postPerspective Color Pipeline: Virtual Roundtable
Please give this is a read, very interesting.
Jonny Elwyn: Andor One Way Out – Inside The Editor’s Cut
Jonny Elwynn did an interview with Andor Editor Simon Smith with a Video (free registration required).
Andor was an amazing show, so this is quite interesting.
CUT/DAILY #350 Meets… Editor Nicholas Wong
Read the Cut/Daily interview with Editor Nicholas Wong. Who started as an assistant and worked on the Expanse, woohoo.
Always worth reading Cut/Daily.
No Film School How Editors Shaped the Royal Magic of ‘Queen Charlotte: A Bridgerton Story’
Jo Light at No Film School Interviews editors Matt Pevi and Denise Chan.
This is interesting as I found this show so far superior to the main Bridgerton show, that I wished it was longer.
postPerspective interviews Weta’s VFX Supervisor for Guardians of the Galaxy Vol. 3
Love the film, and have loved Weta since working on the LOTR Extended Editions.
Cut/Daily #345 Meets… Editor Daysha Broadway
Free to read with a free subscription, have a look. An interview with a member of an all woman of colour editing team who won a primetime Emmy for Editing!
FXGuide’s FXpodcast #353 Stephane Cerewtti – VFX Supervisor, Guardians of the Galaxy Vol. 3
A great movie and well worth listening to.
postPerspective Interviews Finishing Artist Maggie Maciejczek-Potter
Another great Post Interview.
The Finishing Artist isn’t even a position I have heard of. Very interesting.
Master the Workflow interviews Film Editor Lisa Churgin on using Adobe Premiere to edit Peter Pan & Wendy
From Master the Workflow.
A 45 minute interview, and I love to see features done in Premiere vs AVID Media Composer.
And her whole history in editing is fantastic to learn about. And cutting on a flatbed (which I haven’t done, only a moviola).
I have watched Peter Pan & Wendy as well, which was OK, but I felt it fell apart more in casting and scripting, because I got no joy from the young Peter Pan and Jude Law is no Jason Isaacs.