So worth a a read, FREE REGISTRATION REQUIRED, check it out at CUT/DAILY.
Always interesting to hear from someone who worked for Walter Murch and has gone on to have such a distinguished career editing and directing documentaries.
Part 3 of Oliver Peters interview with Walter Murch.
This one on sound design, and original surround sound, and sound mixing.
Oliver Peters at Digital Film posted part 2 of his conversation with Walter Murch.
This one on using Moviolas and Flatbeds.
Murch is a legendary editor, and is always worth listening too. Here he talks about his Moviola project, too bad it didn’t stay at USC. PVC had an abridged version of thus interview.
Jonny Elwyn’s has a letter from Walter Murch free with registration.
About propably the last time anything will every be edited on a Steinbeck, which I have never done, though I was probably the last class to edit on Moviolas at USC.
And it was honestly hell. Not the process and the decisions and physical cutting, but the machines, which would stick on, and destroy the negative, and had to be dived behind and unplugged. I was editing with Takashi Horie in college and I believe we even took naps behind the very loud machine.