Walter Biscardi’s iMac Edit Suite
Walter Biscardi has released a very cool article, on his new iMac editing suite. Very cool to see all that can be done with only an iMac. It is a very powerful machine, though I still want a new MacPro!
Walter Biscardi has released a very cool article, on his new iMac editing suite. Very cool to see all that can be done with only an iMac. It is a very powerful machine, though I still want a new MacPro!
My lovely wife Kelly was worried about how incredibly sore I am. So she called the cardiologist about it, and I had her ask if i could start taking Advil again (as I have only been allowed to take Tylenol).
My Cardiologist said the soreness is completely normal, and I am allowed to take ADVIL or ibuprofens again. Just took two and am hoping it will help with the soreness soon, as my muscles ache. Just not used to driving in traffic or holding my arms up all day at a computer! Youch!
Looking forward to seeing how ADVIL does on my soreness!
UPDATE: My chest does feel much better after taking Ibuprofen, though now I feel how badly my back is out again. Youch, can’t wait for a full adjustment this Saturday.
SECOND UPDATE: Well the effects of ADVIL are nothing a little jaunt through rush hour traffic can’t cure. And it is only monday. Still ADVIL is a miracle compared to Tylenol.
While I have an NVIDIA Geforce GTX 275 Mac Edition, it is very much old tech with only 240 CUDA cores for working with Premiere Pro. And it is about the fastest there is (other than a QUADRO 4000, but even that is old tech compared to current PC video card technology).
One solution is MacVidCards and their Ebay Site. These guys flash GTX 5xx series videos card with Apple Firmware so that you get full functionality on a Mac, including boot screens and EFI (so if you hold down option you can select hard drives, or go into the terminal before you hit the desktop). This is a great and easy solution for most people, though it leaves out Kepler video cards, the GTX 6xx series cards that are the latest and greatest with the most CUDA cores for real time playback in Premiere Pro.
As of Mountain Lion putting in a GTX 6xx series or Kepler has gotten a lot easier. This is because Mac OS X and the latest NVIDIA drivers now include drivers for the MacBook Pro 15″ Retina Display which is has Geforce GT 650m, so there is now some Kepler support in OS X. This means that PC Kepler cards will run in Mountain Lion, with a couple of caveats. One is you don’t get the boot screens, because the video drivers don’t kick in until just before the desktop shows up. The second is that due to a setting in OS X you can only have up to 2GB of RAM in a video card, if you have more you won’t get OpenCL acceleration. It is on this point that the excellent Netkas site comes in. Netkas has figured out multiple methods to make 6xx series NVIDIA cards with over 2GB of RAM work on a Mac.
Yes there are bigger cards with more CUDA cores, like the GTX 680, but it requires 8 pin power, and the Mac only supplies 6 pin power, so you will have to run an external power supply to get it to work, and the GTX 690 is basically 2 video cards in one, so the mac will have trouble using the dual cards, and you won’t get the benefit (except in boot camp into Windows). Basically the 670 uses 2 6 pin power adapters, so your mac can power it. I picked up an EVGA Geforce GTX670 FTW+ 4096MB GDDR5 Graphics card and installed it.
There are the instructions for a GTX 670 and the instructions for the rest of the 6xxx series cards on how to get OpenCL working on a card with more than 2GB of RAM.
Now I had problems getting the GTX 670 instructions to work.
I started to a TechTool Pro Safety partition I have on a second drive and did the replacement and repaired permissions and OpenCL was not fixed. After much fiddling I couldn’t figure it out, and having read elsewhere on the Netkas forums to also do the Hex edit, I also did the 32 and the ML Hex edit fixes, repaired permissions (A VERY IMPORTANT STEP AS YOUR COMPUTER MAY NOT BOOT IF YOU DON’T DO IT). I used the excellent HexEdit to edit the file.
I tried getting help on the forums, but was basically told how stupid I was and that I had done it wrong (which was not the case). Finally I decided to re-install the latest NVIDIA drivers and see if that did anything, and after restarting, I ran LuxMark (to test OpenCL speeds) and low and behold it now worked.
Honestly I am not sure if I just needed to do the Hex Edit only, as the instructions I saw at Netkas said to try the file replacement for the 670, or if it really did require me doing both to get OpenCL acceleration activated, but doing both certainly worked for me with the addition of re-installing the NVDIA Drivers.
The next step is now to enable CUDA for your new video card in Premiere Pro and After Effects CS6. VidMuze has an excellent video on how to do this, and a download file that gives specific instructions. This was simple in comparison to the hex file thing, which was not hard, but certainly not this easy, but this does require some terminal use, so you should be comfortable using the terminal in your mac.
I now have 1344 CUDA cores for Premiere Pro and After Effects, and am looking forward to taking Premiere Pro CS6 and the Mercury Playback engine for a spin with more than 5 times the CUDA cores, twice the RAM and a much faster and newer processor. I will let you know how it performs.
13 Weeks out tomorrow, which means I can finally go to the chiropractor soon.
Also am back to work and am suffering for it. I can tell you the drive from North Hills to Downtown, Los Angeles is not pleasant right now. Not only does the surface of the wound hurt, even with a t-shirt, but the muscles are so sore from the drive that I feel maimed. I was lucky enough to be able to work from home for a couple of days, but no longer. Back to Downtown tomorrow and my soreness will only get worse from driving in the traffic.
As you can see the main incision has stretched out and is a brutal red right now. Youch!
And even turning funny is really not feeling good for the sore muscles right now. My back still hurts, and my chest just feels awful. The worst the muscles have felt since the surgery honestly. I didn’t do anything on last Saturday because of it, but edging the lawn on Sunday certainly did help things.
Lets hope it starts to feel better from constant use, as it should be fairly healed at the 3 months mark. Wish I could take some more time off, but we need the money too much (am even missing a vacation my wife and her family are going on because of the job I am on).
Lets hope this starts feeling better really soon!
Cinesopophilia has info on 3 new Samyang Cine Lenses all with T Stops. T stops mean smooth aperature so it can be pulled. And these are made for Nikon and Canon DSLRs.
They have a 35mm t1.5, a 24mm t1.5 and a 14mm t3.1 lens coming out.
Samyang lenses sell as Vivitar, Rokinon, Wlimex, Bower and Pro-Optic lenses. The Rokinon 35mm T1.5 for Canon is at B&H for presale at $549.00. And the Rokinon 8mm t3.8 fisheye for Canon is at B&H for $349!
CreativeCow has the press release on the new release of Lightwave. It is also at NewTek from it’s announcement at Siggraph 2012.
It will include a new Genoma character animation and rigging system, predator and prey flocking, instancing, soft-body bullet dynamics, interchange support for After Efffects, and workflow enhancements.
I wish Adobe would include as much in a free point release for owners of the previous version!
Engadget has an update on the new Red Dragon 6K image sensor. Jim Jannard claims it has less noise at ISO 2000 than the previous sensor has at 800 (it’s standard setting) and offeres 15+ stops and 120FPS at 5K. It will be $6000 for Red Epic customers and they haven’t said how much it will be for the Scarlet X.
Of course you usually take what Jannard says with a grain of salt, though I don’t doubt it will be an impressive sensor!
The ProVideoCoalition has an article on the newly updated Sony PMW-F3/RGB, which add 10 bit 4:4:4 RGB output and 10 Bit S-Log Gamma which previously were add on options as standard equipment.
Hats off to Sony for making an already great camera better!
Canonrumors is reporting on a problem with the Canon EF 40mm f2.8
If pressure is applied to the lens barrel while the lens is mounted to the camera (pressure can be applied even while attaching the lens cap or while carrying the camera with the lens attached in a bag), the autofocusing function of the lens may stop working.
It seems they will have a firmware update for the camera in August to fix the problem, but for now just remove the lens and put it back on.
Some more really cool looking scripts from AEScripts and the Pro Video Coalition.
Layer Repeater to easily offset layers in space and time suggested $19.99 but name your own price.
Masks and Shapes gives you more control over creating shapes and masks and can save them out as a text file, suggested $9.99 but name your own price.
Projection, makes it easy to camera map onto 3D planes in After Effects with 3D Camera Tracker, Syntheyes, Boujou or PF Track. $24.99 down from $49.99.
Illumination adds a new dimension of lighting control, and adds the softbox. $19.99 down from $39.99
Pixel Cloud, a compositing tool to relight a 3D generated image or displace the pixels in 3D space, $89.99 down from $129.99.
Paste Multiple Keyframes, lets you copy and paste keyframes from multiple layers at the same time, suggest $9.99, but name your own price.
Auto Lip-Sync, create a mouth that automatically animates according to your voice recording. $39.99
Null Swapper swaps null layers for light layers for Trapcode Particular and Plexus, and this one is free.