Over 150 New Features being added to Adobe Creative Cloud Video

Yes, just 4 months after their last upgrade, Adobe is good to it’s word and is turning around much faster upgrades with creative cloud, and in October are upgrading Premiere Pro, After Effects, Speed Grade, Prelude, Media Encoder, Story and are adding the iOS app Prelude Live Logger. Awesome! You can check out the upgrades at Adobe.

Steve Forde at the Adobe After Effects Blog has a post on the new After Effects Features.

The Adobe Premiere Pro Work area Blog has more on Premiere Pro, Media Encoder (which now has GPU enabled rendering!) and Prelude and Prelude Live Logger.

The Adobe Moving Colors blog has more on the SpeedGrade Upgrade which includes direct link (an improvement over Dynamic Linking which you can see more about here) and GPU acceleration.

Thank you Adobe, looking forward to it! And here’s to hoping that Adobe permanently keeps up this rapid pace of development, except it will certainly keep us editors on our toes, as I have just scratched the surface of CC by now! Ha!

Larry Jordan on Adobe Prelude

Larry Jordan has an excellent article on the new Adobe Prelude CS6 for ingesting and logging footage.

I knew it was for logging and even cutting a rough assembly, but didn’t realize it could export to either Premiere Pro or Final Cut Pro 7. Very cool.

And it sounds like the biggest issue is the lack of ProRES presets for Media Encorder, which I always found odd, but not hard to create for oneself.

Larry also offers a complete 2 hour tutorial on how to use Prelude at his site.

Adobe shows off Production Premium CS6 and it looks Amazing!

Macworld has an in depth article on the new Production Premium CS6 showing off it’s new features, and it does sound exciting.

Premier Pro CS6 is getting unlimited dynamic Multi-cam, built in Image Stabilization with Warp Stabilizer from AE CS5.5 and an enhanced Mercury Playback engine that will even work with some AMD video cards instead of just NVIDIA CUDA cards. It ha s anew Default Workspace, and is more customizable. It has more Audio Mixing controls. Trimming controls have been added and more customizing. A rolling Shutter repair. And of course the addition of Automatic Duck for interoperability between Final Cut Pro 7 and AVID and Premiere Pro. And it will edit 5K for RED compatibility.

Yes! Adobe has been listening and it looks like Premiere Pro CS6 is going to be a power house editing tool!

After Effects CS6 has enhancements to it’s render cache, were renders can be saved with projects, a full 3D camera Tracker, a Ray Trace 3D rendering engine (that looks to give Zaxwerks a run for it’s money), variable mask feathering, and built in Automatic Duck, so it will work with Avid Media Composer and Final Cut 7 files! Nice! Mocha will also be better integrated so you can launch Mocha from within AE (and Mocha is set to get updates at NAB as well).

A new edition to the suite is Prelude CS6 for ingest, logging and organization as well as transcoding of files.

Audition CS6 also gets updated and has smooth project exchange between Premiere Pro and third party nonlinear editors. Has real time clip stretching, automatic speech alignment and pitch correction. Better control surface control with automation.

And an exciting new addition is this suits version of Color, the recently purchases SpeedGrade. A 64 Bit GPU accelerated Color Correction tool. This is really necessary especially with DaVinci software basically being made free from Black Magic.

It really sounds like Adobe has been listening, and is making their editing suite a powerhouse that can really replace Final Cut Pro 7 and easily go head to head with AVID with even more powerful tools. I can’t wait to try this suite out!