Guy made a ceiling mounted camera robot!
From Concept Crafted Creations on YouTube!
This is so very cool, I would love to have this!
I would love to be able to mount all my shooting stuff on the ceiling!
NoFilmSchool on Octopus Cinema tease of a pocket-sized super 16 4K camera for under $1000
From Jourdan Aldredge at nofilmschool. Any 4K camera for under $1000 is exciting news.
NoFilmSchool first footage from Kodak Super 8 Camers
From Jourdan Aldrege at NoFilmSchool, we have a review and this first footage and it looks great, but this camera is still completely ridiculously priced. For a Super 8 Camera to be over $6000 seems a little ridiculous at this point.
Computer Clan on the $65 million failure of the light field Light L16 camera
Very interesting as I have been fascinated with what a light field camera could do, and i bet better AI will resurrect light field cameras in some way at dome point.
DIYPhotography on why the industry needs to move to open-source cameras
From Sagiv Gilburd at DIYPhotography, and certainly a follow up to the last post on the Cinepi.
And unfortunately it won’t happen any time soon, like the article says, but it sure would be nice. And hopefully eventually soneohe will do it.
DIYPhotography on the Cinepi a 2K open source camera for $200
DIYPhotograpy’s Udi Tirosh has this interesting article. Pretty amazing that sn open source camera is possible, though let’s hope for at least 4k soon!
Jonny Elwyn on Matching 2 different Cameras Using Cinematch
Jonny Elwyn has an excellent article on using Cinematch to match 2 different Cameras. And you can use his Promo Code at Cinematch for the $125 Plug in (for either Premiere, DaVinci or FCP or $174 as a Bundle).
This is another extensive article and well worth a read.
I would love this tech, since the company I have been working for seems to use 2 different cameras always, and different settings every time, but getting info is like pulling teeth, and the EXIF route seems more difficult than just throwing it in Resolve and fixing it by eye, maybe not as well matched, but visually matched.
I do really like the idea of this match, but also they don’t have my DJI Pocket 2 in here, which would be my second camera most of the time.
At NAB Blackmagic updated it’s URSA mini Pro 12K with OLPF Filter for Digital Screen Production
Same camera with Low Pass Filter for problems with Aliasing Especially when working on something like a volume with video walls where you don’t want aliasing. And it is the same price.