A $4000 price drop on it’s 12K camera is amazing, especially considering the worldwide chip shortage! The hard drive space for 12K is too much for me, but still an impressive price drop. This is going to really get this camera in allot of hands!
Blackmagic has updated it’s DaVinci Resolve software to 17.3.
The big feature is 3x faster with Apple Silicon M1 enabling 8k editing and grading. As well as H.265 encoder enhancements.
It also includes the ability to rotate garbage mattes.
Another great sounding free update. Can’t wait to give it a try.
Adobe has announced updates to Photoshop iPad and updates to the desktop app.
On the iPad this includes the healing brush and magic wand as well as canvas projection if you connect your iPad to an external monitor or TV display via hdmi or USB-C.
Photoshop Desktop has updated Sky Replacement with more skies, you can now import 500 skies at once. And updated Transform Warp Bezier Handles.
And Photoshop will be releasing it’s Photoshop Beta program as of next month.
Adobe has also updated Fresco on the iPad with Color Adjustment Layers.
Adobe has added Composition Profiler to it’s beta of After Effects as it announced in it’s BETA Forum. You enable it by clicking the snail in the lower left of the timeline window and it will show render times for each layer so you can can see the render times for each layer and know which layer is slowing you down.
This is very cool. Just a great feature so you can quickly see what is slowing you down.
Other World Computing’s Rocketyard has a great video and post for setting up an Editing system. Now of course as a company that sells products they are going to recommend their stuff, but since I mostly use their stuff anyway…
Still it is a little dated since it recommends and iMac Pro (which is EOLed) and a top of the line Intel iMac will likely be faster anyway.
A very useful lesson on adding randomization in After Effects.
You should check out the rest of ECAbrams videos on youTube as well.
I really need to dive more into expressions. I can use them and do some modifications, but I am not really an expert or good at creating my own, which is something that really can bring master levels of After Effects.
Scott Simmons at the ProVideoCoalition is reporting that Adobe has End Of Lifed as of September 8th, 2021. The article also talks about that Bridge remains, and there is Lesspain Software’s Kyno, or maybe Hedge which was bought by Divergent Media and could be merged with EditReady.
Now I hate to see the creative suite having less apps, and I hated when they removed SpeedGrade (and am still hoping for a return as Lumetro Pro), but while I have opened Prelude I can honestly say I have never used it.
Honestly I think Prelude should have been upgraded and made free instead of killed. Adobe Premiere could use a full metadata system and they could learn a lesson from Final Cut Pro X and it’s metadata super powers. And if they made Prelude free and easy to use anyplace including on iPad and iPhone to be able to metadata footage quickly and easily and pass it to Premiere it would be beyond useful.
I am happy that Adobe seems to be really big on new features in Premiere right now, but axing apps from their suite doesn’t seem like a good start.
I do love that since YouTube re-compressed everything you should basically upload in your editing format, since they don’t have upload limits like Vimeo. It is pretty funny that Adobe Media Encoder’s YouTube settings are H.264, but I guess it saves your bandwidth.
I have been reading a lot of articles on Apple’s recent move to add CSAM or Child Sexual Abuse Materials in any photos you sync with iCloud (which is all of them if you have iCloud backup on). I really like the depth that Jason Snell at Macworld has taken on the issue, and why it is an issue.
Apple’s approach here calls all of that into question, and I suspect that’s the source of some of the greatest criticism of this announcement. Apple is making decisions that it thinks will enhance privacy. Nobody at Apple is scanning your photos, and nobody at Apple can even look at the potential CSAM images until a threshold has passed that reduces the chance of false positives. Only your device sees your data. Which is great, because our devices are sacred and they belong to us.
Apple’s approach here calls all of that into question, and I suspect that’s the source of some of the greatest criticism of this announcement. Apple is making decisions that it thinks will enhance privacy. Nobody at Apple is scanning your photos, and nobody at Apple can even look at the potential CSAM images until a threshold has passed that reduces the chance of false positives. Only your device sees your data. Which is great, because our devices are sacred and they belong to us.
The risk for Apple here is huge. It has invested an awful lot of time in equating on-device actions with privacy, and it risks poisoning all of that work with the perception that our phones are no longer our castles.
And while it is noble to try and do something about Child Sex Abuse, it also does fly in the face of Apple and them being the arbiter of privacy. And that isn’t even talking about false positives. And then there is where does this lead, because if they are scanning your photos won’t they soon be scanning everything, and where is the privacy there.
Adobe made the announcement in the beta forum in their communities.
Woohoo, something I never asked for but will certainly use. Just removing the disabled clips and empty tracks is very cool.
Now if only they could also un-merge clips (since merged clips break audio metadata so a mixer is basically unable to relink clips because their names and timecode change) and maybe flatten multi-cam as well, though you can already do that.
I do love that Adobe all the suddens seems to adding new features at a prodigious rate, but I just hope they will still go back and fix what is broken and has been for a long time.