Jonny Elwyn on Matching 2 different Cameras Using Cinematch

Jonny Elwyn has an excellent article on using Cinematch to match 2 different Cameras. And you can use his Promo Code at Cinematch for the $125 Plug in (for either Premiere, DaVinci or FCP or $174 as a Bundle). This is another extensive article and well worth a read. I would love this tech, since the company I have been working for seems to use 2 different cameras always, and different settings every time, but getting info is like pulling teeth, and the EXIF route seems more difficult than just throwing it in Resolve and fixing it by eye, maybe not as well matched, but visually matched. I do really like the idea of this match, but also they don't have my DJI Pocket 2 in here, which would be my second camera most of the time.

At NAB Blackmagic updated it’s URSA mini Pro 12K with OLPF Filter for Digital Screen Production

https://www.youtube.com/watch?t=1851&v=_Ed-zXtG8oQ&embeds_euri=https%3A%2F%2Fwww.provideocoalition.com%2F&feature=emb_imp_woyt Same camera with Low Pass Filter for problems with Aliasing Especially when working on something like a volume with video walls where you don't want aliasing. And it is the same price.

No Film School on Deity Microphones with Timecode

Charles Haine at No Film School reviews the new Deity BP-TRX wireless microphones that also supply timecode! Of course they are $249 each, so you would need 3 to jam sync a camera and have 2 mics, but the with timecode is compelling. Especially since as an editor I almost never get perfect jam sync timecode on my audio.

RedShark on what High Definition Looked like in 1990

Roland Denning at Red Shark has this article, which links to this YouTube Video of what Analogue HD from 1990 looked like. Amazing to see the difference. I just thought this was very cool. https://www.youtube.com/watch?v=YW26YMe8iUQ&feature=emb_imp_woyt