Blackmagic has updated it’s DaVinci Resolve software to 17.3.
The big feature is 3x faster with Apple Silicon M1 enabling 8k editing and grading. As well as H.265 encoder enhancements.
It also includes the ability to rotate garbage mattes.
Another great sounding free update. Can’t wait to give it a try.
You can also read about these 4 plugs in at 4K Shooter.
OK I haven’t used these yet, but I want to try them all out.
I use Optical Flares from Video Copilot for flares in my motion graphics all the time, so I do love having access to flares and $39 for LensMaster Flares is ridiculously cheap.
And I have to admit to hating doing audio mixes and cleanup, and though I do use Essential Sound in Premiere it doesn’t do as much as it looks like Alex Audio Butler does. And I really want to get my hands on the ERA 5 Bundle. I don’t really mess with EQ and compression unless I have to, so these tools would be amazing to have.
And I just installed Reactor from We Suck Less. I haven’t delved too deep into Fusion as of yet, but I have played a bit. And to have this amazing set of tools for free. Wow! I can’t wait.
Oliver Peters at his digitalfilms blog has written 2 article son Audio Plug-ins for Editors. Parts 1 & 2 focus on categories, such as equalizers and compressors, part 3 is on the audio plug-ins from FabFilter Software Instruments and 4 is on Free Plug-ins.
You should go to his blog and check out parts 1, 2 , 3 and 4.
Sound is my worst part of editing. So often of late I am working for companies that expect me to mix, when an audio guy can add so much to a mix. Maybe this can help a little with audio if you want to dive into it.
Toolfarm, the plug-in seller has posted it’s top 5 plug-ins for under $99 for various software. For Premiere Pro, Davinci Resolve, AVID, Final Cut Pro X, Audio and various 3D packages.
Always good to see lists of inexpensive plug ins.
Neat Video the creator of the best Noise Reduction software out there has updated it’s software to version 5.4.6.
It has expanded AMD support, optimization for Apple’s M1 chips, and support for the latest Adobe releases. You can read about the changes here.
Neat Video is incredibly good and they keep getting better and faster, the only rival is noise reduction in the Studio version of DaVinci Resolve, but I have found they are great companions, and tend to work on software that the other doesn’t do well on. I try out one and then switch to the other if that one isn’t working as well. And I have Neat for Premiere Pro and After Effects as well.
I stumbled across this video and was literally blown away. Great tips, and a must listen.
And you can check out his site Creative Video Tips, and his tutorials are awesome, you can also see his videos directly on YouTube. Well worth the time to check out if you use DaVinci regularly.
I learned about this excellent video from an article by Jakub Han at CineD, which goes into the differences between the 2 formats.
It is well worth checking out the differences. And it seems that ProRes RAW does seem better, but it doesn’t work in DaVinci Resolve, and BRAW works better in DaVinci Resolve. So it depends on how you are finishing, and I would assume ProRES RAW works better in Final Cut Pro X.
The software for the Elgato Stream Deck has been updated to version 5.0 with the addition of a store. Jose Antunes at ProVideoCoalition has a great article on it.
Now it is great for them to have a store, but the store is pretty useless to me if it doesn’t have SideShowFX in it, because they make the profiles for pro video users. Now you can find software for streaming in the store, but the Stream Deck really works for Pro Video users, and to not have that software represented seems like a huge mistake.
I still plan on doing an article on Steam Deck and SideshowFX, but have been so busy I haven’t had the time.
Fstoppers has an article with a video on the awesome X-Rite Color Checker (why doesn’t Premiere support it?) of which I personally use the Passport edition.
I do find that sometimes it doesn’t work (and I have yet to figure out why) but when it does it gives an awesome baseline for every shot. You just have to convince the camera department to shoot it every time the lighting or setup changes.
Still this is an awesome tool and one everyone should shoot with.
Daria Fissuon literally wrote the DaVinci Resolve 17 Training Guide, and she has some great tips and tricks for using DaVinci.
And this one from Craig Beckta at FStoppers which I need to watch again, because she goes into how to setup and export your videos to deal with the Mac Color shift, which is huge!!!!