FCP.co lesson 1 – 3 on FCP X Multicam

I gave up on FCP X, but it does look to be getting better, though I still find the timeline to be useless, and hate that they are trying to force me to edit how they want me to, but people are using it, and it is improving.

The guys at FCP.Co have posted a video from Mark Spencer and Steve Martin on Macbreak Studio on how to use the new multi-cam feature.

Part 2 of 3 has now been released.

Part 3 of 3 is now out.

Apple Has Updated FCP X added Multicam, 3rd Party FCP 7 Project Import

Good old Larry Jordan has a great blog post on the update to FCP X 10 10.0.3, which is another free update.
APPLE’S RELEASE NOTES

According to the Release Notes from Apple, Final Cut Pro X version 10.0.3 adds the following features:

  • Multicam editing with automatic sync and support for mixed formats, mixed frame rates, and up to 64 camera angles
  • Media relink for manual reconnect of projects and Events to new media
  • Ability to import and edit layered Photoshop graphics
  • Advanced chroma keying with controls for color sampling, edge quality, and light wrap
  • XML 1.1 with support for exporting basic primary color grades and both importing and exporting effect parameters and audio keyframes
  • Multiple improvements to the Color Board, including new key commands, editable numeric fields, and adjustable parameters that act like infinite sliders when dragged
  • Ability to reorder color corrections in the Inspector
  • Reveal in Event Browser shows clip range in the filmstrip while in List View
  • Batch offset for clip date and time
  • Ability to search text added to Favorite and Reject ranges
  • Automatic restore of projects and Events in case of file corruption
  • Beta version of broadcast monitoring with third-party PCIe and Thunderbolt I/O devices

Final Cut Pro X version 10.0.3 also improves overall stability and performance, and addresses the following issues:

  • Improves performance when editing text in titles
  • Improves performance when applying an effect from the Effect Browser
  • Improves key-framing behavior in the Inspector, with keyframes automatically added when moving to a new point in time and adjusting a parameter
  • Modifies transition behavior so that all newly added transitions use available media and maintain project length
  • Fixes an issue which affected audio solo while skimming
  • Resolves issues related to using Synchronize Clips with media containing a silent audio channel
  • Fixes an issue in which constant speed retiming was not properly applied when using the Paste Effects command


The 3rd Party FCP XML transfer apps are created by
Intelligent Assistance and include 7toX and Xto7. 7toX is available for $9.99 and Xto7 is $49.99 in the App Store, and both with XML much like Premiere Pro ability to open XML files from FCP 7.

Looks like Apple is listening and has added back many of the features that are necessary for a Pro to Use this software, even Beta support for broadcast monitors, and multicam, and especially the ability to relink media to different clips. The biggest are the utilities from Intelligent Assistance, which should be free and integrated, but it is great that they are available at all.

Compressor and Motion have also been updated.

Now FCP X does become a viable editing app and successor to FCP 7, though we still don’t know for how much longer FCP 7 will run on the latest OS’s, so it is time to freeze a system to keep FCP 7 viable and be able to even export XML to be able to import into FCP X (Since it does not work with project files).

And no matter what I still think that that the basic editing techniques of FCP X is broken. The inability to have numbered tracks just would not work with the DR workflows that I cut with and make Media Composer and Premiere the real solutions available for editing with. And honestly FCP X will make more people think they are professional editors and leave the high end jobs to people who can use the other software. Sure you will still be able to make good stuff with FCP X and it does have a powerful engine with impressive features, but it’s fundamental changes to editing are not going to revolutionize the industry, but instead continue to drive people to Adobe and AVID.

I still say Apple should have released this as a new App and made a 64 bit version of FCP 7, and slowly added the new features they wanted to implement instead of this scorched Earth policy which has and will continue to alienate the high end post people.

I think the fact that the Final Cut Pro User Group is now the Creative Pro User Group says a lot. Still the updates to FCP X will mean that more people can and will use it, and I am glad Apple is actually listening to some of the complaints, but mostly I hope it means that AVID and Adobe continue to upgrade their software. After all Premiere Pro really needs to be able to do more than 4 angle multi-cam and the automatic syncing, and being able to re-sync at a later time are very cool features that it could use.

Bunim/Murray drops Final Cut Pro for AVID

Arstechnica is reporting that, that top reality show producer and long time Final Cut Pro proponent Bunim/Murray has dropped final Cut Pro and is moving back to AVID media composer.

Due to the large volume of media generated by our reality shows, we needed to re-evaluate our editing and storage solutions. At the same time, we were looking for a partner who would understand our long-term needs,



Basically FCP X is not good enough, and FCP 7 is old and gettiing long in the tooth, and with AVID now being 64 bit, they felt the need to make the move.

Apple has released an FCPX Bug Fix to 10.0.2

Apple has released an update to Final Cut Pro X 10.0.2. Here are the bug fixes:

• Fixes an issue where a title may revert to the default font after restarting Final Cut Pro X


• Resolves an issue that could cause files recorded with certain third-party mobile devices to play back incorrectly


• Addresses a stability issue caused by changing the start time on a Compound Clip



No major new features, but at least they are doing bug fixes.

Automatic Duck Plugs Ins are FREE!

thankyou

I honestly thought with them moving to Adobe that the old plug ins were gone for good, but it seems not as
Automatic Duck has released all their old plug ins for FREE!

I already owned Pro Import AE 5.0, which allows you to import either Final Cut Pro 7 or AVID Media Composer sequences into After Effects. You use Free XML exporter for FCP and it works almost perfectly. A must have.

Pro Export FCP 5.0 is for FCP X and is to allow OMF export.

Pro Export FCP 4.0 lets you export either OMF or AAF from FCP to AVID, and I previously owned this.

And their is Pro Import FCP 2.0 which allows you to import an AVID sequence into Final Cut Pro.

And they are all FREE. So download them now. Sure they will not be updated again, but free is a huge price drop!

Walter Murch on FCP X

FCP.co is reporting on some things reported in twitter feeds from the Boston Final Cut Pro User Group where Walter Murch spoke. And a report from Chris-Portal on the event, and it seems that he doesn’t like it, and may be done using Final Cut Pro to edit features with.

While Walter is encouraged by the updated FCPX version last month, he hasn’t used it on any real work yet, so he is cautiously optimistic (and still traumatized he says). “Do they love us? No…I know they like us….but they keep saying they love us??”



Actually sounds like he while he has used AVID in the past, he is going to try Premiere Pro to see where it is at, and then see if it is AVID or Premiere Pro.

Personally I am liking Premiere Pro, though it still needs some features to go on par with FCP 7 (though it does beat it in others).