubbing performance of footage from DSLR cameras.
- Media from Avid Unity QuickTime reference files was not imported.
- XML project files created by Premiere Pro did not work with DaVinci Resolve.
- On Mac OSX v10.7 (Lion), the Universal Counting Leader was missing countdown numbers.
- On Mac OSX v10.7 (Lion), Premiere Pro would crash when quitting.
- On Mac OSX v10.7 (Lion), closed caption overlays did not appear in Program Monitor.
- Preview in the Capture panel was not functioning properly for HDV footage.
- Image sequences lost their frame rates.
- Edges of a clip were highlighted during transitions/dissolves when using CUDA processing.
- Projects created by importing Final Cut Pro XML projects that contain multiple mono clips would lose some audio when the project was closed and reopened.
- Exporting to a QuickTime movie using DVCPRO HD settings would not complete under some circumstances, including if an image, graphic, or synthetic element was in the sequence.
- Using CUDA-accelerated Invert effect would reposition the clip.
- Premiere Pro could not find files after changing the location of the project.
- If an After Effects composition with a background color other than black was included in a sequence and Mercury Playback GPU Acceleration was enabled, the alpha channel transparency of the composition was ignored.
- MXF files created by Premiere Pro were not readable by Sony XDCAM HD decks, Final Cut Pro, or Avid Media Composer.
- ProRes files created by an ATOMOS device with four tracks of audio were not imported correctly.
- MCC closed caption files exported from MacCaption failed to appear in the Premiere Pro Program Monitor under some conditions.
- Incorrect data was being written to XML files for AVC Intra exports.
- Opacity effects were being ignored after a second transition when CUDA processing (Mercury Playback Engine GPU Acceleration) was enabled.
- Premiere Pro would hang or crash when loading a merged clip with disabled audio channels.
- various other crashes
No word on the 64 Bit Kernel Issue.
You can download the Mac Version here, or the Windows Version Here.