FilmMaker IQ on 20 new Camera Pockets guides from Black and Blue
Saw this one at Filmmaker IQ. You can get them at The Black and Blue, which are simple folder pocket guides for 20 cameras in use now. It is $15.00 for all 20 guides.
Saw this one at Filmmaker IQ. You can get them at The Black and Blue, which are simple folder pocket guides for 20 cameras in use now. It is $15.00 for all 20 guides.
Bare Feats has a great speed test for DaVinci resolve on Mac. What I Find the most interesting is that last generation video cards from MacVidCards are beating out current generation GTX680 Fermi video cards, but that is likely a Mac Driver issue. They have some common drivers for the new cards thanks to the new MacBookPro, but don’t have full drivers of yet (still cool that many PC NVIDIA cards will run).
Cinema5D has an article on shooting RAW with the BlackMagic Designs Camera. Worth checking out. I love this quote.
These images are by far sharp, detailed, rich in skin tone and excellent to grade. They blow away any DSLR at the moment and produce quality on par to a baby Alexa. I am simply astounded. Now my grading skills and film-making need to increase to match the potential of the camera.
At this price I would love to check one of these cameras out. I do think it has design issues (like the non-removable battery). But still a very exciting new camera.
Philip Bloom has gotten and unboxed his Blackmagic Design Camera, though not really used it much to test yet. Worth checking out.
You can download it from their web site right now. It is available for Mac, Windows and Linux operating systems.
They have had a significant user interface re-design, automatic 3D eye matching, multi layering timelines, additional xml support, log grading, 16 channels of audio, automatic audio sync, and the ability to have multiple frame rates in a single sequence (if you click a check box). You can read the press release or just download it now.
Marco Solorio at OneRiver Media has a good article on the possibility of the new Blackmagic Cinema Camera being the DSLR Video killer. He give a compelling argument, and at this price point this camera is going to be huge.
FCP.CO has the news on a new Blackmagic Cinema Camera. It is $2995 with 13 stops of dynamic range, a large 2.5K sensor and Canon EF mount lenses. And it comes with a full version of DaVinci Resolve and Ultrascope. It records to SSD in 12 Bit Log as well as CinemaDNG, ProRES and DNxHD, and has a large touch screen for entering Metadata. Check it out at Blackmagic Designs Web site.
From what I see the biggest problem seems to be the lack of XLR audio inputs and only 1.4” instead. Certainly not as good. Makes this a good run and gun B-Roll camera, but you would want something with XLR for sync sound. Actually been reading more and it is the same sound as it would be with XLR.
Seems people’s biggest complaint is going the Apple rout and having a non-removable battery that takes 3 hours to recharge. This certainly makes it more of a get a shot here and there camera, though it seems that it can actually take many different voltage power, so you can power it from many different batteries and it will be fine, so it is not like this is a huge problem, but you will have to have some sort of mount and extra batteries for any serious shooting.
Creative Cow has the news on the 2 new Teranex Box, starting at $1995 and a smaller thunderbolt design for $3995 with all the power of the previously $90,000 version to do conversions!
Creative Cow has the announcement of a completely overhauled user interface, that will be available in July and free of charge for all Resolve customers, or $994 full price as it is now.. New features include automatic 3D eye matching, mutli-layer timelines, xml support and more camera and file support. It also includes Log grading, audio playback with 16 tracks per clip, automatic audio sync, clip data burn ins and batch rendering for dailies.
MacTech has an article on Blackmagic Design having announced a Pulbic Beta of their version 2.0 software for the HyperDeck, which gives Avid DNxHD format to the device.
I actually wonder if ProRES will stay as a big format now that FCP X is no longer pro software, looks like AVID and Premiere will be the way to go.