ProVideoCoalition Fight of the File Formats! PNGs or EXRs
Quite interesting, honestly I have never used EXR’s but I also don’t render to image sequence, I just use PNG’s for single images with alpha, but might need to rethink that.
Unfortunately FiLMiCPro 7 for iOS has gone subscription
Filmic PRO is easily the best app for shooting video for iOS. WIth many essential features such as shooting flat and working with stabilizers. I would say anyone shooting on the iPhone should be using FiLMiCPro. It is just too bad it had to go subscription.
As a former owner of FiLMiCPro I get a download from within the app of FiLMic Legacy which has all the old features, but won’t keep being updated, so will stop working before too long, but at least it works for now, and a discount off the subscription.
The Update does look great, and the subscription model had better mean a steady stream of new features (I would love them to figure out how to get 23.976 if that is even possible). And I love the manual control sliders vs the wheels it previously was.
I just honestly hate subscriptions, especially on IOS. I already have to have he full Adobe Suite, I have Maxon’s Red Giant Suite, and a few others, and I don’t need IOS ones.
Honestly I hope EU regulators get on this and force Apple to be able to sort the store by purchase vs subscription.
Jonny Elwyn on Controlling DaVinci Resolve with a Stream Deck +
This is very cool, as a relatively inexpensive control that can do a lot.
And it is only $199, though of course not as powerful as my Tangent Wave 2.
Team 2 Films – Remote Monitoring – DaVinci Resolve 18.5 Tutorial
From Team 2 Films on YouTube.
I so love that we are back to this, after it was a feature in Final Cut Pro 7 all those years ago.
This is so amazing for color correction, especially when sending to an iPad Pro with such an amazing screen!
TechCrunch on Runway’s Gen-2 showing the limits of today’s text-to-video tech
An article well worth checking out from Kyle Wiggers at TechCrunch.
Generative AI is the future, but it is certainly no there yet, especially for video.
CUT/DAILY #350 Meets… Editor Nicholas Wong
Read the Cut/Daily interview with Editor Nicholas Wong. Who started as an assistant and worked on the Expanse, woohoo.
Always worth reading Cut/Daily.
No Film School How Editors Shaped the Royal Magic of ‘Queen Charlotte: A Bridgerton Story’
Jo Light at No Film School Interviews editors Matt Pevi and Denise Chan.
This is interesting as I found this show so far superior to the main Bridgerton show, that I wished it was longer.
JG McQuarrie at Crumplepop, the Best Export Settings for Premiere Pro for YouTube Instagram and TikTok
The base settings in Media Encoder are never the best, so it is always smart to set your own custom settings.
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