PVC on Premiere Pro Set to Frame Size
https://www.provideocoalition.com/tool-tip-tuesday-for-adobe-premiere-pro-set-to-frame-size-preference/ Very simple tip, but really useful if you don’t know it!
https://www.provideocoalition.com/tool-tip-tuesday-for-adobe-premiere-pro-set-to-frame-size-preference/ Very simple tip, but really useful if you don’t know it!
https://www.provideocoalition.com/aep0924/ As always, a must read!
Adobe’s December 3rd, 2024 update December 2024 (25.1) is out. Check out the new features. Rounded Corner Design for timeline clips, which is neither here nor there, though can be annoying for key frames. Enhanced H.264 performance on Apple Ailicon and Windows: Upnto 4x increase in performance on Apple Silicon and 2x performance on Windows! Always welcome! Personally I tend to recomoress H.264 to ProRES for performance, but that isn’t possible with many online working methods, so this is certainly welcome. And these fixes: AUDIO: The audio was not imported for MXF files with 32-bit audio. The Progress panel sometimes showed duplicated "Enhancing Speech" processes. Newly created Audio Tracks did not respect the Solo state of other tracks. Attributes would not be correctly pasted across all audio channels of a clip on the timeline. Clicking on a clip badge to open the Effect Controls or Essential Sound panels would open the panels on the mouse down. Premiere Pro would sometimes crash when disabling Enhance Speech during processing on nested sequences. CAPTIONS When importing a custom caption preset which was previously saved with a certain style, the "Style" option could erroneously be reset to "None". Undoing a merge of multiple captions segments would not select all segments. ‘EDITING The Time Ruler Numbers option for Timeline was disabled, and the shortcut did not work. Some EDLs would fail to import. The Progress Sheet was not docked with other panels when opened from the Windows menu. Premiere Pro would hang when exporting some projects to XML. Get Media File Properties for > Selectionwas disabled for Timeline clips. Option or Alt + mouse wheel would not zoom the Timeline based on the cursor location. Scaling below 50% of a still image in a timeline, when played in non-high quality, half or quarter resolution, could cause the image position to shift. EFFECTS Applying Morph Cut via an Adjustment Layer could cause a crash. Crash observed when opening Old Premiere Pro (22.x) project containing Morph Cuteffect. Some projects using the Morph Cuttransition could crash when using the GPU-accelerated renderer. FORMATS Observed artifacts during reverse playback of AVC Long GOP MXF media. [Regression 24.4] Adaptive bit rate presets (High/Medium/low) under the video setting were showing the same bit rate during Export. Disabling the hardware-accelerated decode preference did not work for ProRes media—playback would still use hardware acceleration with this option disabled. MARKERS Duplicate Frame Markers were not displayed on clips at minimum track height. Duplicate Frame Marker colors could be out of order. Delete gap in Timeline could result in Duplicate Frame Markers disappearing from other clips equal to the duration of the deleted Timeline. When you drag a clip to the Timeline, different clips may have the same Duplicate Frame Marker color until you force update. Duplicate frame indicators, clip markers, and clip ends could jitter when the timeline is scrolled while playing. TEAM PROJECTS Read-only sequences from Media Browserallowed changes to be made. TEXT-BASED EDITING Clip markers could sometimes not show or be added to audio-only clips in the Transcript tab of the Text panel. With a project set to Read Only, it could be possible to drag markers in the Text panel's Transcript. Importing a corrected transcript could result in a timecode mismatch. When working with English transcripts, the first word of a sentence could erroneously start with a lowercase…
https://www.provideocoalition.com/burning-questions-about-generative-extend-in-premiere-pro-beta/ I have to try this out, and I didn’t know you can do 2 seconds of video and 10 seconds of audio. Weird that it is put in the scratch disc folder, instead of next to the original clip for easier media management.
https://www.provideocoalition.com/how-to-edit-smarter-in-premiere-pro/
https://www.provideocoalition.com/adobe-max-flies-into-genai-video/ I am scared for but also excited by adobe AI. Of course hands on has not been as impressive as the Adobe Demos.
https://youtu.be/iM8ejIpaqF8?si=JHEQdYG1xmP34JIK This is so amazing! Being able to draw and move simple items or even a camera to create Adobe Firefly AI images. This is the control that Firefly truly needs.
https://youtu.be/xuPd0ZZa164?si=FLrL1myGqowmhI7W This would be impressive if it just did the compositing, but the relighting is absolutely amazing! I mean changing shadows on an image, OMG!
https://youtu.be/RddSWodgX5w?si=OG_tyQRuCPfGeCJq This is huge and going to be a major game changer, so Adobe you had better put this into Premiere ASAP. Not only text to audio, but being able to record a scratch track for timing! Honestly as a commercial and direct response editor I have seen less and less put into audio. I used to at least have a mixer to do an nice mix, but especially since the pandemic I have also had to do a mix (and while audio is not my thing I have become much better at it) but being able to add sound like this so quickly will certainly bring projects to another level.
https://www.provideocoalition.com/aep0324/ As always a must read even if I am a little behind.