David Lawrence first time Premiere Pro 6 impressions from an FCP User

David Lawrence has an excellent article over at Creative Cow.

He really sums it up in a Creative Cow Forum Post.

Believe the hype, the Conan boys are right. It really is Adobe’s Final Cut Pro 8.

Though later says:

Is Premiere Pro 6 Adobe’s Final Cut Pro 8? If you ask me, the answer is no. It’s something different and potentially better. Is there room for improvement? You bet. If you miss certain features, let ’em know. They’re listening.

 I am so looking forward to Premiere CS6, and do hope it is an FCP 7 replacement, though that also makes me wish for more NVIDIA CUDA cards for the Mac, or it looks like editing is going to move all PC in the future.

Magic Bullet Denoiser 2 Released!

This was announced by Red Giant today. After losing the technology license behind Magic Bullet Denoiser they had to pull it earlier this year from their site, and promised a ground up re-write, and this is it, and even better it is a free upgrade.

Here is a list of features:

  • We’ve developed Magic Bullet Denoiser II from scratch (completely new code) to bring you the quality of Denoiser 1, but with more stability. Red Giant owns this code 100% – which means the product is not going anywhere.
  • We have spent lots of time developing the default settings for Denoiser II to give you the best possible look as soon as you apply. There’s is always room to tweak setting, but often you won’t need to.
  • Currently Denoiser II is only available for After Effects, but it will support multiple host apps in the future (readTHIS FAQ for more info).
  • Denoiser II is a Free Update for all Denoiser 1 and Magic Bullet Suite users. I repeat: If you already owned a license of Denoiser or bought the Magic Bullet Suite after Denoiser was discontinued, you get Denoiser II for FREE.

If you own it, or the Magic Bullet Suite, download it here. If you are new to the program, you can buy it here.

I love Denoiser, and used it extensively on my latest the Misadventures of Bear short, but did find it a bit buggy, so I can’t wait to try out the new version and see what it can really do.

PHYX releases Defocus for FCP, Motion and After Effects

Creative Cow has the press release on this new defocus tool that works with Noise Industries FX Factory.

Some Features are

  • Chroma Aberration – Editors can simulate chroma aberration – the imbalance of RGB color channels that can occur with camera lenses.
  • Fast Defocus – This effect can be used to simulate ‘bokeh,’ or out-of-focus lens effects. Editors can create depth of field with the use of a depth mask, rack-focus effects, and more.
  • Pan / Tilt – A popular effect used in many motion pictures and music videos, users can create a tilt-shift setup for still and motion picture cameras, with smooth, defocused gradients.
  • Vignette Vision – With two effects options, editors can defocus either the outer edge or the center of the image. Defocusing the outer edge simulates POV shots, vintage lenses and more. Defocusing the center of the image allows editors to censor images, create hallucinations, etc.

You can read all about it at Noise Industries Site.

Bunim/Murray drops Final Cut Pro for AVID

Arstechnica is reporting that, that top reality show producer and long time Final Cut Pro proponent Bunim/Murray has dropped final Cut Pro and is moving back to AVID media composer.

Due to the large volume of media generated by our reality shows, we needed to re-evaluate our editing and storage solutions. At the same time, we were looking for a partner who would understand our long-term needs,



Basically FCP X is not good enough, and FCP 7 is old and gettiing long in the tooth, and with AVID now being 64 bit, they felt the need to make the move.

Did Apple have a completed 64 Bit Final Cut Pro 8 that they scrapped?

MacGasm is reporting on a video of Richard Harrington that FCP.CO reported on and posted the video which has subsequently been removed.

Harrington said in the video:

“There was a Final Cut 8 and it was 64bit and it was done and they looked at it and said ‘This is not what we want to do, this is evolutionary, this is not revolutionary’ and they killed it.”


If this is true I am totally disgusted. If it is true, Apple should have released the 64 Bit Final Cut Pro 8, and also released Final Cut Pro X as something else, probably iMovie Pro and then done what they could to implement some of the new technology as add ons to Final Cut Pro 8. They would have had a huge hit on their hands, and could have revolutionized editing, but instead they have killed Final Cut Pro as a professional editing program and made FCP X a completely consumer program. Sure it has some great technology, but it will never become a standard even if it does have some good new ideas, because it does not work as well or efficiently as Final Cut Pro 7.

I still can’t figure out why they did this to begin with. A new program that is a revolution is fine, but you should not throw out an industry standard program because you have a new idea.