I do love that since YouTube re-compressed everything you should basically upload in your editing format, since they don’t have upload limits like Vimeo. It is pretty funny that Adobe Media Encoder’s YouTube settings are H.264, but I guess it saves your bandwidth.
Adobe made the announcement in the beta forum in their communities.
Woohoo, something I never asked for but will certainly use. Just removing the disabled clips and empty tracks is very cool.
Now if only they could also un-merge clips (since merged clips break audio metadata so a mixer is basically unable to relink clips because their names and timecode change) and maybe flatten multi-cam as well, though you can already do that.
I do love that Adobe all the suddens seems to adding new features at a prodigious rate, but I just hope they will still go back and fix what is broken and has been for a long time.
Boy this would be easier if videos could hold markers like Quicktime movies. At least there is a way to do it.
I am an editor and not a sound guy, so this is certainly useful. I do spend a lot of time with the essential sound panel to get a passable mix, but for me a mix should go to a mixer, but that doesn’t always happen, so learning as much as you can is a great thing.
I do plan on doing some more sound specific lessons for Premiere and Audition in the future, but I have not delved into it to much as of yet.
Blackmagic design has done it again and have released a 4K streaming version of the web presenter.
The previous $495 version could accept a 4K signal, but it only could output at 1080, but this can output at a full 4k for a better signal for $695.
And like the previous model it has a USB C out so you can connect it to your computer as a web cam to use in Zoom. And with my UltraStudio 4K I could easily run it via the SDI input without bothering the HDMI out (though it also has an HDMI out).
I was talking to a DP with the director on a notes call and I really wished I had this setup so We could do live sessions. I know a lot of producers like to do a session in person and being able to stream live to a producer and talk really is something I need to add to my setup soon so I can continue to work at home. I am really looking forward to trying out Sofi Marshall’s setup and getting this going.
Oliver Peters at his digitalfilms blog has written 2 article son Audio Plug-ins for Editors. Parts 1 & 2 focus on categories, such as equalizers and compressors, part 3 is on the audio plug-ins from FabFilter Software Instruments and 4 is on Free Plug-ins.
You should go to his blog and check out parts 1, 2 , 3 and 4.
Sound is my worst part of editing. So often of late I am working for companies that expect me to mix, when an audio guy can add so much to a mix. Maybe this can help a little with audio if you want to dive into it.
Jim Thacker at CF Channel has an article on Multi-Frame Rendering in the After Effects Beta.
This is super exciting, as After Effects has basically run at the same speed forever. It likely won’t be released fully until the next big trade show, where Adobe will move it from the beta channel.
Not only would this give a nice boost to the Intel Mac Pro line, it would make up for the fact that they made a modular machine that could be easily upgraded and never bothered releasing a single upgrade for it. And as the article says they are also working on the Apple Silicon version of the MacPro, which will likely be a smaller version of the MacPro, more like a Cube, and it will likely not be upgrade-able, so it would be smart for Apple to release one more upgrade-able machine before they dump the idea of upgrade ability all together.
It seems likely that the Apple Silicon based MacPro will be like every other Apple Silicon with soldered Memory, and fixed gpu on the motherboard, and without the ability to run an external GPU. Now hopefully that also ends up being shown in the price which should be allot less than a fully loaded Intel MacPro, but I doubt it will still be considered inexpensive.
Toolfarm, the plug-in seller has posted it’s top 5 plug-ins for under $99 for various software. For Premiere Pro, Davinci Resolve, AVID, Final Cut Pro X, Audio and various 3D packages.
Always good to see lists of inexpensive plug ins.
Neat Video the creator of the best Noise Reduction software out there has updated it’s software to version 5.4.6.
It has expanded AMD support, optimization for Apple’s M1 chips, and support for the latest Adobe releases. You can read about the changes here.
Neat Video is incredibly good and they keep getting better and faster, the only rival is noise reduction in the Studio version of DaVinci Resolve, but I have found they are great companions, and tend to work on software that the other doesn’t do well on. I try out one and then switch to the other if that one isn’t working as well. And I have Neat for Premiere Pro and After Effects as well.
