Digital Rebellion on AVID best AMA Practices
Digital Rebellion has an excellent must read article on AMA practices with Media Composer.
Digital Rebellion has an excellent must read article on AMA practices with Media Composer.
I realized I hadn't linked to this Studio Daily Article on the reductions at AVID.By the third quarter AVID will be down to about 1500 after losing more than 350 more employees, and hasn't said which facilities it will be closing.I still say if AVID doesn't really push there opportunity here they are fools. Look at what Autodesk has done with Smoke. I think it should be cheaper than $4000 ($3500 and $500 a year for upgrades and support), but it has moved into Media Composer Range, and it can do all Media Composer can and much more.
Personally I think AVID should have bit the bullet and pulled the price of Media Composer to $1000 to fight Premiere Pro (I don't think they need to fight FCP X) and gain market share back. The $1000 that Apple charged for FCP 7 was really a sweat spot and other apps have gone bellow that).And have made the cross grade even $500 from FInal Cut Pro, and make symphony a plug in that costs another $300-$500 (Or really just roll it in to Media Composer completely to have a unified product line). Now there sales for this year might be down (though they might have gone up do to the amount of sales they would have made), and there customer bass would have grown back to what it used to be, and they would make a ton of money in the future.They need to focus on less products and make them less expensive. They have already been making Media Composer so much better, so they don't have to worry about that, but it is there business decisions that seem iffy.
An interesting article at Doddle news on how the foundering AVID (which just sold it's consumer division including M-Audio, Pinacle and even the new iPad app) and cut another 20% of it's work force after previously losing 10% not too long ago.Some interesting ideas, though other than doubling down on protools and moving to the cloud like Adobe CS6, I don't see them trying any of them.
Check the video out at Videoguys.
The Pro Video Coalition Cut.N.Colro by Steve Hullfish has released part 2 of making the switch from FCP 7 to AVID. This talks about SmartTools (Avid's concession to an FCP like Timeline) and keyboard controls as well as the Pen tool for Audio rubberbanding.
Steve Hullfish of Cut.N.Color at The Pro Video Coaltion has part of an article on Making the Switch to FCP 7 from Avid Media Composer.it talks about using JKL and IO which are the same, and then how AVID shows you what speed it is playing back, and the differences in keyboard shortcuts with normal tools, such as zoom.
DigitalFilms on AVID Media Composer for Final Cut Pro Editors. And must read for any recent switcher to let you know about the features you need to look into to really become an expert in AVID.
Richard Keates has a good article on why he dropped FCP X after trying to use it to cut corporate video, and why Premiere Pro is the solution for what he needs to do (graphics heavy productions).Unfortunately I see many places moving back to Media Composer which I do find inferior for graphics work and hope that Premiere CS6 can make some inroads. I just wish that Apple would re-commit to the MacPro and push to get powerful CUDA Nvidia cards across their line to allow people who are unhappy with FCP X to use the products they want to and stay with Mac!
Walter Biscardi has a good post on editing for now, and or now that is AVID. And Premiere CS6 will be or some things as it is getting better, and Smoke will be tested and he is giving the ideas for their next version, both will possibly be implemented for him in 2013. For me it looks like AVID will be part of it, but I am hoping that CS6 is really a good replacement for Final Cut Pro 7.