Twixtor for FCP X released
MacTech has the press release, that Revision Fx has released a FCP X compatible version of Twixtor. It is $329.95, and is not the full pro version.
MacTech has the press release, that Revision Fx has released a FCP X compatible version of Twixtor. It is $329.95, and is not the full pro version.
This was announced by Red Giant today. After losing the technology license behind Magic Bullet Denoiser they had to pull it earlier this year from their site, and promised a ground up re-write, and this is it, and even better it is a free upgrade.
Here is a list of features:
If you own it, or the Magic Bullet Suite, download it here. If you are new to the program, you can buy it here.
I love Denoiser, and used it extensively on my latest the Misadventures of Bear short, but did find it a bit buggy, so I can’t wait to try out the new version and see what it can really do.
Scott Kelby has a goof article on adobe’s release of Photoshop Touch for the iPad 2 (not for the iPad 1, which I have so I can’t check it out).
It has Levels. It has Curves (it has CURVES!). It has Shadow/Highlight, there’s a Gaussian Blur Filter, you can add text, the Layers have blend modes (Screen, Multiply, Overlay, etc.), and you can show/hide them — change their opacity — create blank layers, duplicate layers, all that stuff. There are effects filters, there’s noise reduction, you can make selections (and you will love how they implemented them). You can share images direct to Facebook, and a whole bunch of other stuff I didn’t think would be there….but is.
Of course, it doesn’t have everything the desktop Photoshop has (or there is no way it be able to run on a tablet), but I think you’ll be surprised at the cool stuff it does have.
Sounds pretty cool, and I would love to try it out
Creative Cow has the press release on this new defocus tool that works with Noise Industries FX Factory.
Some Features are
I gave up on FCP X, but it does look to be getting better, though I still find the timeline to be useless, and hate that they are trying to force me to edit how they want me to, but people are using it, and it is improving.
The guys at FCP.Co have posted a video from Mark Spencer and Steve Martin on Macbreak Studio on how to use the new multi-cam feature.
FCP.Co has the announcement of Canon having released a new MXF ingest for FCP X. Download it from Canon here.
Apple has announced the next version of their OS, which now drops the mac name and is just OS X Mountain Lion. This continues bringing OS X and iOS closer together.
New features include:
Of course it doesn’t come out to till the summer so features will change, and hopefully the color finder icons will return!
AND AN IMPORTANT NOTE FOR EDITORS AS FINAL CUT PRO 7 will likely no longer work on Mountain Lion, so it is time to move on.
Macnn is reporting on the latest set of rumors on a new MacPro, and lets hope it is true, and Apple is staying committed to the pro market in at least it’s hardware.
They would be powered by the new Ivy Bridge 22 nanometer Xeon processors which can have 8 cores and 20MB cache, making for 16 core machines, with 32 virtual machines. And even more exciting to me is the possibility of returning to NVIDIA and their soon to released Kelper hardware. This would mean CUDA acceleration in Adobe Premiere, and hopefully the next generation Quadros being released for the mac. This could mean that Jobs fued with NVIDIA is over. Wouldn’t that rock!
FCP.co has an article on the newly released AVID Studio for the iPad. Here is the link to it in iTunes. It is currently $4.99, but will jump to 7.99 in 30 days. Looks pretty cool. Looks higher end than iMovie for the iPad. Looking forward to trying it out.
Good old Larry Jordan has a great blog post on the update to FCP X 10 10.0.3, which is another free update.
APPLE’S RELEASE NOTES
According to the Release Notes from Apple, Final Cut Pro X version 10.0.3 adds the following features:
Final Cut Pro X version 10.0.3 also improves overall stability and performance, and addresses the following issues:
The 3rd Party FCP XML transfer apps are created by Intelligent Assistance and include 7toX and Xto7. 7toX is available for $9.99 and Xto7 is $49.99 in the App Store, and both with XML much like Premiere Pro ability to open XML files from FCP 7.
Looks like Apple is listening and has added back many of the features that are necessary for a Pro to Use this software, even Beta support for broadcast monitors, and multicam, and especially the ability to relink media to different clips. The biggest are the utilities from Intelligent Assistance, which should be free and integrated, but it is great that they are available at all.
Compressor and Motion have also been updated.
Now FCP X does become a viable editing app and successor to FCP 7, though we still don’t know for how much longer FCP 7 will run on the latest OS’s, so it is time to freeze a system to keep FCP 7 viable and be able to even export XML to be able to import into FCP X (Since it does not work with project files).
And no matter what I still think that that the basic editing techniques of FCP X is broken. The inability to have numbered tracks just would not work with the DR workflows that I cut with and make Media Composer and Premiere the real solutions available for editing with. And honestly FCP X will make more people think they are professional editors and leave the high end jobs to people who can use the other software. Sure you will still be able to make good stuff with FCP X and it does have a powerful engine with impressive features, but it’s fundamental changes to editing are not going to revolutionize the industry, but instead continue to drive people to Adobe and AVID.
I still say Apple should have released this as a new App and made a 64 bit version of FCP 7, and slowly added the new features they wanted to implement instead of this scorched Earth policy which has and will continue to alienate the high end post people.
I think the fact that the Final Cut Pro User Group is now the Creative Pro User Group says a lot. Still the updates to FCP X will mean that more people can and will use it, and I am glad Apple is actually listening to some of the complaints, but mostly I hope it means that AVID and Adobe continue to upgrade their software. After all Premiere Pro really needs to be able to do more than 4 angle multi-cam and the automatic syncing, and being able to re-sync at a later time are very cool features that it could use.