Pro Video Coalition has an article on the new $299 Thunderbolt IO device the Intensity Extreme, which has only HDMI in and out and RCA in and out but is Bus Powered and inexpensive and perfect for laptops.
FCP.Co has a video from Mark Spencer on customizing colors in Motion Templates. Worth checking out if you are using FCP X.
FCP.Co has a report on the new Thunderbolt equipped AJA Io XT with HD-SDI dual link support and HDMI input and output. Now if only someone could come out with a Thunderbolt PCI card for older MacPro’s (I know they say it is not possible). And I love that new cards are working with Media Composer.
FCP.co is showing off DVcreators 3 new film looks FXScript plug ins for Final Cut Pro 7 created by the great Graeme Nattress. The effects look great and are only $35 dollars, which is good as they don’t work with FCP X or anything besides FCP 7, which is EOL.Check out the filter FilmStyles at DVcreators.Inexpensive enough that people may still get them for FCP 7, but they had better add Premiere Pro support soon!
OS X Daily has this article on a free Japanese SIMBL Plug-In to Make you Lion Finder Sidebar color once again! Yipee! This should be a feature you can activate in Lion automatically, not something that you have to hack the system to do, but I have hacked mine, as this is a far superior configuration!Instantly my old finder is back and looking much better. It is so much easier to find what you are looking for with Color icons! Nice!
FCP.CO has an article on the beta of a new app called Foolcut AE to export video from FCP X to After Effects for $89. Impressive considering I paid $500 for the same functionality from Automatic Duck from FCP 7 to AE, though the same functionality is free from Premiere Pro to AE.
onOne Software has released Perfect Photo Suite 6 for Photoshop. This has long been one of my favorite Photoshop plug in suits, and they have added new plug ins, Perfect Effects 3 replaces PhotoTools, they have added Perfect Portrait and Perfect Mask replaces Mask Pro 4. I am always using Photoframe and the rest of the suite is well worth it. Also love that when I owned the earlier version they gave a free 64 bit upgrade. This company totally rocks.
Digital Rebellion has an excellent article on 18 features that Premiere Pro must lift from Final Cut Pro, some of which I have covered extensively (like showing clip duplication in the timeline) and others I had not even realized, but all I agree with are necessary for Premiere Pro to really replace Final Cut Pro.Though I doubt you will ever be able to open multiple projects as you can’t in After Effects either (only import projects into each other). Still it would be nice!
Film Riot has a a good video podcast on is Premiere Pro better than Final Cut Pro, and basically it comes down to that yes it is. It can open Final Cut Pro projects, and is really damn fast. And one of my favorites, is the After Effects integration, which really is incredible. Check out this video below.
Biscardi Creative has an interesting article on workarounds to use Adobe Premiere Pro and AVID Media Composer with Davinci Resolve which is currently made to work with Final Cut Pro 7.It looks like there is no easy solution right now, as Resolve reads Premiere’s XML, but not all of it’s media is compatible, and you need a $500 plug in to make it work with AVID. Otherwise you basically need to export a quicktime and use scene detection to make a grade (so no dissolves).Not an ideal solution for sure.