Maxon Red Giants new Bokeh and Bokeh transition Tools are fast and impressive new additions.
Looks decent enough though it does feel like Red Giant gas slowed down a bit sincd being acquired by Maxon, but I am glad to seenew features and speed improvements.
This article on Cavalry 2.0 just shows me I really do need to dive in and learn Cavalry as it looks so fast and powerful.
And here is a second article on smaller new features in the update.
And you can read about and see photos at Stu’s Prolost site.
From Dennis Sellers at OWC, I have to admit I kbew how to do this but never had, but after trying it out for a while I ended uo sticking with it as my default search behavior.
From Chip Loder at AppleInsider. I have to admit I had no idea this was even possible.
Very interesting as I have been fascinated with what a light field camera could do, and i bet better AI will resurrect light field cameras in some way at dome point.
From Amber Neeley at AppleInsider.
Yes yes yes! We need to save Firefox which I still find the best and most customizeable browser. And Apple, Google and Microsoft all push their in house browsers over it, which has decimated it’s market share.
I have previously posted about how Apple removed Album Artwork from it’s playlist creation (it used to add 4 album covers) and you have to manually add it, but this post from MUD or Make Use Of has a solution that is an improvement on the album artwork.
This is the shortcut the Playlist Cover Art Generator, which you can customize to show 4 to 47 covers and have text as well. You have to allow private scripts and large datasets, but it works fast and well.
Here is one I created for my 1971-1972 playlist.
OMG, why hasn’t Adobe added this functionality if it can be so well added as an extension (though it should automatically show up as it does in DaVinci). iXML Renamer is awesome and should literally not be necessary, but it is, so pay a little and install it now!
It will let you append the iXML data from your mixer into the track and clip names, which is what DaVinci does by default, and Adobe hides away in a panel that makes it all but useless.
Of course every editor would like to know what each track from the Audio Mixer is! WTF ADOBE!!!
