From Evan Selleck at Apple Insider.
I haven’t tried out Final Cut for iPad, I can use Final Cut Pro, very well in fact, but I don’t like it, and I don’t want to pay a subscription for it.
I still am not a big fan of Final Cut Pro, though I am an expert on it, so I doubt I will even try it out on the iPad, but some of the omissions do seem curious, like having limited color correction when DaVinci has full color (though missing the edit page, so you really can’t talk about DaVinci).
Still the fact that the already wonky Project naming schemes seems different here is literally insane. Just follow fucking industry standards already!
And no second storylines also seems pretty huge.
Apple will soon be releasing touch based Final Cut Pro and Logic Pro for high end iPads, but as subscriptions at $4.99 a month or $49 a year.
Logic will work on any iPad with an A12 Bionic or later and Final Cut will only work 5th or 6th gen 12.9 inch iPad Pro, 3rd or 4th gen 11 in iPad Pro or 5th generation iPad Air.
I love that Apple is finally treating the iPad as pro as other companies, but I hate that it is subscription. I would rather pay $99 for a lifetime than have a monthly fee.
The month free is great, but if I had the program I might use it, but paying monthly for it, unless i am making a living off of it. And sure it is cheap monthly, but I just don’t see any subscription that I am not making a living off of.
It basically shows that the whole software is in here, but not activated for iPad yet, so that means it will likely be added in eventually.
I have seen people who are so negative on DaVinci for iPad, but I am psyched for it. To me it is basically the first full pro software for the ipad and I can’t wait to use it it with my Blackmagic camera.
Filipe Esposito at 9 to 5 Mac wrote this article and I couldn’t agree more.
There is some pro-ish software, with the recently released DaVinci Resolve being the most powerful software on the iPad.
Apple needs to make the software more powerful, because the hardware is already as powerful as it needs to be.
After being briefly shown in Apple’s introduction video fro the new iPad Pro, Blackmagic Design has officially announced DaVinci Resolve for the iPad.
For now it will only have 2 tabs, the color tab shown above, and the cut tab.
Here;s hoping that the cut page will work with the DaVinci Speed Editor, which is Bluetooth, so that would only make sense.
They have also said there will be a free version and a paid Studio Version from the iTunes Store.
With the M2 Chip in the new ipad pro this should work, though the limited ram might be a bit of an issue, as will storage, so hopefully it will work well with external hard drives.
This will be released in quarter 4 of 2022!
How can Blackmagic Design manage this, when Apple hasn’t manged a version of Final Cut Pro for the iPad.
Jose Antunes has an article at ProVideoCoalition on the recently released upgrade to LumaFusion for iPad, version 3.0. The update includes stabilization software from CoreMelt, and the ability to use external drives, especially for the new iPad Pro with USB 4.0. It also has a new graphic equalizer.
I have actually used LumaFusion as it is the most standard type editing program on iPad, if you can use Premiere or AVID you can easily use LumaFusion. It is well worth it’s $29.95 price.
And I wholeheartedly agree. There is no overall user interface, everyone does it differently, and for me at least I don’t see the stability to use it in a work environment. Like Final Cut Pro X apps on iPad are supposed to just save and, but every time I have tried to really use art software on an iPad it crashes and I end up losing not a small amount of work, but most of my work, admittedly the same thing has happened to me with Final Cut pro X and it’s auto save with everything you do, if you are forced to use autodave and on the iPad have no way to backup your save definitively, then it can’t be used in a work environment and feel safe.
Now I hate windows, but I have an old Surface and even though it is far slower and doesn’t have an impressive touch interface, being able to use a full version of Photoshop is far superior to anything on a much more powerful iPad. It is too slow to edit on, but photoshop if far superior.
And while I have tried some editing on the iPad, and it works for simple stuff, it just isn’t pro. Even though an iPad can play back H.265 footage better than any Mac I have ever seen, the software on the iPad is not conducive to the Pro Work that the hardware is capable of. Of course again I kind of feel the same about Final Cut Pro X, it has some amazing high level technology, but it just isn’t put together how it should be or how an experienced editor would want to use it.
And programs just crash on an iPad, there is now way to see the memory used or how it is being taxed. Even the simplest apps like web browser crash and I lose all my tabs all the time.
And since every palm pilot had a way to store the pencil securely within the device, why can’t apple figure this out? The Apple Pencil is only useful if it is charged and attached. Having to keep it safe separately is not ideal.
I love my iPad because of convenience, but I have to say I would rather have a mac equivalent of a Microsoft Surface Book. A laptop with a touchscreen and a graphics card in the keyboard for editing work, but that I can take off and use as a tablet. And now that they both use the same chips this certainly should be possible. That would be ideal, though it would need to add Thunderbolt External GPU support to M1 Macs.
2 days ago Apple announced the release of the new iPad Pro with the M1 chip (not as big an upgrade as it is for Macs since it is based on previous iPad chips, but still an upgrade).
Well the 12.9 model (all are $100 more expensive than previous models) has an upgraded display that includes apple XDR mini-LED display with IPS tech, and that may be more important than you think. It includes P3 color space and could support HDR 10, 10+ and Dolby Vision.
Patently Apple has an article about how Michael Cioni the VP of Onnovation at Frame.io told the Hollywood Reporter that this could be the perfect viewing display, since it can display work as it was originally intended.
I would actually like to see the original interview. I question the iPads viability because I know just how weird Apple’s color science is. Maybe it would work well with footage from Final Cut Pro X that has Apple’s weird color science baked in, but with footage from Premiere and DaVinci, I will bet it will be just as messed up as a Mac is even if it could show the correct colors. Unless maybe Frame.io is working on a solution in it’s app to bypass Apple’s funky as Color Science. If Frame.io figured out how to bypass the wonky color science or read what machine it is on and display correctly that would make Frame.io even more worthwhile.
This has been rumored, but to see it in action, wow. So with Mac OS Catalina, you can use a feature called sidecar, and have your iPad extend your Mac Screen and use the Apple Pencil. Goodbye Wacom tablet, you can now use the Apple Pencil and iPad to draw right on images!
Wow, I really can’t wait for this! This is a game changer for Photoshop!