Premiere Pro Beta can now click and drag to select multiple track targets
As posted by Marjorie Sacks from Adobe int he Adobe Premiere Pro Beta discussions.
Track targeting just got a lot easier in Premiere Pro (Beta). You can select and target multiple source or target tracks by holding down CMD/CTRL as you click and drag the cursor across multiple track buttons in the timeline panel.
Holding down CMD/CTRL + Shift while dragging will invert the targeted selection.
Yea I could not be happier about this, AVID always did a better job with track selection, and this does a lot to bridge that gap.
Jonny Elwyn on What are the Best Headphones for Film Editors
Jonny Elwyn has a very informative article on the best headphones for film editors, with a lot of testing. I would love some of these headphones to try out.
Josh Edwards at RocketYard on 10 Essential Hotkeys for Faster Video Editing in Premiere Pro
Josh Edwards at OWC’s RocketYard.
Personally I use Option R for Ripple Delete, but yea, Keybaord shortcuts are so important.
Chris Salters at Frame.io on How Remote Editors Build Successful External Client Relationships
This article is a must read for Freelance Remote Editors.
I so love being able to work from home, especially with my own equipment and not having to deal with Los Angles Traffic.
Johnny Elwyn links to resources for learning and using ACES Color Management
I have never had to use ACES, but here Johnny Elwyn links to a bunch if resources if you do.
PVC on Star Trek: Strange New Worlds… gets Cooke’s Anamporhic Look
I think Strange New Worlds is the first real Star Trek in years (other than Orville which is obviously Star Trek the Next Generation without the name). I am loving the show, so loved the read of Jose Antunes at Pro Video Coalition.
Alexa has announced the ALEXA 35, their first new sensor in 12 years!
The Alexa 35 looks amazing and it looks like Alexa has done it again, though way out of my price range.
Here are some links and videos I checked out about it.
Potato Jet has a video Review.
Brian Hallett at ProVideoCoalition has a look at it.
As does Yaroslave Altunin at No film School.
I edit a lot of spots shot with Arri, so hopefully will run into some footage from one of these soon.
I just wish that Adobe would allow us to not have the damned AMIRA Lut automatically applied, especially since it doesn’t do this for other cameras. On a pro editing system I want to control it,
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