Same camera with Low Pass Filter for problems with Aliasing Especially when working on something like a volume with video walls where you don’t want aliasing. And it is the same price.
From Yaroslave Altunin at No Film School. For price and size these are very impressive and I could use them for my Blackmagic.
They all seem a bit too expensive still, but interesting from Jose Antunes.
Alyssa Miller has this interesting article on the sweat spot of many lenses, and it is worth a read. Sure it was different when this was initially stated since it was large format cameras, meaning F/8 was much less depth of field than modern cameras, but still, it is a pretty much sweet spot on most lenses.
Charles Haine at No Film School reviews the new Deity BP-TRX wireless microphones that also supply timecode! Of course they are $249 each, so you would need 3 to jam sync a camera and have 2 mics, but the with timecode is compelling. Especially since as an editor I almost never get perfect jam sync timecode on my audio.
These are sponsored links from BH, but still pretty inexpensive. I didn’t realize you could do wireless video for $369.
Roland Denning at Red Shark has this article, which links to this YouTube Video of what Analogue HD from 1990 looked like. Amazing to see the difference. I just thought this was very cool.
RedShark has an announcement on the new OM System’s OM-1 the last camera with the Olypmpus Branding. and it is a 4K powerhouse, though only records internally in H.264 and H.265 video with 4:2:2 color resolution (It needs an Atomos to record ProRES). It has not been priced as of yet.
