Adobe has a 45% gain after Apple releases FCPX!

Hardmac has an article on an official statement from Adobe about them having a 45% growth in OS X after the release of FCP X. Good job Apple! You could not have done more for Adobe, or in all likelihood AVID than crippling FCP X as you did!

And if you cared, you would have released an update to FCP X by now, but obviously you have not, so your claims to caring are shown to be hollow!

onOne Releases Perfect Photo Suite 6

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onOne Software has released Perfect Photo Suite 6 for Photoshop. This has long been one of my favorite Photoshop plug in suits, and they have added new plug ins, Perfect Effects 3 replaces PhotoTools, they have added Perfect Portrait and Perfect Mask replaces Mask Pro 4. I am always using Photoframe and the rest of the suite is well worth it. Also love that when I owned the earlier version they gave a free 64 bit upgrade. This company totally rocks.

Digital Rebelion on 18 Features Premiere needs to borrow from FCP 7

Digital Rebellion has an excellent article on 18 features that Premiere Pro must lift from Final Cut Pro, some of which I have covered extensively (like showing clip duplication in the timeline) and others I had not even realized, but all I agree with are necessary for Premiere Pro to really replace Final Cut Pro.
Though I doubt you will ever be able to open multiple projects as you can’t in After Effects either (only import projects into each other). Still it would be nice!

FilmRiot is Premiere better than FCP

Film Riot has a a good video podcast on is Premiere Pro better than Final Cut Pro, and basically it comes down to that yes it is. It can open Final Cut Pro projects, and is really damn fast. And one of my favorites, is the After Effects integration, which really is incredible. Check out this video below.

Biscardi Creative on Premiere and AVID with Davinci Resolve

Biscardi Creative has an interesting article on workarounds to use Adobe Premiere Pro and AVID Media Composer with Davinci Resolve which is currently made to work with Final Cut Pro 7.

It looks like there is no easy solution right now, as Resolve reads Premiere’s XML, but not all of it’s media is compatible, and you need a $500 plug in to make it work with AVID. Otherwise you basically need to export a quicktime and use scene detection to make a grade (so no dissolves).
Not an ideal solution for sure.

Scroll Wheel in Premier Pro

Adobe has a good tech article on scrolling in Premier Pro. This is functionality that seems strange to me, so I thought I would post it.

I am sure anyone who has tried premiere pro sees that scrolling with a mouse in Premiere Pro moves you down the timeline and doesn’t reveal tracks, but you can still scroll by hovering over the scroll bars and using the wheel, and it can also zoom the timeline if you hold down the option key (though I would like to see a setting to change the scrolling behavior from right to left to up and down).

Adobe Media Encoder

I got in video encoding years back, before I became a professional editor, when I was working at Warner Bros. Online, and have always kept up with it, though for a long time I have used Compressor as my program of choice, mainly because I already had it and it worked really well.

After using Adobe Media Encoder I wonder how I stayed with Compressor so long. Media Encoder has one feature that makes it so much better than any other media encoder out there. To encode a sequence from either Premiere Pro or After Effects, you just open the Project and select the sequences you want in Media Encoder, no exporting a quicktime or giving up your program to edit. You can let Media Encoder do it from the Project! THIS IS HUGE! How did I ever live without out? I have no idea, but I won’t in the future!

THANK YOU ADOBE!!