I can honestly say I would love it if it was lighter, and now that it can do 2 4k screens, though I would likely need 3, and at current resolution I am not sure that would work. I would say once it is in my normal glasses, and maybe in conjunction with my screens?
From Cut/Daily #369 Practical Editing Tips I never though of, FREE REGISTRATION REQUIRED.
Another must read from Cut/Daily./
Cut/Daily #384 an editing keyboard!
Surprisingly I have never owned one because I have never seen one for ergonomic keyboard users or I would have bought them years ago. And I think LED in key keyboards would be even better, but again no ergonomic versions. I always used to have them in AVID bays, which was nice.
Cut/Daily #378 is another interesting post, this on documentary editing.
I don’t quite agree on the interview always bring the most compelling, but that could be my bias from cutting so much behind the scenes documentaries, where the b-roll and photos can be the most compelling.
The music thing is very true though.
Jonny Elwyn reviews Inside the Edit. Here is the web site for the Course which costs almost $20,000, but sounds like a pretty impressive course overall, though it is live from the UK, so timeings would be hard from the US.
And a second post with more bullet points on it.
Personally I question film school, it was fun, but film school needs direct training for things like Assistant Editing and also job placement, so a much more direct course might be the answer.
Yea, I would consider more if my monitors could handle HDR better, but without that, I guess I could monitor on my iPad pro.
Free to read with a free subscription, have a look. An interview with a member of an all woman of colour editing team who won a primetime Emmy for Editing!
From Master the Workflow.
A 45 minute interview, and I love to see features done in Premiere vs AVID Media Composer.
And her whole history in editing is fantastic to learn about. And cutting on a flatbed (which I haven’t done, only a moviola).
I have watched Peter Pan & Wendy as well, which was OK, but I felt it fell apart more in casting and scripting, because I got no joy from the young Peter Pan and Jude Law is no Jason Isaacs.
