Canon MXF ingest for FCP X
FCP.Co has the announcement of Canon having released a new MXF ingest for FCP X. Download it from Canon here.
FCP.Co has the announcement of Canon having released a new MXF ingest for FCP X. Download it from Canon here.
Apple has announced the next version of their OS, which now drops the mac name and is just OS X Mountain Lion. This continues bringing OS X and iOS closer together.
New features include:
Of course it doesn’t come out to till the summer so features will change, and hopefully the color finder icons will return!
AND AN IMPORTANT NOTE FOR EDITORS AS FINAL CUT PRO 7 will likely no longer work on Mountain Lion, so it is time to move on.
Macnn is reporting on the latest set of rumors on a new MacPro, and lets hope it is true, and Apple is staying committed to the pro market in at least it’s hardware.
They would be powered by the new Ivy Bridge 22 nanometer Xeon processors which can have 8 cores and 20MB cache, making for 16 core machines, with 32 virtual machines. And even more exciting to me is the possibility of returning to NVIDIA and their soon to released Kelper hardware. This would mean CUDA acceleration in Adobe Premiere, and hopefully the next generation Quadros being released for the mac. This could mean that Jobs fued with NVIDIA is over. Wouldn’t that rock!
FCP.co has an article on the newly released AVID Studio for the iPad. Here is the link to it in iTunes. It is currently $4.99, but will jump to 7.99 in 30 days. Looks pretty cool. Looks higher end than iMovie for the iPad. Looking forward to trying it out.
Good old Larry Jordan has a great blog post on the update to FCP X 10 10.0.3, which is another free update.
APPLE’S RELEASE NOTES
According to the Release Notes from Apple, Final Cut Pro X version 10.0.3 adds the following features:
Final Cut Pro X version 10.0.3 also improves overall stability and performance, and addresses the following issues:
The 3rd Party FCP XML transfer apps are created by Intelligent Assistance and include 7toX and Xto7. 7toX is available for $9.99 and Xto7 is $49.99 in the App Store, and both with XML much like Premiere Pro ability to open XML files from FCP 7.
Looks like Apple is listening and has added back many of the features that are necessary for a Pro to Use this software, even Beta support for broadcast monitors, and multicam, and especially the ability to relink media to different clips. The biggest are the utilities from Intelligent Assistance, which should be free and integrated, but it is great that they are available at all.
Compressor and Motion have also been updated.
Now FCP X does become a viable editing app and successor to FCP 7, though we still don’t know for how much longer FCP 7 will run on the latest OS’s, so it is time to freeze a system to keep FCP 7 viable and be able to even export XML to be able to import into FCP X (Since it does not work with project files).
And no matter what I still think that that the basic editing techniques of FCP X is broken. The inability to have numbered tracks just would not work with the DR workflows that I cut with and make Media Composer and Premiere the real solutions available for editing with. And honestly FCP X will make more people think they are professional editors and leave the high end jobs to people who can use the other software. Sure you will still be able to make good stuff with FCP X and it does have a powerful engine with impressive features, but it’s fundamental changes to editing are not going to revolutionize the industry, but instead continue to drive people to Adobe and AVID.
I still say Apple should have released this as a new App and made a 64 bit version of FCP 7, and slowly added the new features they wanted to implement instead of this scorched Earth policy which has and will continue to alienate the high end post people.
I think the fact that the Final Cut Pro User Group is now the Creative Pro User Group says a lot. Still the updates to FCP X will mean that more people can and will use it, and I am glad Apple is actually listening to some of the complaints, but mostly I hope it means that AVID and Adobe continue to upgrade their software. After all Premiere Pro really needs to be able to do more than 4 angle multi-cam and the automatic syncing, and being able to re-sync at a later time are very cool features that it could use.
Ars Technica has an article on why Pros are moving away from Apple. It talks about the whole Final Cut Pro debacle, the fact that MacPro’s have not been updated in so long, and are rumored to be EOL’ed, but it does end with quotes about how FCP X is not that bad, which may be true for some people in certain situations, but for most Pro’s it is too little and too late.
I mean my first Apple was a IIC, and then a Mac Classic and I have never looked at a Windows PC, but have been pricing them out of late, and even talked to adobe to find out the process for moving my Creative Suite license to Windows, as it is likely that Mac just won’t be around for me as a professional editor and graphics artist.
Noise Industries has updated their Flag Ship Plugs in suite to version 3.0!
This version has new Playback Ready transitions, as well as other new updated effects for it.
Still I wish they had added Premiere Pro support, as having Final Cut Pro support is no longer so important for me (yes I still use After Effects) and Adobe Media composer support would be nice as well.
Arstechnica is reporting that, that top reality show producer and long time Final Cut Pro proponent Bunim/Murray has dropped final Cut Pro and is moving back to AVID media composer.
Due to the large volume of media generated by our reality shows, we needed to re-evaluate our editing and storage solutions. At the same time, we were looking for a partner who would understand our long-term needs,
Basically FCP X is not good enough, and FCP 7 is old and gettiing long in the tooth, and with AVID now being 64 bit, they felt the need to make the move.
Well Apple has finally updated their iBooks app to be more like the Kindle App (can anyone say scared of Amazon Fire) and it now does full screen and night modes where you get gray text on a black screen. I complained about this to Apple right away, but went with Kindle App, because I have found the grey text on a black screen very easy to read, especially at night.
MacGasm is reporting on a video of Richard Harrington that FCP.CO reported on and posted the video which has subsequently been removed.
Harrington said in the video:
“There was a Final Cut 8 and it was 64bit and it was done and they looked at it and said ‘This is not what we want to do, this is evolutionary, this is not revolutionary’ and they killed it.”
If this is true I am totally disgusted. If it is true, Apple should have released the 64 Bit Final Cut Pro 8, and also released Final Cut Pro X as something else, probably iMovie Pro and then done what they could to implement some of the new technology as add ons to Final Cut Pro 8. They would have had a huge hit on their hands, and could have revolutionized editing, but instead they have killed Final Cut Pro as a professional editing program and made FCP X a completely consumer program. Sure it has some great technology, but it will never become a standard even if it does have some good new ideas, because it does not work as well or efficiently as Final Cut Pro 7.
I still can’t figure out why they did this to begin with. A new program that is a revolution is fine, but you should not throw out an industry standard program because you have a new idea.